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Despite her formidable super-diva status, Mariah Carey is a vulnerable girly-girl at heart -- or at least that's what's suggested by her sugar-and-spice album titles, from Music Box, Butterfly, and Rainbow to her latest, Charmbracelet. But there's a lot more to Charmbracelet than its cute title. This is, after all, Carey's first disc since 2001 -- the year her movie Glitter and its soundtrack bombed, she was dropped by Virgin Records, and she had a well-publicized nervous breakdown. So how does the resilient Ms. Carey bounce back? With an earnest, fresh-sounding collection her fans will love from start to finish. In the vein of her hip-hop-inspired hits "Fantasy" (featuring Ol' Dirty Bastard) and "Breakdown" (featuring Bone-Thugs-N-Harmony), "Boy" features rapper Cam'ron and samples his 2002 song of the same name. For the most part, however, the disc is anchored by sparse mid-tempo tracks and soul-baring ballads that flaunt the singer-songwriter's still pristine five-octave range. Standouts include the sweet-and-sour "Clown" -- where she levels lyrical disses, such as "You should have never intimated we were lovers/When you know very well we never even touched each other," at rap bad boy Eminem -- her climactic cover of Def Leppard's "Bringin' On the Heartbreak," and the gospel-inspired "Saving Grace." On the latter track, Carey muses: "I've still got a lot to learn, but I know where I can turn." From the sound of things, however, this Madame Butterfly has learned from her hardships and found the strength to Carey on. Tracy E. Hopkins, Barnes & Noble