Carving Desert Canyons Scale the Summit

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CD

  • Release Date: 02/17/2009
  • Sales Rank: 51,302
  • Label: PROSTHETIC RECORDS
  • UPC: 656191007023

Listener Rating: (1 ratings)

Detailed Rating: "Originality" See All

 
  • Overview
  • Tracks
  • Editorial Reviews
  • Customer Reviews
  • Details & Credits
Track List
Click on LISTEN or link to hear an audio clip.
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Carving Desert Canyons

1LISTENBloom 2:09
2LISTENSargasso Sea 5:14
3LISTENThe Great Plains 5:11
4LISTENDunes 4:27
5LISTENAge of the Tide 5:35
6LISTENGlacial Planet 4:52
7LISTENCity in the Sky 5:03
8LISTENGiants 7:20

About this Artist

Editorial Reviews

Instrumental music has made quite the comeback -- at least in indie rock circles -- during the third millennium's first decade; but while most of the bands responsible for lighting its torch arose from thoroughly post-Y2K (i.e. post-rock, post-metal, post-everything) musical aesthetics, Houston's Scale the Summit draw the bulk of their wordless sound endeavors from the good ol' 20th century. Just seconds into their 2009 sophomore effort, Carving Desert Canyons, the unashamed virtuosity and evocative lyricism of opener "Bloom" already harks back to the heyday of instrumental guitar heroes like Satriani and Vai, unearthing a pre-grunge production clarity that few listeners probably ever dreamt they'd hear again. Yet, here they are, and repeat samples proliferate throughout ensuing, fleet-fingered, mood-metal explorations like "Giants" and "The Great Plains" the latter also boasting a command bass guitar performance from Jordan Eberhardt. Other tracks like "Sargasso Sea," "Age of Tides," and "Glacial Planet" may initially seem to be cut from the same cloth, but quickly reveal entirely different inspirational touchstones ranging from progressive metal overlords Dream Theater to avant-death legends Cynic, through Dutch art-metallers Kong. All this being said, the long-term effects of doing without the convenient handholds normally afforded by lyrics and vocals may gradually begin to exhaust less technically oriented listeners, in whose defense it could be said that less imaginative cuts like "Dunes" and "City in the Sky" do start sounding like endlessly spinning, mathematical scales and finger exercises after a while. Still these are minor issues compared with the surprisingly fresh, sound-out-of-time experience that Scale the Summit have achieved on Carving Desert Canyons, as a whole, and it's sure to make this one of the year's most distinctive heavy metal releases -- with and without vocals. Eduardo Rivadavia, All Music Guide

Customer Reviews

  • Listener Rating:
  • Ratings: 1Reviews: 1

Solid 2nd effortby KAA5

Reader Rating:
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October 03, 2009: Another great release from this young group, better event than the first. Their self-proclaimed genre of "adventure metal" pretty much sums it up. A solid foundation from the drums and bass perfectly complimented by rhythm and lead guitars. The playing has really matured from the first release; showcased by brutal 7 string riffs that make you grit your teeth, soaring leads that are technical without loosing the musicality, tasty bass with the occasional eye opening lick, and the ever-shifting drums that never stray from the course. For all the metal heads, prog nerds, and technical fusion fans, pick this thing up.