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CD
Disc
1 | |
| 1 | |
| 2 | Miracle on 57th Street |
| 3 | The Airlines |
| 4 | Sound |
| 5 | The Kidnap |
| 6 | Point of View |
| 7 | Ku Klux Klan |
| 8 | A What's It Mean |
| 9 | Kennedy Acceptance Speech |
| 10 | On Humor |
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Disc
2 | |
| 1 | |
| 2 | The Clap |
| 3 | Christ and Moses |
| 4 | Equality |
| 5 | Internal Revenue |
| 6 | Pills |
| 7 | Burlesque House |
| 8 | Judge Saperstein Decision |
| 9 | On Contermporaries |
| 10 | Shelly Berman |
| View all tracks on this disc | |
| See all tracks | |
It's impossible to trace the full extent of Lenny Bruce's influence, but it's safe to say contemporary comedy, let alone stand-up, would simply not exist as it does today without his daring example. Bruce's free-flowing, jazz-like style was built on improvisatory rhythms, and his stand-up set was the first to blend highly charged political ideas into a wild and funny stream of consciousness. Integration, drugs, gays, lesbians, the generation gap, the Ku Klux Klan, moral philosophy, communism, interracial relationships -- after Lenny, nothing was taboo. THE CARNEGIE HALL CONCERT captures a genius on the creative ascent, and listening to it one hears the clear echoes of those who would follow his lead: Richard Pryor, George Carlin, Sam Kinison, and many others. The masterwork of a true visionary, this record marks the birth of modern American comedy. Donald Gray, Barnes & Noble