Barnes & Noble
A well-considered overview of the mainstream bluegrass field, this four-disc, 100-plus-song collection charts the evolution of the music from 1925 through 2002. The earliest track is Charlie Poole and the North Carolina Ramblers' stirring 1925 workout on "Don't Let Your Deal Go Down Blues," and from there the set goes on to illustrate how the style has hewed to its fundamentals even as visionaries such as (the amply represented) Bill Monroe and Lester Flatt & Earl Scruggs infused it with new ideas. In the end, bluegrass remains true to its roots, there not being so great a leap from 1925 to Rhonda Vincent's keening 2001 tribute to Monroe, "Is the Grass Any Bluer." Purists may question the inclusion of four Byrds tracks and the Dixie Chicks' affecting "Tortured Tangled Hearts" to the exclusion of the entire progressive bluegrass wing (New Grass Revival, Seldom Scene, Nickel Creek, et al. are not featured). However, a younger guard is represented by way of Vincent, Ricky Skaggs, Patty Loveless, Steve Earle with the Del McCoury Band, and exciting latter-day fusions of Edgar Meyer (with Bela Fleck and Mike Marshall on "Big Country") and violin virtuoso Joshua Bell, teaming with Meyer, Marshall, and Sam Bush on 1996's "BP," which in and of itself advances a forward-looking mind-set in a traditional setting. In between there's plenty of Jim & Jesse, the Stanley Brothers, and the Osborne Brothers, as well as nods to Mark O'Connor, Alison Krauss (including the haunting "So Long, So Wrong"), and the latter-day Ralph Stanley in bringing the concept full circle. There's a lot more to bluegrass history than even this generous collection suggests, but it does a splendid job of telling the story in broad strokes. And a stirring tale it is. David McGee
All Music Guide
The title pretty much says it on this deluxe four-disc package from Sony's Legacy imprint. Here on four discs are 109 performances that cover the spectrum of American bluegrass, beginning with its pre-birth roots in Appalachian country string band music via the recordings of Gid Tanner, Charlie Poole & the Blue Ridge Ramblers, and the Carters in the mid-'30s. The story really takes off with the Monroe Brothers and their classic "What Would You Give in Exchange (For Your Soul)?" in 1936, the same year that Roy Acuff issued his first hit, "The Great Speckled Bird." Ralph and Carter Stanley, the Bailes Brothers, and Molly O'Day enter the root stream within a few years, and the tree blossoms at the dawn of World War II, flowering with Flatt & Scruggs' "Foggy Mountain Breakdown" in 1949. These are all here, of course, as are cuts by Wilma Lee and Stoney Cooper, the Osborne Brothers, Roy Hall, Grandpa Jones, Jim & Jesse, Bill & Mary Reid, the Webster Brothers, and many others from these early decades. Where the set really takes its chances is in including the contributions made to rock and modern country and bluegrass music through offerings from the Byrds, Ricky Skaggs, Eric Weissberg, the Dixie Chicks, the O'Kanes, Rhonda Vincent, Herb Pedersen, and many others. What it makes for is a provocative look at the music as it evolved not only musically, but culturally and socially, as it crossed from the Deep South into the East and West Coasts and moved north. Not everyone will agree with the track choices, of course, and the tiresome purists will no doubt find the last CD difficult to handle given their attitudes of preservation at any cost -- including premature death -- but the rest of us can be delighted, beguiled, amused, and confronted by this primitive, raw original American underground music as it entered the mainstream of our society. The set includes a fantastic historical essay by former Creem editor Billy Altman, and a fine introduction by Dr. Ralph Stanley. Thom Jurek