British Music for Flute, Oboe and Piano

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CD

  • Release Date: 07/10/2007
  • Sales Rank: 164,714
  • Label: DUTTON LABS UK
  • UPC: 765387718121

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  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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British Music for Flute, Oboe and Piano

1LISTENPastorale et Arlequinade, / Eugene Goossens
2LISTENPastorale et Arlequinade, / Eugene Goossens
3LISTENTrio, for flute, oboe & p / Madeleine Dring
4LISTENTrio, for flute, oboe & p / Madeleine Dring
5LISTENTrio, for flute, oboe & p / Madeleine Dring
6LISTENSounds and Sweet Aires, f / Richard Rodney Benne
7LISTENSounds and Sweet Aires, f / Richard Rodney Benne
8LISTENSounds and Sweet Aires, f / Richard Rodney Benne
9LISTENDialogues (3), for flute / Edward McGuire
10LISTENDialogues (3), for flute / Edward McGuire
11LISTENDialogues (3), for flute / Edward McGuire
12LISTENShadow Dance, for flute, / Rhian Samuel
13LISTENImpromptu No. 1, for flut / Thea Musgrave
14LISTENSuite Bourgeoise, for flu / Malcolm Arnold
15LISTENSuite Bourgeoise, for flu / Malcolm Arnold
16LISTENSuite Bourgeoise, for flu / Malcolm Arnold
17LISTENSuite Bourgeoise, for flu / Malcolm Arnold
18LISTENSuite Bourgeoise, for flu / Malcolm Arnold

Editorial Reviews

It may come as a surprise to some that there is enough English music composed for the combination of flute, oboe, and piano to fill an entire CD, but, as this collection demonstrates, there is and a lot of it is quite good. And while some of the composers here will be unfamiliar except to fans of English music -- Eugene Goossens, Richard Rodney Bennett, Malcolm Arnold -- and others will be unknown except the hardest of hardcore fans of English music -- Madeleine Dring, Edward McGuire, Rhian Samuel -- the music here is likely to appeal to all but the hardest hearted Anglophobes. As superbly played by flutist Nancy Ruffer, oboist John Anderson, and pianist Helen Crayford, some of the music is charming -- Goossens' ebullient "Pastorale et Arlequinade," Dring's bouncy "Trio," and Arnold's tongue-in-cheek "Suite Bourgeoisie" -- some is more challenging -- McGuire's "Three Dialogues" and Samuel's "Shadow Dance" -- and some of it is somewhere in-between -- Bennett's sly "Sounds and Sweet Aires" and Thea Musgrave's insouciant "Impromptu." But with the effervescent Ruffer, the penetrating Anderson, and the accommodating Crayford performing, all of it is persuasively played. The performances were clearly yet warmly recorded in 2005 and 2006 by Dutton. James Leonard, All Music Guide

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