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Americans had been fascinated with the weightless elegance of Brazilian bossa nova since Stan Getz hooked up with Joao Gilberto in 1964, but David Byrne's groundbreaking 1989 compilation, Brazil Classics 1: Beleza Tropical, presented an entirely new vision of Brazilian pop. Culling together '70s and '80s tracks by avant-garde artists (Gilberto Gil, Gal Costa, Caetano Veloso) as well as Afrocentric soulsters (Milton Nascimento, Jorge Ben), Byrne presented a polyglot pop that was as blithe as '60s bossa nova and as adventurous as his own work with the Talking Heads. On Beleza, the bossa rhythm is turned into an elastic springboard for wild experimentation -- from Jorge Ben's gritty funk to Caetano Veloso's stately art-pop to Gilberto Gil's airy crooning and Nazare Pereira's entrancing party jams. Throughout, state-of-the-art production and a very postmodern sense of eclecticism effect an album that was (and is) as constantly challenging as it is endlessly satisfying. Loopy and lush, stylish and scintillating, this is the kind of album whose constantly varying hues and textures will always present the listener with fresh perspectives. Jon Dolan, Barnes & Noble