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Don't expect to hear The Cure song from which BOYS DON'T CRY took its name on this soundtrack. Although that song's fleeting appearance in the film comes at a perfect moment in the story -- I won't ruin it for you -- its presence would only disturb the dusty, roots-rock vibe that dominates this collection. We're not talking Wilco here: Whoever put this album together obviously has a thing for a whole different kind of American music -- the psychedelicized rockabilly bubbling under tunes like Roky Erickson's "Haunt," the Knitters' "Silver Wings," Quicksilver Messenger Service's "Who Do You Love," and a version of Buffy Sainte-Marie's "Codine Blues" from the Charlatans, an obscure '60s proto-psych group, not the contemporary Brit-pop outfit. That last one is a great, shambling, country dirge, with just a hint of psychedelic guitar tones. Another great vintage number is the Bobby Fuller Four's "A New Shade of Blue," which sounds pretty sweet in comparison to the boring new Smithereens song snuck in next to it. Meanwhile, Lynyrd Skynyrd's "Tuesday's Gone" is simply beautiful -- so much so, in fact, that its ringing guitar sound and soulful stomp is more likely to have you digging up your copy of PRONOUNCED LEH-NERD SKIN-NERD than returning to this album after a couple listens. The few new tracks here aren't much to speak of, except for the opening tune, "The Bluest Eyes in Texas." Sung by the Cardigans' Nina Persson and written by Shudder to Think's Nathan Larson, the country ballad is the perfect reflection of the pathos that defines the movie itself. Jenny Eliscu, Barnes & Noble