Borrowed Heaven

1	Summer Sunshine
2	Angel
3	Hideaway
4	Long Night
5	Goodbye
6	Time Enough for Tears
7	Humdrum
8	Even If
9	Borrowed Heaven
10	Confidence
11	Baby Be Brave
12	Silver Strand

Barnes & Noble

Sibling act the Corrs have attained international superstardom by melding well-crafted contemporary pop with the immutable strains of their Irish heritage. Borrowed Heaven -- the group's first studio album since 2000's breakthrough In Blue -- once again colors the radio-friendly productions, rife with subtle dance beats and loops, with the Celtic flourishes intrinsic to the Corrs' sound. "Angel," an homage to the foursome's mother, intertwines a penny whistle with an infectious hook, and the ethereal, album-closing instrumental, "Silver Strand," is accented by sparse piano and fiddle. Like the band's previous discs, Borrowed Heaven is marked by the group's trademark harmonies and acute songwriting, as displayed on impressive original numbers like the Andrea Corr–penned "Confidence," with its rich vocal arrangements and dance beat–layered message of self-reliance. But as always, the Corrs do equally well tackling songs by others, such as "Time Enough for Tears," a gorgeous lullaby co-written by Bono and featured in the Jim Sheridan film In America. This confluence of traditional and modern sounds comes together splendidly in the uplifting title cut, featuring a mix of William Orbit–flavored beats, a dollop of fiddle, and a spine-tingling choral outro by special guests Ladysmith Black Mambazo. Despite having attained a degree of success that's found them playing command performances for the likes of Nelson Mandela and President Bill Clinton, the Corrs forge ahead with their homey blend of pop colored by glints of the Emerald Isle. Dave Gil de Rubio

All Music Guide

Their detractors still whine about how the Corrs used to be so Celtic (they were somewhat, but not to the degree the bellyaching infers) and now they're so light in the substance department (so was ABBA; so what?). They'll hate this one because Borrowed Heaven is light as a feather, but what harmonies, what presentation. While it's lighter in singles than their better albums, Borrowed Heaven benefits plenty from the bright, slightly electronica, and crystal-clear production courtesy of Olle Romo. While former producers -- bombastateers Robert John "Mutt" Lange and Glen Ballard -- brought the band big productions with big possibilities, Romo offers a more intimate Corrs, better for sitting in your room than spinning in the sunlight. With no hip-hop or punk angst on Borrowed Heaven, the band is out of touch with 2004 radio, so creating a fan's album ends up both a smart and comfortable move. Minus the bubbly good and pretty vacant kickoff single, "Summer Sunshine," plus a couple mundane fluff fillers, Borrowed Heaven is the most personal Corrs album since their debut, and you can't help but feel that it's due to Romo's light touch. He's out of the picture when need be, but always there with an interesting studio trick when the album starts spinning its wheels. The best example is the exchange between his synth fills and the band's boisterous reel on "Angel," but you can also choose the way he makes the band actually sound funky on "Humdrum" or the way he tones down the Bono and Gavin Friday-penned "Time Enough for Tears" to a believable and touching level. Andrea Corr's performance here is serene and more sincere than the one she did for the In America soundtrack, and it anchors the album. Ladysmith Black Mambazo guest on the title track, a dreamy, Peter Gabriel-styled number with another great performance from Andrea. Lyrically, the more intimate Corrs are fine and forgettable most of the time, but occasionally clichés are delivered in such an earnest manner they're hard to ignore (the death-of-a-loved-one song "Goodbye" opens with the good old "I never thought you would leave"). Borrowed Heaven's lyric sheet is filled with high-school diary hackneyed favorites, but if you like your pop -- unadulterated pop -- presented and played extremely well, you're cheating yourself if you don't check it out. David Jeffries