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Bootleg: Detroit is the only authorized live memento from Morphine, the self-described purveyors of "low rock." This daring and successful selection reaches back to a 1994 show, drawing upon only two of the band's five studio albums, and forgoes recent material that tastefully expanded the trio's sonic palette. Instead, Bootleg: Detroit delivers Morphine's smoldering guitar-free, sax/bass/drums attack in full throttle, as captured on tour in support of their breakthrough -- and arguably their best -- album, Cure for Pain. Dana Colley's saxophone receives a wide berth, his playing evoking the aura of a smoky jazz club, while the rhythm section provides plenty of bluesy rock-'n'-roll catharsis. True to its name, Bootleg was remixed from an audience tape and is dotted with a few extra whoops from nearby fans and some loss of high end, but the sound quality is more than adequate -- how much treble do a bass and sax emit, anyway? Rather than a traditional retrospective, Morphine have wisely opted for a killer performance that will serve as a reminder of a fertile career cut tragically short (frontman Mark Sandman died in the summer of '99, suffering a heart attack onstage at an Italian festival). Bootleg: Detroit is a wonderful entry point for Morphine newcomers and a worthy artifact for the already converted. Glen Sarvady, Barnes & Noble