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Despite this disc's subtitle, "yesterday" doesn't refer to bluegrass's distant past but rather to its more recent history. The oldest cut here is the Johnson Mountain Boys' dark, unsettling interpretation of the heartbreaking ballad "Dream of a Miner's Child," a 1988 recording notable both for Dudley Connell's affecting lead vocal and Eddie Stubbs' mournful violin interjections. The Boys' traditional vocal and instrumental sound was the bridge between the first-generation progressives and the music's new breed of innovators, such as Alison Krauss + Union Station and their pop-influenced balladry. Krauss's crystalline, deeply felt vocals and her estimable band's rootsy, acoustic arrangements come together winningly on 1992's sprightly cover of Shawn Colvin's contemplative "I Don't Know Why." Most of the artists here blur the line between progressive and traditional, embracing both approaches as suits their material. Rhonda Vincent nicely balances both sensibilities on her breakneck-paced rendition of the Osborne Brothers' (by way of Ernest Tubb) keening "Drivin' Nails in My Coffin." Pioneering progressive legend J. D. Crowe is given his props with the inclusion of a latter-day gem, an acoustic-driven, mountain-style rendition of Merle Haggard's drinkin' tale "Back to the Barrooms," which allows plenty of room for propulsive solos by mandolin, banjo, and fiddle along the way. Great traditional singing, deep and moving, is rife on songs such as Alecia Nugent's tough-but-wounded tones on the heartbreaker "My First Mistake" -- and throughout this excellent collection, which underscores the vitality of a genre always busy being born. David McGee, Barnes & Noble