Big Wide Grin

1	Everybody Be Yoself 4:59
2	Love Train 4:29
3	Don't Say No 4:17
4	Infinite Eyes 4:57
5	Grandma's Hands 3:30
6	Color Him Father 3:36
7	Family Affair 3:47
8	The Flat Fleet Floogie 2:04
9	I Am Your Mother Too 4:03
10	Big Yellow Taxi 3:45
11	Isn't She Lovely 5:16
12	America the Beautiful 3:35

Barnes & Noble

Singer/songwriter/guitarist Keb’ Mo’ is particularly suited for a children’s recording because his performance style is easy yet animated. He’s not afraid to sound a touch corny or nostalgic and can fill touchy-feely lyrics with passion and humor. Big Wide Grin, which is on the Sony Wonder kids’ label, finds Mo' turning the soul classics “Love Train,” and “Grandma’s Hands” into acoustic homages to family. “Isn’t She Lovely” and “Color Him Father” become sweet ballads in his hands, while Joni Mitchell’s “Big Yellow Taxi,” which features Mo’s son Kevin Jr. dueting, is transformed into a folksy ode to conservation. Slim and Slam’s “Flat Fleet Floogie,” “America the Beautiful,” and a pair of Mo' originals about adoption and feeling free round out the set, making. Big Wide Grin a laid-back family affair. Roberta Penn

All Music Guide

The rise in the number of titles in the children's music category around the turn of the century was accompanied by a shift in the approach to such recordings. As baby boomers, who remain loyal record buyers, have become parents, the artists who appeal to them have turned to children's music, but it often seems as though the records are still being made for the boomers, not their children. Though the recordings often concern the subjects of childhood and parenting, it is often hard to imagine a child actually enjoying the music. Such is the case with the Keb' Mo' children's album, Big Wide Grin, which is better regarded as a regular Keb' Mo' album on the theme of family rather than an album for children. The singer covers a number of pop evergreens from the late '60s and 1970s -- the O'Jays' "Love Train," Bill Withers' "Grandma's Hands," the Winstons' "Color Him Father," Sly and the Family Stone's "Family Affair," Joni Mitchell's "Big Yellow Taxi," and Stevie Wonder's "Isn't She Lovely" -- and he reaches back even further for the swing-era standard "The Flat Foot Floogie" and "America the Beautiful." All of these are likely to be familiar to parents of a certain age, and most have something to do with family issues, but only a couple are likely to appeal to children. This is not to say that, to be a children's album, a record must be filled with singalongs for the preschool set. But albums like this belong to a recent subset of the children's market that should perhaps be labeled "parents' music." In the case of Keb' Mo', the recording serves to ease him even more in the direction of being a folk-pop interpreter, an approach he has embraced increasingly since initially coming across as a new-style folk-blues singer. William Ruhlmann