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Best Loved Hymns from York Minster | ||
| 1. | Royal Fanfares and Interludes (6), for organ (arranged by Basil Ramsey), F. 78c 1:48 | |
| Composed by Bliss | ||
| Conducted by Philip Moore | ||
| Performed by John Scott Whiteley | ||
| 2. | Let all the world in every corner sing (tune Luckington) (NEH 394) 1:38 | |
| Composed by Basil Harwood | ||
| Performed by York Minster Choir and John Scott Whiteley | ||
| Conducted by Philip Moore | ||
| 3. | Praise, my soul, the King of Heaven 3:11 | |
| Composed by John Goss | ||
| Performed by York Minster Choir and John Scott Whiteley | ||
| Conducted by Philip Moore | ||
| 4. | Amazing Grace 4:02 | |
| Composed by John Newton | ||
| Performed by York Minster Choir and John Scott Whiteley | ||
| Conducted by Philip Moore | ||
| 5. | Lord of all Hopefulness (Tune: Slane) 3:20 | |
| Composed by Irish Traditional | ||
| Performed by York Minster Choir and John Scott Whiteley | ||
| Conducted by Philip Moore | ||
| 6. | O for a thousand tongues to sing (Oxford New by [George] Coombes), No. 415 3:21 | |
| Composed by New English Hymnal | ||
| Performed by York Minster Choir and John Scott Whiteley | ||
| Conducted by Philip Moore | ||
View all tracks on this disc | ||
Good collections of hymns are usually scarce, and exceptional albums of them are even harder to find, so this 2006 reissue from EMI should attract considerable attention for its generous selection of sacred favorites and its genuinely uplifting performances. Philip Moore and the York Minster Choir present a well-rounded program that many will find familiar, filled as it is with such popular hymn tunes as "Abide with Me," "Amazing Grace," "Praise, My Soul the King of Heaven," "All Creatures of Our God and King," and "Praise to the Lord," with 15 other memorable melodies that have long been a part of Christian services, regardless of denomination. The York men and boys sing with a straightforward delivery and avoid sounding too mannered, yet they retain the classic purity of tone and clear diction that English choirs are noted for; the hymns are sometimes adorned with descants that are quite stirring to hear. If there is one aspect of this disc that deserves criticism, though, it has to be the occasional use of the organ's trumpet stop, which is unpleasantly loud, reedy, and jarring, even at a medium-volume level; but this is the only feature that mars the skillful accompaniment provided by John Scott Whiteley. EMI's sound is quite clear and focused in the highly resonant acoustics of York Minster, and the recording at floor level gives the choir and organ noise-free reproduction. Blair Sanderson, All Music Guide