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Listener Rating: (6 ratings)
Detailed Rating: "Originality" See All
This 6-CD set contains an unrivalled collection of 100 favorite guitar classics, performed by some of the world’s leading artists. Among them are guitarists Manuel Barrueco, Julian Bream, Sharon Isbin, Christopher Parkening, and the legendary Andrés Segovia, as well as conductors Enrique Batíz, André Previn, Sir Simon Rattle, and more! From the Label
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August 22, 2009: I listen to this CD at work. I find it to be relaxing as well as providing me with the right ambience within a busy open work environment that allows me to write, create materials and complete required activities. I enjoy having 6 discs to select from so I can have variety at any point in the day. If you like guitar music, this contains some very good music.
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Best Guitar 100 | ||
| 1. | Partita for lute in E major, BWV 1006a (BC L171): Gavotte en rondeau 3:12 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Sharon Isbin | ||
| 2. | Work(s): Allemande 1:38 | |
| Composed by John Dowland | ||
| Performed by Christopher Parkening | ||
| 3. | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): Prelude 2:33 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Manuel Barrueco | ||
| 4. | Partita for solo violin No. 2 in D minor, BWV 1004: Gigue 4:54 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Manuel Barrueco | ||
| 5. | Gigues, for guitar (unspecified) 1:41 | |
| Composed by Johann Jacob Froberger | ||
| Performed by Andrés Segovia | ||
| 6. | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesu, Joy of Man's Desiring 3:13 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Los Angeles Chamber Orchestra and Christopher Parkening | ||
| 7. | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93: 2. Largo 4:37 | |
| Composed by Antonio Vivaldi | ||
| Performed by Academy of St. Martin-in-the-Fields and Christopher Parkening | ||
| 8. | Suite for guitar, No 11 in B minor 4:28 | |
| Composed by Robert de Visée | ||
| Performed by Manuel Barrueco | ||
| 9. | O mia cieca e dura sorte 2:21 | |
| Composed by Vincenzo Capirola | ||
| Performed by Anthony Bailes | ||
| 10. | Sonata for keyboard in E major, K. 380 (L. 23) "Cortège" 6:08 | |
| Composed by Domenico Scarlatti | ||
| Performed by Julian Byzantine | ||
| 11. | The Countess of Pembroke's Paradise 3:53 | |
| Composed by Antony Holborne | ||
| Performed by Anthony Bailes | ||
| 12. | Heigh Ho Holiday 1:26 | |
| Composed by Antony Holborne | ||
| Performed by Anthony Bailes | ||
| 13. | Diferencias (7) for guitar on "Guárdame las vacas" 3:05 | |
| Composed by Luys de Narváez | ||
| Performed by Oscar Ghiglia | ||
| 14. | Pieces for lute in G major: Pieces in G 6:08 | |
| Composed by Pierre Gaultier | ||
| Performed by Anthony Bailes | ||
| 15. | Terpsichore Dances: Suite in D: 1. Courante - 2. Ballet - 7. Volte 5:43 | |
| Composed by Michael Praetorius | ||
| Performed by Christopher Parkening | ||
| 16. | Concerto for harpsichord, strings & continuo No. 2 in E major, BWV 1053: 1. Allegro 3:16 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Los Angeles Chamber Orchestra and Christopher Parkening | ||
| 17. | Suite for lute in F sharp minor (Book 2): La Belle Iris (Allemande) - Le Mouton (Canarie) 4:25 | |
| Composed by Charles Mouton | ||
| Performed by Anthony Bailes | ||
| 18. | Carillon de village 1:55 | |
| Composed by Nicolas Vallet | ||
| Performed by Anthony Bailes | ||
| 19. | Sonata for keyboard in A major, K. 322 (L. 483) 3:42 | |
| Composed by Domenico Scarlatti | ||
| Performed by Julian Byzantine | ||
| 20. | Fantasia for lute in E minor 2:32 | |
| Composed by Silvius Leopold Weiss | ||
| Performed by Julian Byzantine | ||
| 21. | Mandolin Concerto, for mandolin, strings & continuo in C major, RV 425: 3. Allegro 4:22 | |
| Composed by Antonio Vivaldi | ||
| Performed by Academy of St. Martin-in-the-Fields and Christopher Parkening | ||
| 22. | Suite española, for guitar (arr. by N. Yepes): La Miñona de Cataluña 1:24 | |
| Composed by Gaspar Sanz | ||
| Performed by Christopher Parkening | ||
| 23. | Introduction, Theme, & Variations on a Theme From Mozart's "The Magic Flute, " for guitar, Op. 9 7:37 | |
| Composed by Fernando Sor | ||
| Performed by Christopher Parkening | ||
| 24. | Introduction and Allegro for guitar, Op. 14 "Grand Solo" 8:50 | |
| Composed by Fernando Sor | ||
| Performed by Manuel Barrueco | ||
| 25. | Suite española No. 1, for piano, Op. 47, B. 7: 1. Granada 4:21 | |
| Composed by Isaac Albéniz | ||
| Performed by Andrés Segovia | ||
| 26. | Suite española No. 1, for piano, Op. 47, B. 7: 3. Sevilla 4:18 | |
| Composed by Isaac Albéniz | ||
| Performed by Andrés Segovia | ||
| 27. | Capricho árabe, for guitar 5:17 | |
| Composed by Francisco Tárrega | ||
| Performed by Wulfin Lieske | ||
| 28. | Prelude for guitar No. 8 in A minor "Lágrima" 1:41 | |
| Composed by Francisco Tárrega | ||
| Performed by Wulfin Lieske | ||
| 29. | Maria, gavotte for guitar 1:36 | |
| Composed by Francisco Tárrega | ||
| Performed by Wulfin Lieske | ||
| 30. | Mazurka for guitar in G major 1:47 | |
| Composed by Francisco Tárrega | ||
| Performed by Wulfin Lieske | ||
| 31. | Recuerdos de la Alhambra, for guitar 5:27 | |
| Composed by Francisco Tárrega | ||
| Performed by Wulfin Lieske | ||
| 32. | Recuerdos de viaje, pieces (7) for piano, Op. 71, B. 18: 1. En el mar (Barcarola) 5:46 | |
| Composed by Isaac Albéniz | ||
| Performed by Julian Byzantine | ||
| 33. | Recuerdos de viaje, pieces (7) for piano, Op. 71, B. 18: 2. Asturias (Leyenda) 7:15 | |
| Composed by Isaac Albéniz | ||
| Performed by Julian Byzantine | ||
| 34. | Recuerdos de viaje, pieces (7) for piano, Op. 71, B. 18: 5. Puerta di Tierre (Bolero) 3:37 | |
| Composed by Isaac Albéniz | ||
| Performed by Julian Byzantine | ||
| 35. | Recuerdos de viaje, pieces (7) for piano, Op. 71, B. 18: 6. Rumores de la Caleta (Malagueña) 4:18 | |
| Composed by Isaac Albéniz | ||
| Performed by Julian Byzantine | ||
| 36. | Serenata española for piano in F major 3:48 | |
| Composed by Joaquin Malats | ||
| Performed by Julian Byzantine | ||
| 37. | Cançó del Lladre, for guitar (from Canciones populares catalanas) 1:39 | |
| Composed by Miguel Llobet | ||
| Performed by Wulfin Lieske | ||
| 38. | Jeux Interdits, romance for guitar 2:36 | |
| Composed by Anonymous | ||
| Performed by Pierre Laniau | ||
| 39. | El Sombrero de tres picos, ballet in 2 parts, G. 53: Night - The Miller's Dance 6:36 | |
| Composed by Manuel de Falla | ||
| Performed by Manuel Barrueco | ||
| 40. | El Sombrero de tres picos, ballet in 2 parts, G. 53: The Corregidor - Dance of the Miller's Wife 6:22 | |
| Composed by Manuel de Falla | ||
| Performed by Manuel Barrueco | ||
| 41. | Sonata a la española, for guitar 7:40 | |
| Composed by Joaquín Rodrigo | ||
| Performed by Ernesto Bitetti | ||
| 42. | La maja de Goya, song for soprano & piano (Tonadillas al estilo antiguo, No. 8), H. 136/8 4:28 | |
| Composed by Enriqué Granados | ||
| Performed by Eliot Fisk | ||
| 43. | Andaluza (Playera), for guitar or other instrument (arrangement of No. 5 of 12 Spanish Dances) 4:45 | |
| Composed by Enriqué Granados | ||
| Performed by Eliot Fisk | ||
| 44. | Homenaje a Tárrega, for guitar, Op. 69 4:39 | |
| Composed by Joaquín Turina | ||
| Performed by Ernesto Bitetti | ||
| 45. | Valses poéticos (7), for piano, H. 147, DLR 7:8: Introduction - Valse 1 - Valse 6 - Coda 8:32 | |
| Composed by Enriqué Granados | ||
| Performed by Dario Rossetti-Bonell | ||
| 46. | Homenaje pour "Le tombeau de Claude Debussy," for guitar, G. 56 2:40 | |
| Composed by Manuel de Falla | ||
| Performed by Manuel Barrueco | ||
| 47. | Invocación y danza, for guitar ("Homenaje a Manuel de Falla") 7:34 | |
| Composed by Joaquín Rodrigo | ||
| Performed by Manuel Barrueco | ||
| 48. | Piezas (3) españolas, for guitar 11:25 | |
| Composed by Joaquín Rodrigo | ||
| Performed by Manuel Barrueco | ||
| 49. | Concierto de Aranjuez, for guitar & orchestra 21:57 | |
| Composed by Joaquín Rodrigo | ||
| Conducted by André Previn | ||
| Performed by London Symphony Orchestra and Angel Romero | ||
| 50. | Concierto madrigal for 2 guitars & orchestra: 1. Fanfarre (Allegro marziale) 2:02 | |
| Composed by Joaquín Rodrigo | ||
| Conducted by Enrique Bátiz | ||
| Performed by London Symphony Orchestra, Deborah Mariotti and Alfonso Moreno | ||
| 51. | Concierto madrigal for 2 guitars & orchestra: 6. Pastorale (Allegretto) 3:41 | |
| Composed by Joaquín Rodrigo | ||
| Conducted by Enrique Bátiz | ||
| Performed by London Symphony Orchestra, Deborah Mariotti and Alfonso Moreno | ||
| 52. | Concierto madrigal for 2 guitars & orchestra: 7. Fandango (Molto ritmico) 2:21 | |
| Composed by Joaquín Rodrigo | ||
| Conducted by Enrique Bátiz | ||
| Performed by London Symphony Orchestra, Deborah Mariotti and Alfonso Moreno | ||
| 53. | Concierto madrigal for 2 guitars & orchestra: 8. Arieta (Andante nostalgico) 6:01 | |
| Composed by Joaquín Rodrigo | ||
| Conducted by Enrique Bátiz | ||
| Performed by London Symphony Orchestra, Deborah Mariotti and Alfonso Moreno | ||
| 54. | Concierto madrigal for 2 guitars & orchestra: 9. Zapateado (Allegro vivace) 6:37 | |
| Composed by Joaquín Rodrigo | ||
| Conducted by Enrique Bátiz | ||
| Performed by London Symphony Orchestra, Deborah Mariotti and Alfonso Moreno | ||
| 55. | Concierto andaluz for 4 guitars & orchestra: 1. Tiempo de Bolero (Allegro vivace) 8:43 | |
| Composed by Joaquín Rodrigo | ||
| Conducted by Enrique Bátiz | ||
| Performed by Minerva Garibay, Cecilia Lopez, Alfonso Moreno, Jesús Ruiz and Mexican State Symphony Orchestra | ||
| 56. | Fantasía para un gentilhombre, for guitar & orchestra 20:49 | |
| Composed by Joaquín Rodrigo | ||
| Performed by Ernesto Bitetti and New Philharmonia Orchestra of London | ||
| Conducted by Antoni Ros-Marba | ||
| 57. | Aconquija, for guitar (Suite Andina No. 2) 3:25 | |
| Composed by Agustín Barrios-Mangoré | ||
| Performed by Eliot Fisk | ||
| 58. | Las Abejas (The Bees) for guitar 1:54 | |
| Composed by Agustín Barrios-Mangoré | ||
| Performed by Eliot Fisk | ||
| 59. | Prelúdio, for guitar No. 1 in E Minor, A. 419/1 4:54 | |
| Composed by Villa-Lobos-Duo | ||
| Performed by Manuel Barrueco | ||
| 60. | Estudio, for guitar No. 1 in E Minor, A. 235/1 2:05 | |
| Composed by Villa-Lobos-Duo | ||
| Performed by Oscar Ghiglia | ||
| 61. | Cueca, for guitar (Suite Andina No. 5) 3:27 | |
| Composed by Agustín Barrios-Mangoré | ||
| Performed by Manuel Barrueco | ||
| 62. | La Catedral (The Cathedral), for guitar 6:40 | |
| Composed by Agustín Barrios-Mangoré | ||
| Performed by Manuel Barrueco | ||
| 63. | Tristes (5), for piano: Triste No. 4 2:23 | |
| Composed by Julián Aguirre | ||
| Performed by Eliot Fisk | ||
| 64. | Waltz for guitar in D major, Op. 8/4 5:01 | |
| Composed by Agustín Barrios-Mangoré | ||
| Performed by Dario Rossetti-Bonell | ||
| 65. | Mazurka Appassionata, for guitar 6:26 | |
| Composed by Agustín Barrios-Mangoré | ||
| Performed by Dario Rossetti-Bonell | ||
| 66. | Prelúdio, for guitar No. 1 in E Minor, A. 419/1 4:46 | |
| Composed by Villa-Lobos-Duo | ||
| Performed by Julian Byzantine | ||
| 67. | Prelúdio, for guitar No. 3 in A Minor, A. 419/3 7:29 | |
| Composed by Villa-Lobos-Duo | ||
| Performed by Julian Byzantine | ||
| 68. | Prelúdio, for guitar No. 5 in D major, A. 419/5 3:54 | |
| Composed by Villa-Lobos-Duo | ||
| Performed by Julian Byzantine | ||
| 69. | Canciones (3) Populares Mexicanas for guitar, Nos 1-3, complete 5:43 | |
| Composed by Manuel Ponce | ||
| Performed by Eliot Fisk | ||
| 70. | Estrellita, for guitar 3:00 | |
| Composed by Manuel Ponce | ||
| Performed by Eliot Fisk | ||
| 71. | La Muerte del ángel, tango (from Ángel series) 5:07 | |
| Composed by Astor Piazzolla | ||
| Performed by Manuel Barrueco | ||
| 72. | Suite Venezolana, for guitar: Danza negra 3:45 | |
| Composed by Antonio Lauro | ||
| Performed by Julian Byzantine | ||
| 73. | Suite Venezolana, for guitar: Valse 2:59 | |
| Composed by Antonio Lauro | ||
| Performed by Julian Byzantine | ||
| 74. | Natalia, for guitar 2:45 | |
| Composed by Antonio Lauro | ||
| Performed by Julian Byzantine | ||
| 75. | Guitar Concerto, for guitar & chamber orchestra, Op. 67: 1. Allegro 6:23 | |
| Composed by Malcolm Arnold | ||
| Performed by Julian Bream and City of Birmingham Symphony Orchestra | ||
| Conducted by Simon Rattle | ||
| 76. | Homenaje, for guitar "Homenaje a la guitarra" 7:17 | |
| Composed by Eduardo Sainz de la Maza | ||
| Performed by Julian Byzantine | ||
| 77. | Penny Lane 2:06 | |
| Composed by John Lennon & Paul McCartney | ||
| Performed by Manuel Barrueco and David Tanenbaum | ||
| 78. | Guitar Concerto ("For Two Christophers"): 3. Celebration 4:05 | |
| Composed by Elmer Bernstein | ||
| Conducted by Elmer Bernstein | ||
| Performed by London Symphony Orchestra and Christopher Parkening | ||
| 79. | Yesterday 3:17 | |
| Composed by John Lennon & Paul McCartney | ||
| Performed by Manuel Barrueco | ||
| 80. | Bookends 2:35 | |
| Composed by Paul Simon | ||
| Performed by Manuel Barrueco | ||
| 81. | Eleanor Rigby 4:49 | |
| Composed by John Lennon & Paul McCartney | ||
| Conducted by Jeremy Lubbock | ||
| Performed by Manuel Barrueco and London Symphony Orchestra | ||
| 82. | Köln Concerto, for piano & orchestra: Part 2c. 6:10 | |
| Composed by Keith Jarrett | ||
| Performed by Manuel Barrueco | ||
| 83. | Ojos Brujos, for guitar 1:45 | |
| Composed by Leo Brouwer | ||
| Performed by Manuel Barrueco | ||
| 84. | Guajira criolla, for guitar 2:16 | |
| Composed by Leo Brouwer | ||
| Performed by Manuel Barrueco | ||
| 85. | Etude for guitar ("Estudio Sin Luz") 3:00 | |
| Composed by Andrés Segovia | ||
| Performed by Ernesto Bitetti | ||
| 86. | Madroños for guitar 2:47 | |
| Composed by Federico Moreno Torroba | ||
| Performed by Angel Romero | ||
| 87. | Guitar Sonata: 3. Bárbaro 3:17 | |
| Composed by Manuel Buenagu | ||
| Performed by Ernesto Bitetti | ||
| 88. | Sonatina for guitar & orchestra: 1. Allegretto 3:59 | |
| Composed by Federico Moreno Torroba | ||
| Performed by Ernesto Bitetti | ||
| 89. | Gymnopedie for piano No.1 3:17 | |
| Composed by Erik Satie | ||
| Performed by Pierre Laniau | ||
| 90. | Nocturnal after John Dowland, for guitar, Op. 70: March-like 1:27 | |
| Composed by Benjamin Britten | ||
| Performed by Carlos Bonell | ||
| 91. | Bagatelles (5) for guitar: Sempre espressivo 2:09 | |
| Composed by William Walton | ||
| Performed by Carlos Bonell | ||
| 92. | Suite compostelana, for guitar: Cancion 3:00 | |
| Composed by Pierre Huybregts | ||
| Performed by Oscar Ghiglia | ||
| 93. | Tarantella, Op. 87b 3:58 | |
| Composed by Mario Castelnuovo-Tedesco | ||
| Performed by Oscar Ghiglia | ||
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