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January 09, 2008: It's impossible not to enjoy these CD's. The music transports you to those special times and brings back the memories of the films and what was going on in your life during that time. These CD's will be cherished for a lifetime and more.
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October 27, 2007: All those great songs from the movies are here in these CDs. So often you will hear a classical score that fits the movie so well and not have any idea what it's title is or who wrote it. Then there are all the pieces written specifically for the movies by people like John Williams and James Horner "our modern day composers". Theses CDs have it all. I enjoy listening to then turned up loud, I enjoy having them on down low as background music. Everyone who hears them comments on them.
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Best Film Classics 100 | ||
| 1. | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176): Sunrise 1:46 | |
| Composed by Richard Strauss | ||
| Performed by David Bell and London Philharmonic Orchestra | ||
| Conducted by Klaus Tennstedt | ||
| 2. | Die Walküre (The Valkyrie), opera, WWV 86b: The Ride of the Valkyries 4:47 | |
| Composed by Richard Wagner | ||
| Conducted by Mariss Jansons | ||
| Performed by Oslo Philharmonic Orchestra | ||
| 3. | Requiem for soloists, chorus, and orchestra, K. 626: Lacrimosa 3:10 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Richard Hickox | ||
| Performed by London Symphony Chorus, Northern Sinfonia Chorus and Northern Sinfonia Chorus | ||
| 4. | Titanic, film score: My Heart Will Go On 4:22 | |
| Composed by James Horner | ||
| Conducted by David Abel | ||
| 5. | You Only Live Twice, film score: Main Theme 2:56 | |
| Composed by John Barry | ||
| Conducted by Nic Raine | ||
| Performed by Prague Philharmonic Orchestra | ||
| 6. | Star Wars, Episode IV: A New Hope, film score: Main Theme 3:17 | |
| Composed by John Williams [composer] | ||
| Performed by Geoff Love & His Orchestra | ||
| Conducted by Geoff Love | ||
| 7. | Gladiator, film score: Gladiator Theme [extract] 2:23 | |
| Composed by Hans Zimmer / Lisa Gerrard | ||
| Conducted by Nic Raine | ||
| Performed by David Temple, Crouch End Festival Chorus and Prague Philharmonic Orchestra | ||
| 8. | Les Pêcheurs de perles, opera in 3 acts: Au fond du temple saint (Temple Duet) 5:25 | |
| Composed by Georges Bizet | ||
| Performed by Ernest Blanc, Nicolai Gedda and Paris Opéra-Comique Orchestra | ||
| Conducted by Pierre Dervaux | ||
| 9. | Cavalleria rusticana, opera (melodramma) in 1 act: Intermezzo 3:43 | |
| Composed by Pietro Mascagni | ||
| Conducted by Riccardo Muti | ||
| Performed by New Philharmonia Orchestra of London | ||
| 10. | Lord of the Rings: Fellowship of the Ring, film score: The Fellowship 5:54 | |
| Composed by Howard Shore | ||
| Conducted by Nic Raine | ||
| Performed by Prague Philharmonic Orchestra | ||
| 11. | Harry Potter and the Chamber of Secrets, film score: Fawkes the Phoenix 3:38 | |
| Composed by John Williams [composer] | ||
| Conducted by Nic Raine | ||
| Performed by Prague Philharmonic Orchestra | ||
| 12. | Saving Private Ryan, film score: Hymn to the Fallen 6:05 | |
| Composed by John Williams [composer] | ||
| Conducted by Paul Bateman | ||
| Performed by Crouch End Festival Chorus and Prague Philharmonic Orchestra | ||
| 13. | Divertimento for violin, viola & cello in E flat major, K. 563: 3. Menuetto: Allegretto 5:20 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Gerard Causse, Augustin Dumay and Gary Hoffman | ||
| 14. | The Sorcerer's Apprentice (L'apprenti sorcier), symphonic scherzo for orchestra: [extract] 6:39 | |
| Composed by Paul Dukas | ||
| Conducted by Mariss Jansons | ||
| Performed by Oslo Philharmonic Orchestra | ||
| 15. | Braveheart, film score: End Titles 7:06 | |
| Composed by James Horner | ||
| Conducted by Paul Bateman | ||
| Performed by Philadelphia Orchestra and Prague Philharmonic Orchestra | ||
| 16. | Piano Concerto No. 2 in C minor, Op. 18: 2. Adagio sostenuto [opening] 4:32 | |
| Composed by Sergey Rachmaninov | ||
| Performed by City of Birmingham Symphony Orchestra and Cécile Ousset | ||
| Conducted by Simon Rattle | ||
| 17. | Miserere mei Deus (Psalm 51), motet for chorus: [extract] 5:47 | |
| Composed by Gregorio Allegri | ||
| Performed by Timothy Beasley-Murray, Choir of King's College, Cambridge and Gerald Finley | ||
| Conducted by Stephen Cleobury | ||
| 18. | The Deer Hunter, film score: Cavatina 3:16 | |
| Composed by Stanley Myers | ||
| Performed by Manuel Barrueco and Steve Morse | ||
| 19. | Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 6:23 | |
| Composed by Samuel Barber | ||
| Conducted by Eugene Ormandy | ||
| Performed by Philadelphia Orchestra | ||
| 20. | Symphony No. 5 in C sharp minor: 4. Adagietto [conclusion] 3:08 | |
| Composed by Gustav Mahler | ||
| Conducted by John Barbirolli | ||
| Performed by New Philharmonia Orchestra of London | ||
| 21. | American Beauty, film score: Any Other Name 4:06 | |
| Composed by Thomas Newman | ||
| Performed by Nikolah Bloch and Sally Herbert | ||
| 22. | E.T. The Extra-Terrestrial, film score: Main Theme 3:59 | |
| Composed by John Williams [composer] | ||
| Conducted by Ron Goodwin | ||
| Performed by The Ron Goodwin Concert Orchestra | ||
| 23. | Schindler's List, film score: Main Theme 5:05 | |
| Composed by John Williams [composer] | ||
| Performed by Tasmin Little and New World Philharmonic | ||
| Conducted by Iain Sutherland | ||
| 24. | The Mission, film score: Gabriel's Oboe 2:14 | |
| Composed by Ennio Morricone | ||
| Conducted by Ennio Morricone | ||
| Performed by Ennio Morricone Orchestra | ||
| 25. | Symphony No. 25 in G minor, K. 183 (K. 173dB): 1. Allegro con brio [opening] 4:43 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 26. | La forza del destino, opera: Overture. Theme 2:57 | |
| Composed by Giuseppe Verdi | ||
| Conducted by John Barbirolli | ||
| Performed by The Hallé | ||
| 27. | Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525: 2. Romance: Andante 5:45 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 28. | Nuovo cinema paradiso, film score (aka Cinama Paradiso): Love Theme 3:33 | |
| Composed by Ennio Morricone | ||
| Conducted by Paul Bateman | ||
| Performed by Prague Philharmonic Orchestra | ||
| 29. | Suite for Jazz Orchestra No. 2: Waltz No. 2 3:44 | |
| Composed by Dmitry Shostakovich | ||
| Conducted by Mariss Jansons | ||
| Performed by Philadelphia Orchestra | ||
| 30. | Symphony No. 9 in D minor ("Choral"), Op. 125: Ode to Joy 3:20 | |
| Composed by Ludwig van Beethoven | ||
| Performed by James Morris, Philadelphia Orchestra and Westminster Choir | ||
| Conducted by Riccardo Muti | ||
| 31. | Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525: 1. Allegro 5:52 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 32. | Clarinet Concerto in A major, K. 622: 2. Adagio 6:38 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Dresden Staatskapelle and Sabine Meyer | ||
| Conducted by Hans Vonk | ||
| 33. | Concerto for 2 pianos & orchestra in E flat major ("Concerto No. 10"), K. 365 (K. 316a): 3. Rondo: Allegro 6:47 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by André Previn, London Symphony Orchestra and Radu Lupu | ||
| Conducted by André Previn | ||
| 34. | Recuerdos de la Alhambra, for guitar 3:57 | |
| Composed by Francisco Tárrega | ||
| Performed by Christopher Parkening | ||
| 35. | Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c): 2. Andantino [extract] 4:00 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by James Galway, Berlin Philharmonic Orchestra and Fritz Helmis | ||
| Conducted by Herbert von Karajan | ||
| 36. | Stabat mater, for soprano, alto, strings & organ in F major: Stabat mater dolorosa 3:57 | |
| Composed by Giovanni Pergolesi | ||
| Performed by Robin Blaze, Lesley Garrett and London Session Orchestra | ||
| Conducted by Paul Daniel | ||
| 37. | Ave verum Corpus, motet for chorus, strings & organ, K. 618 3:26 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Berlin Philharmonic Orchestra, Stockholm Chamber Choir and Choeur de la Radio de Stockholm | ||
| Conducted by Riccardo Muti | ||
| 38. | Horn Concerto No. 2 in E flat major, K. 417: 3. Rondo 3:16 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Barry Tuckwell | ||
| 39. | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): 2. Adagio [opening] 4:39 | |
| Composed by Franz Schubert | ||
| Performed by Lászlo Varga and The Hungarian Quartet | ||
| 40. | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Overture 4:20 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Colin Davis | ||
| Performed by Royal Philharmonic Orchestra | ||
| 41. | Cello Concerto in E minor (also arr. as Viola Concerto by F.Salmond), Op. 85: 1. Adagio - Moderato [opening] 3:48 | |
| Composed by Edward Elgar | ||
| Performed by Robert Cohen and London Philharmonic Orchestra | ||
| Conducted by Norman del Mar | ||
| 42. | Symphony No. 40 in G minor, K. 550: 1. Molto allegro [extract] 5:36 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 43. | Enigma Variations, for orchestra, Op. 36: Nimrod 3:57 | |
| Composed by Edward Elgar | ||
| Conducted by Adrian Boult | ||
| Performed by London Symphony Orchestra | ||
| 44. | Symphony No. 8 in B minor ("Unfinished"), D. 759: 1. Allegro moderato [opening] 4:10 | |
| Composed by Franz Schubert | ||
| Performed by Berlin Philharmonic Orchestra | ||
| Conducted by Herbert von Karajan | ||
| 45. | Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525: 4. Rondo: Allegro 3:05 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 46. | The Swan Lake, ballet, Op. 20: Scene: Act 2 No. 10 2:49 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Conducted by André Previn | ||
| Performed by London Symphony Orchestra | ||
| 47. | The Planets, suite for orchestra & female chorus, Op. 32, H. 125: Jupiter, the Bringer of Jollity [conclusion] 4:48 | |
| Composed by Gustav Holst | ||
| Performed by New Philharmonia Orchestra of London | ||
| Conducted by Simon Rattle | ||
| 48. | The Piano, film score: The Heart Asks Pleasure First / The Promise 3:15 | |
| Composed by Michael Nyman | ||
| Performed by Michael Nyman | ||
| 49. | Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467: 2. Andante 6:47 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Stephen Hough and The Hallé | ||
| Conducted by Bryden Thomson | ||
| 50. | Prelude for piano No. 15 in D flat major, Op. 28/15, CT. 180 5:53 | |
| Composed by Frédéric Chopin | ||
| Performed by Dmitri Alexeev | ||
| 51. | Piano Concerto No. 20 in D minor, K. 466: 2. Romance [extract] 6:15 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Adrian Boult | ||
| Performed by Annie Fischer and New Philharmonia Orchestra of London | ||
| 52. | Waltz for piano No. 7 in C sharp minor, Op. 64/2, CT. 213 4:14 | |
| Composed by Frédéric Chopin | ||
| Performed by Dmitri Alexeev | ||
| 53. | Piano Sonata No. 11 in A major ("Alla Turca") K. 331 (K. 300i): 3. Rondo alla turca: Allegretto 3:28 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Andrei Gavrilov | ||
| 54. | Piano Concerto No. 25 in C major, K. 503: 2. Andante 7:09 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Bavarian Radio Symphony Orchestra and Christian Zacharias | ||
| Conducted by David Zinman | ||
| 55. | Piano Sonata No. 11 in A major ("Alla Turca") K. 331 (K. 300i): 1. Andante grazioso [opening] 1:59 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Andrei Gavrilov | ||
| 56. | Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2: 1. Adagio sostenuto [extract] 3:58 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Moura Lympany | ||
| 57. | Work(s): Nocturne in C-sharp minor, Op. posth. (as used in 4:24 | |
| Composed by Frédéric Chopin | ||
| Performed by Maria Tipo | ||
| 58. | Piano Concerto No. 1 in B flat minor, Op. 23: 1. Allegro non troppo e molto maestoso [opening] 3:23 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Conducted by André Previn | ||
| Performed by Horacio Gutiérrez and London Symphony Orchestra | ||
| 59. | Gymnopedie for piano No.1 3:35 | |
| Composed by Erik Satie | ||
| Performed by Anne Queffélec | ||
| 60. | Waltz for piano No. 6 in D flat major ("Minute"), Op. 64/1, CT. 212 1:50 | |
| Composed by Frédéric Chopin | ||
| Performed by Dmitri Alexeev | ||
| 61. | Bagatelle for piano in A minor ("Für Elise"), WoO 59 3:20 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Moura Lympany | ||
| 62. | Piano Concerto No. 1 in E minor, Op. 11, CT. 47: 2. Romance: Larghetto [opening] 3:52 | |
| Composed by Frédéric Chopin | ||
| Performed by Martha Argerich and Montreal Symphony Orchestra | ||
| Conducted by Charles Dutoit | ||
| 63. | Clair de lune, for piano (Suite Bergamasque No. 3), L. 75/3 4:56 | |
| Composed by Claude Debussy | ||
| Performed by Moura Lympany | ||
| 64. | Polonaise for piano No. 6 in A flat major ("Héroique"), Op. 53, CT. 155 6:45 | |
| Composed by Frédéric Chopin | ||
| Performed by Alex Slobodyanik | ||
| 65. | Norma, opera: Casta Diva 5:36 | |
| Composed by Vicenzo Bellini | ||
| Performed by Maria Callas, La Scala Theater Chorus and La Scala Theater Orchestra | ||
| Conducted by Tullio Serafin | ||
| 66. | Rigoletto, opera: La donna è mobile 2:17 | |
| Composed by Giuseppe Verdi | ||
| Performed by Alfredo Kraus and New Philharmonia Orchestra of London | ||
| Conducted by Julius Rudel | ||
| 67. | Così fan tutte, opera, K. 588: Soave sia il vento 3:22 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Vienna Philharmonic Orchestra, Agnes Baltsa, José van Dam and Margaret Marshall | ||
| Conducted by Riccardo Muti | ||
| 68. | Il Trovatore, opera: D'amor sull'ali rosee 4:44 | |
| Composed by Giuseppe Verdi | ||
| Performed by Leontyne Price and Berlin Philharmonic Orchestra | ||
| Conducted by Herbert von Karajan | ||
| 69. | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Non più andrai 3:41 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Claudio Desderi and London Philharmonic Orchestra | ||
| Conducted by Bernard Haitink | ||
| 70. | Tosca, opera: Vissi d'arte 3:28 | |
| Composed by Giacomo Puccini | ||
| Performed by Angela Gheorghiu and Orchestra of The Royal Opera | ||
| Conducted by Antonio Pappano | ||
| 71. | Così fan tutte, opera, K. 588: Un'aura amorosa 4:45 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by John Aler and London Philharmonic Orchestra | ||
| Conducted by Bernard Haitink | ||
| 72. | Die Zauberflöte (The Magic Flute), opera, K. 620: Der Hölle Rache 2:51 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Bavarian Radio Symphony Orchestra and Edita Gruberová | ||
| Conducted by Bernard Haitink | ||
| 73. | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Canzonetta sull'aria 3:06 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Bernard Haitink | ||
| Performed by London Philharmonic Orchestra, Felicity Lott and Gianna Rolandi | ||
| 74. | Andrea Chénier, opera: La mamma morta 4:55 | |
| Composed by Umberto Giordano | ||
| Performed by Maria Callas and New Philharmonia Orchestra of London | ||
| Conducted by Tullio Serafin | ||
| 75. | Don Giovanni, opera, K. 527: Là ci darem la mano 3:17 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Carlo Maria Giulini | ||
| Performed by New Philharmonia Orchestra of London, Graziella Sciutti and Eberhard Wächter | ||
| 76. | Tosca, opera: E lucevan le stelle 3:04 | |
| Composed by Giacomo Puccini | ||
| Performed by Carlo Bergonzi and Paris Conservatory Concert Society Orchestra | ||
| Conducted by Georges Prêtre | ||
| 77. | Carmen, opéra-comique in 4 acts: L'amour est un oisseau rebelle (Habañera) 4:22 | |
| Composed by Georges Bizet | ||
| Performed by Maria Callas, René Duclos Choir and Paris Conservatory Concert Society Orchestra | ||
| Conducted by Georges Prêtre | ||
| 78. | La bohème, opera: Che gelida manina 5:02 | |
| Composed by Giacomo Puccini | ||
| Performed by Alfredo Kraus and Nation Philharmonic Orchestra | ||
| Conducted by James Levine | ||
| 79. | Rusalka, opera, B. 203 (Op. 114): Song to the Moon 5:55 | |
| Composed by Antonin Dvorák | ||
| Performed by Munich Radio Orchestra and Lucia Popp | ||
| Conducted by Stefan Soltesz | ||
| 80. | La Wally, opera (dramma musicale) in 4 acts: Ebben? Ne andrò lontana 3:28 | |
| Composed by Alfredo Catalani | ||
| Performed by Ghena Dimitrova and Munich Radio Orchestra | ||
| Conducted by Lamberto Gardelli | ||
| 81. | Les contes d'Hoffmann, opera in 4 acts: Belle nuit (Barcarolle) 4:23 | |
| Composed by Jacques Offenbach | ||
| Conducted by Sylvain Cambreling | ||
| Performed by Ann Murray, Jessye Norman, Théâtre La Monnaie Royal Opera Orchesta and Théâtre La Monnaie Royal Opera Chorus | ||
| 82. | Turandot, opera: Nessun dorma 4:11 | |
| Composed by Giacomo Puccini | ||
| Performed by José Carreras, Orchestre Philharmonique de Strasbourg and Choeurs de l'Opéra du Rhin | ||
| Conducted by Alain Lombard | ||
| 83. | Solomon, oratorio, HWV 67: The Arrival of the Queen of Sheba 2:50 | |
| Composed by George Frideric Handel | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 84. | Toccata and Fugue, for organ in D minor, BWV 565 (BC J37): Fugue 6:20 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Wayne Marshall | ||
| 85. | Zadok the Priest, coronation anthem No. 1 for chorus & orchestra, HWV 258 6:04 | |
| Composed by George Frideric Handel | ||
| Performed by London Philharmonic Orchestra and Royal Choral Society | ||
| Conducted by Andrew Davis | ||
| 86. | Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043: 2. Largo ma non tanto [opening] 2:36 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Bath Festival Orchestra, Christian Ferras and Yehudi Menuhin | ||
| Conducted by Yehudi Menuhin | ||
| 87. | La Gloria e Himeneo, "Dall'eccelsa mia reggia", wedding cantata for 2 voices & continuo, RV 687: Gloria in excelsis Deo 2:33 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Choir & Players | ||
| 88. | Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029: 2. Adagio [opening] 2:33 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Ton Koopman and Jordi Savall | ||
| 89. | Adagio, for violin, strings & organ in G minor, T. Mi 26 (composed by Remo Giazotto; not by Albinoni): [extract] 5:52 | |
| Composed by Tomaso Albinoni | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 90. | Mandolin Concerto, for mandolin, strings & continuo in C major, RV 425: 1. Allegro 2:59 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Louis Auriacombe | ||
| Performed by Toulouse National Chamber Orchestra and Andre Saint-Clivier | ||
| 91. | Goldberg Variations, for keyboard (Clavier-Übung IV), BWV 988 (BC L9): Aria 3:05 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Maria Tipo | ||
| 92. | Concerto Grosso in B minor, Op.6/12, HWV 330: 3. Larghetto e piano 4:14 | |
| Composed by George Frideric Handel | ||
| Performed by Bath Festival Orchestra | ||
| Conducted by Yehudi Menuhin | ||
| 93. | Orchestral Suite No. 3 in D major, BWV 1068: Air on the G string 3:35 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 94. | Canon in D major, various arrangements 5:02 | |
| Composed by Johann Pachelbel | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 95. | Violin Concerto, for violin, strings & continuo in F minor ("L'inverno," The Four Seasons; "Il cimento" No. 4), Op. 8/4, RV 297: 2. Largo 2:12 | |
| Composed by Antonio Vivaldi | ||
| Performed by Camerata Lysy Gstaad and Yehudi Menuhin | ||
| Conducted by Alberto Lysy | ||
| 96. | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesu, Joy of Man's Desiring 3:31 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by David Willcocks | ||
| Performed by Academy of St. Martin-in-the-Fields and Choir of King's College, Cambridge | ||
| 97. | Work(s): Keyboard Suite in D minor (as used in the film Bar 3:02 | |
| Composed by George Frideric Handel | ||
| Performed by Andrei Gavrilov | ||
| 98. | Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056: 2. Largo 3:28 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Andrei Gavrilov | ||
| 99. | Brandenburg Concerto No. 3 in G major, BWV 1048: 1. Allegro moderato 5:18 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Jerzy Maksymiuk | ||
| Performed by Polish Radio Chamber Orchestra | ||
| 100. | Messiah, oratorio, HWV 56: Hallelujah Chorus 4:26 | |
| Composed by George Frideric Handel | ||
| Conducted by David Willcocks | ||
| Performed by Academy of St. Martin-in-the-Fields and Choir of King's College, Cambridge | ||
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