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Best Encores 100
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CD
- Release Date: 02/24/2009
- 6 Disc Set
- Sales Rank: 27,768
- Label: EMI CLASSICS
- UPC: 5099926475226
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Best Encores 100 | ||
| 1. | La Ronde des Lutins, scherzo fantastique for violin & piano, Op. 25 5:30 | |
| Composed by Antonio Bazzini | ||
| Performed by Maxim Vengerov, Vag Papian and Virtuosi | ||
| 2. | Sonata for solo violin No. 3 in C major, BWV 1005: 4. Allegro assai 5:08 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Nigel Kennedy | ||
| 3. | Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24: 3. Rondo 6:38 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Hephzibah Menuhin and Yehudi Menuhin | ||
| 4. | Caprice for solo violin in A minor (Theme & Variations), Op. 1/24, MS 25/24 4:30 | |
| Composed by Niccolò Paganini | ||
| Performed by Michael Rabin | ||
| 5. | Andante and Variations on "Di tanti palpiti," for violin (flute) & harp in F major, QR vi/1 3:20 | |
| Composed by Gioachino Rossini | ||
| Performed by Andrei Gavrilov and Gidon Kremer | ||
| 6. | La Gitana for violin & piano (after an 18th century Arabo-Spanish Gypsy song) 3:03 | |
| Composed by Fritz Kreisler | ||
| Performed by John Lenehan and Tasmin Little | ||
View all tracks on this disc | ||
Best Encores 100 | ||
| 1. | La Ronde des Lutins, scherzo fantastique for violin & piano, Op. 25 5:30 | |
| Composed by Antonio Bazzini | ||
| Performed by Maxim Vengerov, Vag Papian and Virtuosi | ||
| 2. | Sonata for solo violin No. 3 in C major, BWV 1005: 4. Allegro assai 5:08 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Nigel Kennedy | ||
| 3. | Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24: 3. Rondo 6:38 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Hephzibah Menuhin and Yehudi Menuhin | ||
| 4. | Caprice for solo violin in A minor (Theme & Variations), Op. 1/24, MS 25/24 4:30 | |
| Composed by Niccolò Paganini | ||
| Performed by Michael Rabin | ||
| 5. | Andante and Variations on "Di tanti palpiti," for violin (flute) & harp in F major, QR vi/1 3:20 | |
| Composed by Gioachino Rossini | ||
| Performed by Andrei Gavrilov and Gidon Kremer | ||
| 6. | La Gitana for violin & piano (after an 18th century Arabo-Spanish Gypsy song) 3:03 | |
| Composed by Fritz Kreisler | ||
| Performed by John Lenehan and Tasmin Little | ||
| 7. | Thaïs, opera in 3 acts: Méditation 4:46 | |
| Composed by Jules Massenet | ||
| Performed by Kyung-Wha Chung and Itamar Golan | ||
| Additional Notes: arranged for violin & piano | ||
| 8. | Gayane, ballet in 4 acts: Sabre Dance 2:20 | |
| Composed by Aram Khachaturian | ||
| Performed by Pavel Gililov and Dmitry Sitkovetsky | ||
| Additional Notes: arranged for violin & piano | ||
| 9. | Berceuse, for violin & piano (or orchestra) in D Major, Op. 16 3:27 | |
| Composed by Gabriel Fauré | ||
| Performed by Jean-Philippe Collard and Augustin Dumay | ||
| Additional Notes: arranged for violin & piano | ||
| 10. | Hungarian Dance for piano, 4 hands, in G minor, WoO 1/5 2:31 | |
| Composed by Johannes Brahms | ||
| Performed by Piers Lane and Tasmin Little | ||
| Additional Notes: arranged for violin & piano~arranged by Joachim | ||
| 11. | Polonaise (No. 1) de concert, for violin & orchestra in D major, Op. 4 5:58 | |
| Composed by Henryk Wieniawski | ||
| Performed by Maxim Vengerov and Ian Brown | ||
| 12. | Valse-scherzo, for violin & orchestra (or violin & piano) in C major, Op. 34 5:28 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Performed by David Oistrakh and Vladimir Yampolsky | ||
| 13. | The Gadfly, film score, Op. 97: Romance 3:14 | |
| Composed by Dmitry Shostakovich | ||
| Performed by Piers Lane and Tasmin Little | ||
| 14. | Introduction and Tarantella, for violin & orchestra, Op. 43 5:19 | |
| Composed by Pablo de Sarasate | ||
| Performed by Maxim Vengerov and Ian Brown | ||
| 15. | Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6) 5:11 | |
| Composed by Franz Schubert | ||
| Performed by Kyung-Wha Chung and Itamar Golan | ||
| Additional Notes: arranged for violin & piano~arranged by Wilhelmj~edited by Heifetz, Jascha | ||
| 16. | Csárdás, for violin & piano 4:45 | |
| Composed by Vittorio Monti | ||
| Performed by Nigel Kennedy and Kroke | ||
| 17. | Waltz for piano No. 1 in E flat major, Op. 18, CT. 207 5:38 | |
| Composed by Frédéric Chopin | ||
| Performed by Dmitri Alexeev | ||
| 18. | Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2: 1. Adagio sostenuto 5:53 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Moura Lympany | ||
| 19. | Improvisation on Handel's Sarabande, for piano 3:53 | |
| Composed by Gabriela Montero | ||
| Performed by Gabriela Montero | ||
| 20. | La Campanella II, etude for piano in G sharp minor (Grand Paganini Étude No. 3), S. 141/3 (LW A173/3) 4:10 | |
| Composed by Franz Liszt | ||
| Performed by John Ogdon | ||
| 21. | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesu, joy of man's desiring 3:32 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Alexis Weissenberg | ||
| 22. | Fantasy-Impromptu for piano in C sharp minor, Op. 66, CT. 46 4:57 | |
| Composed by Frédéric Chopin | ||
| Performed by Daniel Adni | ||
| 23. | Kinderszenen No. 7 ("Träumerei"), for piano, Op. 15/7 2:40 | |
| Composed by Robert Schumann | ||
| Performed by Moura Lympany | ||
| 24. | Polonaise for piano No. 6 in A flat major ("Héroique"), Op. 53, CT. 155 6:34 | |
| Composed by Frédéric Chopin | ||
| Performed by Martha Argerich | ||
| 25. | Nocturne for piano No. 5 in F sharp major, Op. 15/2, CT. 112 3:29 | |
| Composed by Frédéric Chopin | ||
| Performed by Maurizio Pollini | ||
| 26. | Prelude for piano No.1 in C sharp minor ("The Bells of Moscow"), Op. 3/2 4:02 | |
| Composed by Sergey Rachmaninov | ||
| Performed by John Ogdon | ||
| 27. | Golliwogg's Cakewalk, for piano (Children's Corner No. 6), L. 113/6 2:54 | |
| Composed by Claude Debussy | ||
| Performed by Moura Lympany | ||
| 28. | Gymnopedie for piano No.1 3:09 | |
| Composed by Erik Satie | ||
| Performed by Aldo Ciccolini | ||
| 29. | Bryllupsdag på Troldhaugen (Wedding Day at Troldhaugen), lyric piece for piano, Op. 65/6 6:22 | |
| Composed by Edvard Grieg | ||
| Performed by Leif Ove Andsnes | ||
| 30. | Suite española No. 1, for piano, Op. 47, B. 7: Granada 4:55 | |
| Composed by Isaac Albéniz | ||
| Performed by Alicia de Larrocha | ||
| 31. | Ritual Fire Dance, for orchestra (from "El Amor brujo") 4:07 | |
| Composed by Manuel de Falla | ||
| Performed by Moura Lympany | ||
| 32. | Pictures at an Exhibition (Kartinki s vïstavski), for piano: The Great Gate at Kiev 4:58 | |
| Composed by Modest Mussorgsky | ||
| Performed by Alexis Weissenberg | ||
| 33. | The Prince of Denmark's March (Trumpet Voluntary) for brass, winds & percussion (or keyboard or trumpet & organ) in D major 2:54 | |
| Composed by Al Clarke | ||
| Performed by Maurice André and Jane Parker-Smith | ||
| 34. | Solo de concours for clarinet & piano 5:29 | |
| Composed by André Messager | ||
| Performed by Julien Quentin and Julian Bliss | ||
| 35. | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: The Swan 2:57 | |
| Composed by Camille Saint-Saëns | ||
| Performed by The Nash Ensemble | ||
| 36. | Orchestral Suite No. 2 in B minor, BWV 1067: Badinerie 1:32 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Alison Balsom | ||
| 37. | Intermezzo and Tarantella for double bass & piano, Op. 9: Tarantella 4:43 | |
| Composed by Reinhold Glière | ||
| Performed by Bozo Paradzik and Ulrich Rademacher | ||
| 38. | Concert study, for trumpet & piano, Op. 49 3:20 | |
| Composed by Alexander Goedicke | ||
| Performed by Ole Edvard Antonsen and Wolfgang Sawallisch | ||
| 39. | Tango, for piano 2:58 | |
| Composed by Igor Stravinsky | ||
| Performed by James Crabb and Geir Grougsvoll | ||
| 40. | Cantata No. 29, "Wir danken dir, Gott, wir danken dir," BWV 29 (BC B8): Siciliano 5:24 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Leon Goossens and Gerald Moore | ||
| Additional Notes: transcribed for oboe & piano | ||
| 41. | Pièces (6), for harp: Scherzetto 3:10 | |
| Composed by Jacques Ibert | ||
| Performed by Markus Klinko | ||
| 42. | Sonata for Saxophone & Piano, Op. 19: 3. Avec gaîté 3:40 | |
| Composed by Paul Creston | ||
| Performed by Jean Marie Londeix and Pierre Pontier | ||
| 43. | Chôros No. 1, for guitar, "Tipico brasileiro", A. 161 4:57 | |
| Composed by Villa-Lobos-Duo | ||
| Performed by Manuel Barrueco | ||
| 44. | Sonata for flute & piano, FP 164: 3. Presto giocoso 3:37 | |
| Composed by Poulenc | ||
| Performed by Eric le Sage and Emmanuel Pahud | ||
| 45. | Alla caccia, for horn & piano 2:44 | |
| Composed by Alan Abbott | ||
| Performed by Philip Fowke and Michael Thompson | ||
| 46. | Alborada del Gracioso, for orchestra: [Excerpt] 3:56 | |
| Composed by Maurice Ravel | ||
| Performed by Colin Currie and Sam Walton | ||
| Additional Notes: arranged for marimbas~arranged by Savery~arranged by Friis~arranged by Leth | ||
| 47. | Chôros No. 2, for flute & clarinet, A. 197 2:32 | |
| Composed by Villa-Lobos-Duo | ||
| Performed by Paul Meyer and Emmanuel Pahud | ||
| 48. | Blue Bells of Scotland 5:57 | |
| Composed by Arthur Pryor | ||
| Performed by Ian Bousfield and Alison Proctor | ||
| Additional Notes: arranged for trombone & piano | ||
| 49. | Toccata from Organ Symphony No. 5 5:00 | |
| Composed by Charles-Marie Widor | ||
| Performed by Wayne Marshall | ||
| 50. | Eugene Onegin, opera, Op. 24: Polonaise 4:55 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Conducted by Paavo Järvi | ||
| Performed by Radio France Philharmonic Orchestra | ||
| 51. | Festive Overture, for orchestra in A major, Op. 96 5:53 | |
| Composed by Dmitry Shostakovich | ||
| Conducted by Andrew Litton | ||
| Performed by London Philharmonic Orchestra | ||
| 52. | Simple Symphony, for string orchestra, Op. 4: Playful Pizzicato 3:28 | |
| Composed by Benjamin Britten | ||
| Performed by London Chamber Orchestra | ||
| Conducted by Christopher Warren-Green | ||
| 53. | Prodaná nevesta (The Bartered Bride), opera, JB 1:100: Dance of the Comedians 4:17 | |
| Composed by Bedrich Smetana | ||
| Conducted by Rudolf Kempe | ||
| Performed by Royal Philharmonic Orchestra | ||
| 54. | Copenhagen Steam Railway Galop for orchestra (or piano) (Kjøbenhjavns Jernbane-Damp-Galop) 3:47 | |
| Composed by Hans Christian Lumbye | ||
| Conducted by Lavard Friisholm | ||
| Performed by Copenhagen Symphony Orchestra | ||
| 55. | Overture: Ruslan and Ludmilla, G. xivov 5:21 | |
| Composed by Mikhail Glinka | ||
| Performed by Bavarian State Opera Orchestra | ||
| Conducted by Wolfgang Sawallisch | ||
| 56. | Joyeuse marche (Marche française), for orchestra or piano, 4 hands 3:43 | |
| Composed by Emmanuel Chabrier | ||
| Conducted by Thomas Beecham | ||
| Performed by Royal Philharmonic Orchestra | ||
| 57. | Slavonic Dance No. 15 for orchestra in C major, B. 147/7 (Op. 72/7) 3:11 | |
| Composed by Antonin Dvorák | ||
| Conducted by Mariss Jansons | ||
| Performed by Oslo Philharmonic Orchestra | ||
| 58. | La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ("légende dramatique") H. 111 (Op. 24): Hungarian March 4:16 | |
| Composed by Hector Berlioz | ||
| Performed by Berlin Philharmonic Orchestra | ||
| Conducted by Herbert von Karajan | ||
| 59. | Lieutenant Kijé, film score and suite for orchestra, Op. 60: 4. Troika 2:55 | |
| Composed by Sergey Prokofiev | ||
| Performed by London Philharmonic Orchestra | ||
| Conducted by Klaus Tennstedt | ||
| 60. | España, rhapsody for orchestra, also arranged for 2 pianos 5:59 | |
| Composed by Emmanuel Chabrier | ||
| Conducted by Herbert von Karajan | ||
| Performed by New Philharmonia Orchestra of London | ||
| 61. | Leichtes Blut (Light as a Feather), polka schnell for orchestra, Op. 319 (RV 319) 2:36 | |
| Composed by Johann Strauss II | ||
| Performed by Vienna Philharmonic Orchestra | ||
| Conducted by Rudolf Kempe | ||
| 62. | Overture to Candide, for orchestra 4:17 | |
| Composed by Leonard Bernstein | ||
| Conducted by André Previn | ||
| Performed by London Symphony Orchestra | ||
| 63. | Tahiti Trot, for orchestra (arr. of Youmans "Tea for Two"), Op. 16 3:35 | |
| Composed by Dmitry Shostakovich | ||
| Conducted by Paavo Järvi | ||
| Performed by Radio France Philharmonic Orchestra | ||
| 64. | Alexis Zorbas, ballet suite: Finale 4:41 | |
| Composed by Mikis Theodorakis | ||
| Conducted by Mariss Jansons | ||
| Performed by Oslo Philharmonic Orchestra and Lakis Karnezis | ||
| 65. | Flourish with Fireworks, Op 22 4:07 | |
| Composed by Oliver Knussen | ||
| Performed by City of Birmingham Symphony Orchestra | ||
| Conducted by Simon Rattle | ||
| 66. | Les Filles de Cadix, bolero for voice & piano (or orchestra) 3:07 | |
| Composed by Léo Delibes | ||
| Performed by Michel Dalberto and Barbara Hendricks | ||
| 67. | Londonderry Air (Danny Boy), folk song 3:47 | |
| Composed by Irish Traditional | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 68. | Earth and Air and Rain, song cycle for baritone & piano, Op. 15: Rollicum-rorum 1:59 | |
| Composed by Gerald Finzi | ||
| Performed by Roger Vignoles and Jonathan Lemalu | ||
| 69. | Clavelitos!, for voice & piano 1:43 | |
| Composed by Joaquín Valverde | ||
| Performed by Victoria de Los Angeles and Gerald Moore | ||
| 70. | Danse macabre, song for voice & orchestra 2:10 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Jean-Philippe Collard and José van Dam | ||
| 71. | Sweet Polly Oliver, for voice & piano (Folk Songs, Vol. 3) 2:47 | |
| Composed by Benjamin Britten | ||
| Performed by Geoffrey Parsons and Sarah Birghtman | ||
| 72. | Duetto buffo di due gatti (Cat Duet), for 2 voices & piano (spurious), QR iv/1 3:17 | |
| Composed by Gioachino Rossini | ||
| Performed by Felicity Lott and Ann Murray | ||
| 73. | Jeanie with the Light Brown Hair, for voice & piano 4:20 | |
| Composed by Stephen Foster | ||
| Performed by David Alpher, Thomas Hampson, Molly Mason, Michael Parloff and Jay Ungar | ||
| 74. | Swing Low, Sweet Chariot 3:03 | |
| Composed by Traditional Spiritual | ||
| Performed by Dmitri Alexeev and Barbara Hendricks | ||
| 75. | La danza. Tarantella Napolitana ("Già la luna è in mezzo al mare"), for voice & piano (Soirées musicales) 2:55 | |
| Composed by Gioachino Rossini | ||
| Performed by Martin Katz and Lawrence Brownlee | ||
| 76. | L'invitation au voyage ("Mon enfant, ma soeur"), song for voice & piano (or orchestra) 4:31 | |
| Composed by Henri Duparc | ||
| Performed by Roger Vignoles and Christine Rice | ||
| 77. | La Barque légère, song for voice & piano 4:30 | |
| Composed by Giacomo Meyerbeer | ||
| Performed by Thomas Hampson and Geoffrey Parsons | ||
| 78. | An die Musik ("Du holde Kunst..."), song for voice & piano, D. 547 (Op. 88/4) 2:54 | |
| Composed by Franz Schubert | ||
| Performed by Janet Baker and Geoffrey Parsons | ||
| 79. | Ständchen ("Horch, horch, die Lerche"), song for voice & piano, D. 889 3:45 | |
| Composed by Franz Schubert | ||
| Performed by Leif Ove Andsnes and Ian Bostridge | ||
| 80. | Russian Folksongs (12) for voice & piano, Op. 104: Wedding Song 3:18 | |
| Composed by Sergey Prokofiev | ||
| Performed by Mstislav Rostropovich and Galina Vishnevskaya | ||
| 81. | O lieb, so lang du lieben kannst!, for piano, S. 540a 6:25 | |
| Composed by Franz Liszt | ||
| Performed by James Lockhart and Margaret Price | ||
| 82. | La regata veneziana ("Voga o Tonio benedetto"), for 2 sopranos & piano ("Notturno a due voci") (Soirées Musicales) 4:50 | |
| Composed by Gioachino Rossini | ||
| Performed by Victoria de Los Angeles, Gerald Moore and Elisabeth Schwarzkopf | ||
| 83. | Schwanengesang (Swan Song), song cycle for voice & piano, D. 957 3:05 | |
| Composed by Franz Schubert | ||
| Performed by Dietrich Fischer-Dieskau and Gerald Moore | ||
| 84. | La Tempranica, zarzuela: Zapateado 1:32 | |
| Composed by Jerónimo Giménez | ||
| Performed by Alicia de Larrocha and Victoria de Los Angeles | ||
| 85. | Il barbière di Siviglia (The Barber of Seville), opera: Largo al factotum 4:55 | |
| Composed by Gioachino Rossini | ||
| Performed by Thomas Hampson and Orchestra of St. Luke's | ||
| Conducted by Roger Norrington | ||
| 86. | La Traviata, opera: Sempre libera 3:55 | |
| Composed by Giuseppe Verdi | ||
| Performed by June Anderson, Alfredo Kraus and Paris National Opera Orchestra | ||
| Conducted by Michelangelo Veltri | ||
| 87. | Lucia di Lammermoor, opera: Verranno a te 4:39 | |
| Composed by Gaetano Donizetti | ||
| Performed by June Anderson, Alfredo Kraus and Paris National Opera Orchestra | ||
| Conducted by Michelangelo Veltri | ||
| 88. | Faust, opera: Salut! demeure chaste et pure 4:50 | |
| Composed by Charles Gounod | ||
| Performed by Alfredo Kraus and Paris National Opera Orchestra | ||
| Conducted by Michelangelo Veltri | ||
| 89. | Rusalka, opera, B. 203 (Op. 114): Song to the Moon 6:01 | |
| Composed by Antonin Dvorák | ||
| Performed by London Philharmonic Orchestra and Amanda Roocroft | ||
| Conducted by Franz Welser-Möst | ||
| 90. | Semele, oratorio, HWV 58: Where'er you walk 4:35 | |
| Composed by George Frideric Handel | ||
| Performed by John Mark Ainsley and London Philharmonic Orchestra | ||
| Conducted by Andrew Davis | ||
| 91. | L' Amour masqué, operetta: J'ai deux amants 3:25 | |
| Composed by André Messager | ||
| Performed by London Philharmonic Orchestra and Felicity Lott | ||
| Conducted by Franz Welser-Möst | ||
| 92. | Die Zauberflöte (The Magic Flute), opera, K. 620: Dies Bildnis ist bezaubernd schön 3:55 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Ian Bostridge and London Philharmonic Orchestra | ||
| Conducted by Franz Welser-Möst | ||
| 93. | Die Zauberflöte (The Magic Flute), opera, K. 620: Der Vogelfänger bin ich, ja 3:01 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Olaf Bär and London Philharmonic Orchestra | ||
| Conducted by Franz Welser-Möst | ||
| 94. | Giuditta, opera in 5 acts: Ich weiß es selber nicht...Meine Lippen, sie küsse 5:38 | |
| Composed by Franz Lehár | ||
| Performed by Barbara Hendricks and London Philharmonic Orchestra | ||
| Conducted by Andrew Davis | ||
| 95. | La Chulapona, zarzuela: Romanza. Noche madrileña 3:32 | |
| Composed by Federico Moreno Torroba | ||
| Conducted by John Barker | ||
| Performed by Plácido Domingo, Juliet Oppenheimer and Royal Opera House Covent Garden Chorus and Orchestra | ||
| 96. | Die Fledermaus (The Bat), operetta (RV 503): Klänge der Heimat 4:44 | |
| Composed by Johann Strauss II | ||
| Conducted by John Barker | ||
| Performed by Royal Opera House Covent Garden Chorus and Orchestra and Cheryl Studer | ||
| 97. | Glitter and Be Gay, for soprano & orchestra (from "Candide") 5:48 | |
| Composed by Leonard Bernstein | ||
| Performed by Natalie Dessay and London Philharmonic Orchestra | ||
| Conducted by Andrew Davis | ||
| 98. | Tu, ca nun chiagne!, for voice & piano (or orchestra) 3:12 | |
| Composed by Ernesto de Curtis | ||
| Performed by Roberto Alagna and Royal Opera House Covent Garden Chorus and Orchestra | ||
| Conducted by Asher Fisch | ||
| 99. | Valurile Dunarii (Waves of the Danube), operetta: Muszica 3:05 | |
| Composed by George Grigoriu | ||
| Conducted by Asher Fisch | ||
| Performed by Angela Gheorghiu and Royal Opera House Covent Garden Chorus and Orchestra | ||
| 100. | La Traviata, opera: Libiamo, ne'lieti calici 4:06 | |
| Composed by Giuseppe Verdi | ||
| Conducted by John Barker | ||
| Performed by Plácido Domingo, Royal Opera House Covent Garden Chorus and Orchestra and Cheryl Studer | ||
Product Details
- Format: CD
- Release Date: 02/24/2009
- Label: EMI CLASSICS
- Catalog No.: 64752
- UPC: 5099926475226
- Sales Rank: 27,768
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