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Best Baroque 100
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CD
- Release Date: 08/29/2006
- 6 Disc Set
- Sales Rank: 22,982
- Label: ANGEL RECORDS
- UPC: 094637090725
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Best Baroque 100
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Best Baroque 100
Disc
1 | ||
| 1 | Zadok the Priest, coronat / George Frederick Han | |
| 2 | The Prince of Denmark's M / Jeremiah Clarke | |
| 3 | Lachrimae Doolande, instr / John Dowland | |
| 4 | Abdelazer, or, the Moor's / Henry Purcell | |
| 5 | Spem in Alium (also set a / Thomas Tallis | |
| 6 | With lilies white, consor / William Byrd | |
| 7 | Dido and Aeneas, opera, Z / Henry Purcell | |
| 8 | Dido and Aeneas, opera, Z / Henry Purcell | |
| 9 | Come ye sons of art away / Henry Purcell | |
| 10 | O solitude, my sweetest c / Henry Purcell | |
| 11 | Solomon, oratorio, HWV 67 / George Frederick Han | |
| 12 | Messiah, oratorio, HWV 56 / George Frederick Han | |
| 13 | Messiah, oratorio, HWV 56 / George Frederick Han | |
| 14 | Water Music Suite No.2 fo / George Frederick Han | |
Disc
2 | ||
| 1 | Serse (Xerxes), opera, HW / George Frederick Han | |
| 2 | Dixit Dominus, hymn for s / George Frederick Han | |
| 3 | Giulio Cesare in Egitto, / George Frederick Han | |
| 4 | Alcina, opera, HWV 34: Ve / George Frederick Han | |
| 5 | La favola d'Orfeo, opera, / Claudio Monteverdi | |
| 6 | Altri canti d'amor, drama / Claudio Monteverdi | |
| 7 | Work(s): Beatus vir / Claudio Monteverdi | |
| 8 | L'incoronazione di Poppea / Claudio Monteverdi | |
| 9 | Adagio, for violin, strin / Tomaso Albinoni | |
| 10 | Miserere mei Deus (Psalm / Gregorio Allegri | |
| 11 | Work(s): Sonata pian' e f / Giovanni Gabrieli | |
| 12 | Violin Concerto, for viol / Antonio Vivaldi | |
Disc
3 | ||
| 1 | Gloria, for 3 solo voices / Antonio Vivaldi | |
| 2 | Oboe Concerto in C minor, / Benedetto Marcello | |
| 3 | Work(s): Guitar Quintet i / Luigi Boccherini | |
| 4 | Sonata for keyboard in D / Domenico Scarlatti | |
| 5 | Stabat mater, for soprano / Giovanni Pergolesi | |
| 6 | Double Mandolin Concerto, / Antonio Vivaldi | |
| 7 | Work(s): Crucifixus / Antonio Lotti | |
| 8 | Sonata for violin & conti / Giuseppe Tartini | |
| 9 | Violin Concerto, for viol / Antonio Vivaldi | |
| 10 | Piccolo (Flautino) Concer / Antonio Vivaldi | |
| 11 | Work(s): Fandango / Antonio Soler | |
| 12 | O vos omnes, responsory f / Tomás Luis de Victor | |
| 13 | Diferencias sobre las Fol / Antonio Martín y Col | |
| 14 | Ay luna que reluzes / Anonymous, Villancic | |
| 15 | Pavan and galliard d'Alex / Alonso de Mudarra | |
| 16 | Messe de Requiem: Sanctus | |
Disc
4 | ||
| 1 | Marche de triomphe avec d / Andre Danican Philid | |
| 2 | Première Marche des Mousq / Jean-Baptiste Lully | |
| 3 | Symphonies du Festin Roya / François Francoeur | |
| 4 | Marche de triomphe, for i / Marc-Antoine Charpen | |
| 5 | Les Symphonies de M de La / Michel-Richard Delal | |
| 6 | Chaconne for orchestra, S / Michel-Richard Delal | |
| 7 | Prélude pour le Te Deum à / Marc-Antoine Charpen | |
| 8 | Mass for the convents, fo / François Couperin | |
| 9 | Work(s): Regina coeli / Marc-Antoine Charpen | |
| 10 | Panis angelicus, motet fo / Louis-Nicolas Cléram | |
| 11 | Requiem Mass: Introit (ex / André Campra | |
| 12 | In convertendo, grand mot / Jean-Philippe Rameau | |
| 13 | Suite for theorbo in C mi / Robert de Visée | |
| 14 | Plainte sur la mort de Mo / Du Buisson | |
| 15 | Tambourins I and II, for / Jean-Philippe Rameau | |
| 16 | Suite for 2 treble instru / Marin Marais | |
| 17 | Le Canal de Versailles, b / Andre Danican Philid | |
| 18 | Isis, opera, LWV 54: Air / Jean-Baptiste Lully | |
| 19 | Les Indes galantes, opéra / Jean-Philippe Rameau | |
Disc
5 | ||
| 1 | Canon in D major, instrum / Johann Pachelbel | |
| 2 | Canzonetta for organ in A / Dietrich Buxtehude | |
| 3 | Cello Concerto in G minor / Georg Matthias Monn | |
| 4 | Cantata No. 147, "Herz un / Johann Sebastian Bac | |
| 5 | Orchestral Suite No. 3 in / Johann Sebastian Bac | |
| 6 | Concerto for 4 harpsichor / Johann Sebastian Bac | |
| 7 | Toccata and Fugue, for or / Johann Sebastian Bac | |
| 8 | Toccata and Fugue, for or / Johann Sebastian Bac | |
| 9 | Cantata No. 51, "Jauchzet / Johann Sebastian Bac | |
| 10 | Suite for flute, harpsich / Georg Philipp Telema | |
| 11 | Work(s): Oboe Concerto in / Georg Philipp Telema | |
| 12 | Cantata No. 29, "Wir dank / Johann Sebastian Bac | |
| 13 | Goldberg Variations, for / Johann Sebastian Bac | |
| 14 | St. John Passion (Johanne / Johann Sebastian Bac | |
| 15 | Brandenburg Concerto No. / Johann Sebastian Bac | |
| 16 | Suite for solo cello No. / Johann Sebastian Bac | |
| 17 | Magnificat, for 5 voices, / Johann Sebastian Bac | |
| 18 | Concerto for harpsichord, / Johann Sebastian Bac | |
| 19 | Sonata for flute & keyboa / Johann Sebastian Bac | |
| 20 | Suite for Orchestra no 4 | |
Disc
6 | ||
| 1 | Partita for solo violin N / Johann Sebastian Bac | |
| 2 | St. John Passion (Johanne / Johann Sebastian Bac | |
| 3 | Brandenburg Concerto No. / Johann Sebastian Bac | |
| 4 | Brandenburg Concerto No. / Johann Sebastian Bac | |
| 5 | Brandenburg Concerto No. / Johann Sebastian Bac | |
| 6 | Mass in B minor, for solo / Johann Sebastian Bac | |
| 7 | The Well-Tempered Clavier / Johann Sebastian Bac | |
| 8 | Concerto for 2 violins, s / Johann Sebastian Bac | |
| 9 | Suite for lute in E minor / Johann Sebastian Bac | |
| 10 | Suite for lute in E minor / Johann Sebastian Bac | |
| 11 | Orchestral Suite No. 2 in / Johann Sebastian Bac | |
| 12 | Partita for keyboard No. / Johann Sebastian Bac | |
| 13 | Partita for keyboard No. / Johann Sebastian Bac | |
| 14 | Magnificat, for 5 voices, / Johann Sebastian Bac | |
| 15 | Mass in B minor, for solo / Johann Sebastian Bac | |
| 16 | Keyboard Sonata in E flat / Wilhelm Friedemann B | |
| 17 | Concerto for cello, strin / Carl Philipp Emanuel | |
| 18 | Auferstehung und Himmelfa / Carl Philipp Emanuel | |
Best Baroque 100 | ||
| 1. | Zadok the Priest, coronation anthem No. 1 for chorus & orchestra, HWV 258 5:21 | |
| Composed by George Frideric Handel | ||
| Performed by Academy of Ancient Music and Choir of King's College, Cambridge | ||
| Conducted by Stephen Cleobury | ||
| 2. | The Prince of Denmark's March (Trumpet Voluntary in D major) for brass, winds, & percussion (or keyboard or trumpet & organ) 1:04 | |
| Composed by Al Clarke | ||
| Performed by London Baroque Sinfonia and Crispian Steele-Perkins | ||
| Conducted by Richard Hickox | ||
| 3. | Lachrimae Doolande, instrumental music: Pavane: Lachrymae antique 4:17 | |
| Composed by John Dowland | ||
| Performed by Fretwork | ||
| 4. | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570: Rondeau 1:36 | |
| Composed by Henry Purcell | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Players | ||
| 5. | Spem in Alium (also set as "Sing and glorify"), motet for 40 voices, P. 299 10:18 | |
| Composed by Thomas Tallis | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Choir | ||
| 6. | With lilies white, consort song for voice & 4 viols 4:53 | |
| Composed by Byrd | ||
| Performed by Gerard Lesne and Orlando Gibbons Viola Ensemble | ||
| 7. | Dido and Aeneas, opera, Z. 626: Overture 2:15 | |
| Composed by Henry Purcell | ||
| Performed by Susan Graham, Le Concert d'Astrée and European Voices | ||
| Conducted by Emmanuelle Haïm | ||
| 8. | Dido and Aeneas, opera, Z. 626: Act 3. Your counsel all... Great minds... Thy hand 7:00 | |
| Composed by Henry Purcell | ||
| Performed by Susan Graham, Le Concert d'Astrée and European Voices | ||
| Conducted by Emmanuelle Haïm | ||
| 9. | Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: Symphony - Come, ye sons of art, away - Sound the 8:57 | |
| Composed by Henry Purcell | ||
| Performed by James Bowman, Orchestra of the Age of Enlightenment and Christopher Robson | ||
| Conducted by Gustav Leonhardt | ||
| 10. | O solitude, my sweetest choice, song, Z. 406 6:11 | |
| Composed by Henry Purcell | ||
| Performed by Nancy Argenta, Paul Nicholson, Paul Nicholson and Nigel North | ||
| 11. | Solomon, oratorio, HWV 67: Arrival of the Queen of Sheba 2:47 | |
| Composed by George Frideric Handel | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Players | ||
| 12. | Messiah, oratorio, HWV 56: Hallelujah 3:59 | |
| Composed by George Frideric Handel | ||
| Performed by James Bowman and Taverner Consort Choir & Players | ||
| Conducted by Andrew Parrott | ||
| 13. | Messiah, oratorio, HWV 56: He was despised 11:48 | |
| Composed by George Frideric Handel | ||
| Performed by James Bowman and Taverner Consort Choir & Players | ||
| Conducted by Andrew Parrott | ||
| 14. | Water Music Suite No.2 for orchestra in D major, HWV 349: Overture - Hornpipe 5:20 | |
| Composed by George Frideric Handel | ||
| Performed by London Classical Players | ||
| Conducted by Roger Norrington | ||
| 15. | Serse (Xerxes), opera, HWV 40: Ombra mai fu 3:07 | |
| Composed by George Frideric Handel | ||
| Performed by James Bowman, Orchestra of the Age of Enlightenment and Christopher Robson | ||
| Conducted by Roger Norrington | ||
| 16. | Dixit Dominus, hymn for soloists, chorus & orchestra in G minor, HWV 232 5:21 | |
| Composed by George Frideric Handel | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Choir & Players | ||
| 17. | Giulio Cesare in Egitto, opera, HWV 17: Dall'ondoso periglio... Aure, deh, per pieta 8:35 | |
| Composed by George Frideric Handel | ||
| Performed by Ensemble Orchestral de Paris and Stephanie Blythe | ||
| Conducted by John Nelson | ||
| 18. | Alcina, opera, HWV 34: Verdi prati 4:21 | |
| Composed by George Frideric Handel | ||
| Performed by London Baroque Sinfonia and Della Jones | ||
| Conducted by Richard Hickox | ||
| 19. | La favola d'Orfeo, opera, SV 318: Sinfonia 1:39 | |
| Composed by Claudio Monteverdi | ||
| Conducted by Emmanuelle Haïm | ||
| Performed by Le Concert d'Astrée | ||
| 20. | Altri canti d'amor, dramatic madrigal for 6 voices, 2 violins & 4 violas (from Book 8), SV 146 10:15 | |
| Composed by Claudio Monteverdi | ||
| Performed by Consort of Musicke | ||
| Conducted by Anthony Rooley | ||
| 21. | Work(s): Beatus vir 8:55 | |
| Composed by Claudio Monteverdi | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Choir & Players and Taverner Consort Players | ||
| 22. | L'incoronazione di Poppea, opera in 3 acts, SV 308: Pur ti miro 5:42 | |
| Composed by Claudio Monteverdi | ||
| Performed by Arleen Augér, London Baroque Orchestra and Della Jones | ||
| Conducted by Richard Hickox | ||
| 23. | Adagio, for violin, strings & organ in G minor, T. Mi 26 (composed by Remo Giazotto; not by Albinoni) 7:40 | |
| Composed by Tomaso Albinoni | ||
| Conducted by Jonathan Rees | ||
| Performed by Scottish Ensemble | ||
| 24. | Miserere mei Deus (Psalm 51), motet for chorus: [Excerpt] 5:45 | |
| Composed by Gregorio Allegri | ||
| Performed by Choir of King's College, Cambridge | ||
| Conducted by Stephen Cleobury | ||
| 25. | Work(s): Sonata pian' e forte 5:17 | |
| Composed by Giovanni Gabrieli | ||
| Performed by Gabrieli Consort & Players and Gabrieli Consort & Players | ||
| Conducted by Paul McCreesh | ||
| 26. | Violin Concerto, for violin, strings & continuo in G minor ("L'estate," The Four Seasons; "Il cimento" No. 2), Op. 8/2, RV 315: 1. Allegro - 2. Adagio - 3. Presto 9:48 | |
| Composed by Antonio Vivaldi | ||
| Performed by Monica Huggett and Raglan Baroque Players | ||
| Conducted by Nicholas Kraemer | ||
| 27. | Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings & continuo in D major, RV 589 2:29 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Choir & Players | ||
| 28. | Oboe Concerto in C minor, SF. 799 (attributed to A. Marcello): 2. Adagio 3:51 | |
| Composed by Benedetto Marcello | ||
| Conducted by Richard Stamp | ||
| Performed by Ray Still and London Academy | ||
| 29. | Work(s): Guitar Quintet in E~3. Menuetto 3:38 | |
| Composed by Luigi Boccherini | ||
| Performed by Europa Galante | ||
| 30. | Sonata for keyboard in D minor, K. 9 (L. 413), "Pastorale" 4:01 | |
| Composed by Domenico Scarlatti | ||
| Performed by Mikhail Pletnev | ||
| 31. | Stabat mater, for soprano, alto, strings & organ in F major: opening 4:46 | |
| Composed by Giovanni Pergolesi | ||
| Performed by Véronique Gens, Il Seminario Musicale and Gerard Lesne | ||
| 32. | Double Mandolin Concerto, for 2 mandolins, strings & continuo in G major, RV 532: 1. Allegro 4:00 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Fabio Biondi | ||
| Performed by Europa Galante, Sonia Maurer and Giovanni Scaramuzzino | ||
| 33. | Work(s): Crucifixus 3:09 | |
| Composed by Antonio Lotti | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Choir | ||
| 34. | Sonata for violin & continuo in G minor, B. g5 ("The Devil's Trill"): 3. Allegro 3:18 | |
| Composed by Giuseppe Tartini | ||
| Performed by Jean-Jacques Kantorow and Auvergne Orchestra | ||
| 35. | Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269 10:00 | |
| Composed by Antonio Vivaldi | ||
| Performed by Chiara Banchini and Taverner Consort Players | ||
| Conducted by Andrew Parrott | ||
| 36. | Piccolo (Flautino) Concerto, for piccolo (or recorder/flute), strings & continuo in C Major, RV 444: 1. Allegro 4:06 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Louis Auriacombe | ||
| Performed by Toulouse National Chamber Orchestra, Michel Sanvoisin and Toulouse National Chamber Orchestra | ||
| 37. | Work(s): Fandango 10:38 | |
| Composed by Antonio Soler | ||
| Performed by Maggie Cole | ||
| 38. | O vos omnes, responsory for 4 voices 3:28 | |
| Composed by Tomás Luis de Victoria | ||
| Conducted by Harry Christophers | ||
| Performed by The Sixteen | ||
| 39. | Diferencias sobre las Folias 6:49 | |
| Composed by Antonio Martín y Coll | ||
| Performed by Hesperion XX | ||
| Conducted by Jordi Savall | ||
| 40. | Ay luna que reluzes 3:23 | |
| Composed by Anonymous, Villancico | ||
| Performed by Montserrat Figueras and Hesperion XX | ||
| Conducted by Jordi Savall | ||
| 41. | Pavan and galliard d'Alexandra, for vihuela 2:59 | |
| Composed by Alonso de Mudarra | ||
| Conducted by Nancy Hadden | ||
| Performed by Circa 1500 | ||
| 42. | Marche de triomphe avec des trompettes et des timbales, for chorus & orchestra 2:41 | |
| Composed by J. Domingos Bomtempo | ||
| Conducted by Michel Corboz | ||
| Performed by Gulbenkian Foundation Orchestra & Chorus, Lisbon | ||
| 43. | Marche de triomphe avec des trompettos et des timbales, for orchestra 2:17 | |
| Composed by Andre Danican Philidor | ||
| Performed by Marais Symphony Orchestra | ||
| Conducted by Hugo Reyne | ||
| 44. | Première Marche des Mousquetaires, for orchesetra, LWV 10 1:26 | |
| Composed by Jean-Baptiste Lully | ||
| Performed by Marais Symphony Orchestra | ||
| Conducted by Hugo Reyne | ||
| 45. | Symphonies du Festin Royal, Suite No 4, Nos 1-11, complete: Contredanse 3:13 | |
| Composed by François Francoeur | ||
| Performed by Marais Symphony Orchestra | ||
| Conducted by Hugo Reyne | ||
| 46. | Marche de triomphe, for instruments, H. 547 2:33 | |
| Composed by Marc-Antoine Charpentier | ||
| Performed by Consortium Musicum | ||
| Conducted by Fritz Lehan | ||
| 47. | Les Symphonies de M de La Lande pour les soupers du Roy, for orchestra, S. 155-72: Caprice de Villers-Cotterets 16:11 | |
| Composed by Michel-Richard Delalande | ||
| Performed by Maurice André, Ensemble Orchestral de Paris, Bernard Soustrot and Guy Touvron | ||
| Conducted by Jean-Pierre Wallez | ||
| 48. | Chaconne for orchestra, S. 173/2 5:08 | |
| Composed by Michel-Richard Delalande | ||
| 49. | Prélude pour le Te Deum à 8, for strings, H. 145a 1:36 | |
| Composed by Marc-Antoine Charpentier | ||
| Conducted by William Christie | ||
| Performed by Les Arts Florissants | ||
| 50. | Mass for the convents, for organ: Offertoire sur les grands jeux 5:01 | |
| Composed by François Couperin | ||
| Performed by Jean-Patrice Brosse | ||
| 51. | Work(s): Regina coeli 2:42 | |
| Composed by Marc-Antoine Charpentier | ||
| Conducted by Emmanuel Mandrin | ||
| Performed by Les Demoiselles de Saint-Cyr | ||
| 52. | Panis angelicus, motet for alto, tenor, bass & continuo, C. 131 3:32 | |
| Composed by Louis-Nicolas Clérambault | ||
| Performed by Il Seminario Musicale, Gerard Lesne, Mark Padmore and Josep-Miquel Ramon i Monzó | ||
| 53. | Requiem Mass: Introit (extract) 3:13 | |
| Composed by André Campra | ||
| Performed by La Grande Écurie et la Chambre du Roy and Les Pages de la Chapelle | ||
| Conducted by Jean-Claude Malgoire | ||
| 54. | In convertendo, grand motet for soloists, chorus, 2 flutes, 2 horns, violin, viola & continuo: Tunc repletum est gaudio nostrum 3:08 | |
| Composed by Jean-Philippe Rameau | ||
| Performed by Le Concert Spirituel Orchestra & Chorus | ||
| Conducted by Hervé Niquet | ||
| 55. | Suite for theorbo in C minor: La Plainte, ou le Tombeau de Mesdemoiselles de Vis 4:12 | |
| Composed by Robert de Visée | ||
| Performed by Pascal Monteilhet | ||
| 56. | Plainte sur la mort de Monsieur Lambert 5:20 | |
| Composed by Du Buisson | ||
| Performed by Gerard Lesne | ||
| 57. | Tambourins I and II, for harpsichord, violin & viol (Pièces de clavecin en concerts) 2:17 | |
| Composed by Jean-Philippe Rameau | ||
| Performed by Sonnerie | ||
| 58. | Suite for 2 treble instruments & continuo in C minor (Pièces en trio): La Plainte 3:22 | |
| Composed by Marin Marais | ||
| Performed by Jérôme Hantaï, Pierre Hantaï and Alix Verzier | ||
| 59. | Le Canal de Versailles, ballet: Overture 1:37 | |
| Composed by Andre Danican Philidor | ||
| Performed by Marais Symphony Orchestra | ||
| Conducted by Hugo Reyne | ||
| 60. | Isis, opera, LWV 54: Air des trembleurs: L'Hiver qui nous tourmente s'o 1:53 | |
| Composed by Jean-Baptiste Lully | ||
| Performed by Bernard Deletre, Isabelle Desrochers and Marais Symphony Orchestra | ||
| Conducted by Hugo Reyne | ||
| 61. | Les Indes galantes, opéra-ballet: Chaconne 5:37 | |
| Composed by Jean-Philippe Rameau | ||
| Performed by Patricia Petibon and Les Folies Françoises | ||
| Conducted by Patrick Cohën-Akenine | ||
| 62. | Les Indes galantes, opéra-ballet: Air: Régnez, plaisirs et jeux 3:16 | |
| Composed by Jean-Philippe Rameau | ||
| Performed by Patricia Petibon and Les Folies Françoises | ||
| Conducted by Patrick Cohën-Akenine | ||
| 63. | Canon in D major, various arrangements 3:40 | |
| Composed by Johann Pachelbel | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Players | ||
| 64. | Canzonetta for organ in A minor, BuxWV 225 1:55 | |
| Composed by Dietrich Buxtehude | ||
| Performed by Nicholas Danby | ||
| 65. | Cello Concerto in G minor: 3. Allegro non tanto 4:34 | |
| Composed by Georg Matthias Monn | ||
| Performed by Capella Agostino Steffani and Balazs Mate | ||
| Conducted by Lajos Rovatkay | ||
| 66. | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): jesus bleibet meine Freude 2:15 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Choir & Players | ||
| 67. | Orchestral Suite No. 3 in D major, BWV 1068: Air 4:47 | |
| Composed by Johann Sebastian Bach | ||
| Performed by English Chamber Orchestra | ||
| Conducted by Philip Ledger | ||
| 68. | Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: 1. Allegro 4:22 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Marcelo Bussi, Bernhard Klapprott, Carsten Lohff, Melante Amsterdam and Bob van Asperen | ||
| Conducted by Bob van Asperen | ||
| 69. | Toccata and Fugue, for organ in D minor, BWV 565 (BC J37) 9:25 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Werner Jacob | ||
| 70. | Cantata No. 51, "Jauchzet Gott in allen Landen," BWV 51 (BC A134): Aria: Jauchzet Gott in allen Landen 4:17 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Nancy Argenta, Sonnerie and Crispian Steele-Perkins | ||
| Conducted by Monica Huggett | ||
| 71. | Suite for flute, harpsichord (or violin) & continuo in A minor (Concerts et Suites No. 5/11), TWV 42:a3 2:37 | |
| Composed by Georg Philipp Telemann | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and David Munrow | ||
| 72. | Work(s): Oboe Concerto in F minor~2. Largo 2:18 | |
| Composed by Georg Philipp Telemann | ||
| Performed by Han de Vries and Melante Amsterdam | ||
| Conducted by Bob van Asperen | ||
| 73. | Cantata No. 29, "Wir danken dir, Gott, wir danken dir," BWV 29 (BC B8): Sinfonia 3:39 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Players | ||
| 74. | Goldberg Variations, for keyboard (Clavier-Übung IV), BWV 988 (BC L9): Aria 4:31 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Maggie Cole | ||
| 75. | St. John Passion (Johannespassion), BWV 245 (BC D2): Es ist vollbracht 5:52 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Ensemble Orchestral de Paris and Stephanie Blythe | ||
| Conducted by John Nelson | ||
| 76. | Brandenburg Concerto No. 4 in G major, BWV 1049: 3. Presto 4:27 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Rachel Beckett, Monica Huggett, Orchestra of the Age of Enlightenment and Marion Scott | ||
| 77. | Suite for solo cello No. 1 in G major, BWV 1007: 1. Prelude 2:34 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Ralph Kirshbaum | ||
| 78. | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Magnificat anima mea 2:59 | |
| Composed by Johann Sebastian Bach | ||
| Performed by La Petite Bande, Netherlands Bach Society and Nederlands Kamerkoor | ||
| Conducted by Sigiswald Kuijken | ||
| 79. | Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056: 1. Allegro - 2. Largo - 3. Presto 9:14 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Melante Amsterdam and Bob van Asperen | ||
| 80. | Sonata for flute & keyboard in E flat major, BWV 1031: 2. Siciliano 2:19 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Lionel Rogg and Michel Debost | ||
| 81. | Orchestral Suite No. 4 in D major, BWV 1069: 5. La Réjouissance 2:33 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Boston Early Music Festival Orchestra | ||
| Conducted by Andrew Parrott | ||
| 82. | Partita for solo violin No. 3 in E major, BWV 1006: 1. Preludio 3:14 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Christian Tetzlaf | ||
| 83. | St. John Passion (Johannespassion), BWV 245 (BC D2): Ruht wohl, ihr heiligen Gebeine 8:02 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Choir & Players | ||
| 84. | Brandenburg Concerto No. 2 in F major, BWV 1047 11:30 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Rachel Beckett, Mark Bennett, Paul Goodwin, Monica Huggett and Orchestra of the Age of Enlightenment | ||
| 85. | Mass in B minor, for 5 voices, 6-part chorus, violin, orchestra & continuo, BWV 232 (BC E1): Gloria in excelsis... Et in terra pax 7:03 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Collegium Vocale Ghent | ||
| Conducted by Philippe Herreweghe | ||
| 86. | The Well-Tempered Clavier (24), collection of preludes & fugues, Book I, BWV 846-869 (BC L80-103): Prelude & Fugue in C BWV 846 5:09 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Bob van Asperen | ||
| 87. | Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043: 2. Largo ma non tanto 6:25 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Alison Bury, Orchestra of the Age of Enlightenment and Elizabeth Wallfisch | ||
| 88. | Suite for lute in E minor, BWV 996 (BC L166): 5. Bourrée 1:21 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Sharon Isbin | ||
| 89. | Suite for lute in E minor, BWV 996 (BC L166): 6. Gigue 2:11 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Sharon Isbin | ||
| 90. | Orchestral Suite No. 2 in B minor, BWV 1067: 1. Ouverture - 6. Menuet - 7. Badinerie 10:17 | |
| Composed by Johann Sebastian Bach | ||
| Performed by English Chamber Orchestra | ||
| Conducted by Philip Ledger | ||
| 91. | Partita for keyboard No. 1 in B flat major, BWV 825 (BC L1): 1. Präludium 2:13 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Gustav Leonhardt | ||
| 92. | Partita for keyboard No. 1 in B flat major, BWV 825 (BC L1): 6. Gigue 1:53 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Gustav Leonhardt | ||
| 93. | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Deposuit potentes 2:03 | |
| Composed by Johann Sebastian Bach | ||
| Performed by La Petite Bande and Christoph Prégardien | ||
| Conducted by Sigiswald Kuijken | ||
| 94. | Mass in B minor, for 5 voices, 6-part chorus, violin, orchestra & continuo, BWV 232 (BC E1): Agnus Dei 5:27 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Charles Brett and Collegium Vocale Ghent (Orchestra) | ||
| Conducted by Philippe Herreweghe | ||
| 95. | Keyboard Sonata in E flat major, F. 5 (BR A7): 2. Largo - 3. Presto 5:15 | |
| Composed by Wilhelm Friedemann Bach | ||
| Performed by Christophe Rousset | ||
| 96. | Concerto for cello, strings & continuo ("No. 3") in A major, H. 439, Wq. 172: 3. Allegro assai 5:02 | |
| Composed by Carl Philipp Emanuel Bach | ||
| Performed by Anner Bylsma and Orchestra of the Age of Enlightenment | ||
| Conducted by Gustav Leonhardt | ||
| 97. | Auferstehung und Himmelfahrt Jesu, oratorio for 3 voices, chorus, orchestra & continuo, H. 777, Wq. 240: Triumph! Der Fürst des Lebens sieget! 2:05 | |
| Composed by Carl Philipp Emanuel Bach | ||
| Conducted by Philippe Herreweghe | ||
| Performed by Orchestra of the Age of Enlightenment and Collegium Vocale Ghent | ||
Product Details
- Format: CD
- Release Date: 08/29/2006
- Label: ANGEL RECORDS
- Catalog No.: 70907
- UPC: 094637090725
- Sales Rank: 22,982
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