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Best Bach 100 | ||
| 1. | Mass in B minor, for 5 voices, 6-part chorus, violin, orchestra & continuo, BWV 232 (BC E1): Chorus. Gloria in excelsis Deo 7:02 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Charles Brett, Collegium Vocale Ghent and Catherine Patriasz | ||
| Conducted by Philippe Herreweghe | ||
| 2. | Mass in B minor, for 5 voices, 6-part chorus, violin, orchestra & continuo, BWV 232 (BC E1): Aria. Laudamus te 4:24 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Charles Brett, Collegium Vocale Ghent and Catherine Patriasz | ||
| Conducted by Philippe Herreweghe | ||
| 3. | Mass in B minor, for 5 voices, 6-part chorus, violin, orchestra & continuo, BWV 232 (BC E1): Chorus. Et incarnatus est 3:07 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Charles Brett, Collegium Vocale Ghent and Catherine Patriasz | ||
| Conducted by Philippe Herreweghe | ||
| 4. | Mass in B minor, for 5 voices, 6-part chorus, violin, orchestra & continuo, BWV 232 (BC E1): Aria. Agnus Dei 5:28 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Charles Brett, Collegium Vocale Ghent and Catherine Patriasz | ||
| Conducted by Philippe Herreweghe | ||
| 5. | Mass in B minor, for 5 voices, 6-part chorus, violin, orchestra & continuo, BWV 232 (BC E1): Chorus. Osanna in excelsis 2:37 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Charles Brett, Collegium Vocale Ghent and Catherine Patriasz | ||
| Conducted by Philippe Herreweghe | ||
| 6. | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Chorale. Jesu bleibet meine Freude (Jesu, joy of m 2:15 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Choir & Players and Taverner Consort Players | ||
| 7. | Cantata No. 51, "Jauchzet Gott in allen Landen," BWV 51 (BC A134): Aria. Jauchzet Gott in allen Landen 4:18 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Nancy Argenta, Sonnerie and Crispian Steele-Perkins | ||
| 8. | Cantata No. 82, "Ich habe genug," BWV 82 (BC A169): Aria. Ich habe genug 7:45 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Fabio Biondi, Ian Bostridge and Europa Galante | ||
| 9. | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Chorus. Magnificat anima mea 3:00 | |
| Composed by Johann Sebastian Bach | ||
| Performed by La Petite Bande, Christoph Prégardien and Nederlands Kamerkoor | ||
| Conducted by Sigiswald Kuijken | ||
| 10. | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Aria. Deposuit potentes 2:04 | |
| Composed by Johann Sebastian Bach | ||
| Performed by La Petite Bande, Christoph Prégardien and Nederlands Kamerkoor | ||
| Conducted by Sigiswald Kuijken | ||
| 11. | Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Chorale. Wie soll ich dich empfangen (Cantata for 1:18 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Collegium Vocale Ghent and Peter Kooy | ||
| Conducted by Philippe Herreweghe | ||
| 12. | Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Aria. Erleucht auch meine finstre Sinnen (Cantata 4:22 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Collegium Vocale Ghent and Peter Kooy | ||
| Conducted by Philippe Herreweghe | ||
| 13. | St. John Passion (Johannespassion), BWV 245 (BC D2): Chorale. Ach, großer König 1:33 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Richard Boothby, Taverner Consort Choir & Players, Taverner Consort Players and Caroline Trevor | ||
| Conducted by Andrew Parrott | ||
| 14. | St. John Passion (Johannespassion), BWV 245 (BC D2): Aria. Es ist vollbracht 5:09 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Richard Boothby, Taverner Consort Choir & Players, Taverner Consort Players and Caroline Trevor | ||
| Conducted by Andrew Parrott | ||
| 15. | St. John Passion (Johannespassion), BWV 245 (BC D2): Chorus. Ruht wohl, ihr heiligen Gebeine 8:05 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Richard Boothby, Taverner Consort Choir & Players, Taverner Consort Players and Caroline Trevor | ||
| Conducted by Andrew Parrott | ||
| 16. | Cantata No. 78, "Jesu, der du meine Seele," BWV 78 (BC A130): Duetto. Wir eilen mit Schwachen 5:14 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Consortium Musicum, Edith Mathis and Sibyl Michelow | ||
| Conducted by Wolfgang Gonnenwein | ||
| 17. | Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"), BWV 106 (BC B18): Sonatina: Molto adagio 2:14 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Consortium Musicum and South German Madrigal Choir | ||
| Conducted by Wolfgang Gonnenwein | ||
| 18. | Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"), BWV 106 (BC B18): Chorus. Gottes Zeit ist die allerbeste Zeit 8:58 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Consortium Musicum and South German Madrigal Choir | ||
| Conducted by Wolfgang Gonnenwein | ||
| 19. | St. Matthew Passion (Matthäuspassion), BWV 244 (BC D3b): Aria. Erbarme dich, mein Gott 6:22 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Ensemble Orchestral de Paris and Stephanie Blythe | ||
| Conducted by John Nelson | ||
| 20. | St. Matthew Passion (Matthäuspassion), BWV 244 (BC D3b): Chorale. O Haupt voll Blut und Wunden 2:30 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Consortium Musicum, Nicolai Gedda and South German Madrigal Choir | ||
| Conducted by Wolfgang Gonnenwein | ||
| 21. | St. Matthew Passion (Matthäuspassion), BWV 244 (BC D3b): Aria. Ich will bei meinem Jesu wachen 6:05 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Consortium Musicum, Nicolai Gedda and South German Madrigal Choir | ||
| Conducted by Wolfgang Gonnenwein | ||
| 22. | St. Matthew Passion (Matthäuspassion), BWV 244 (BC D3b): Chorus. Wir setzen uns mit Tränen 7:20 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Consortium Musicum, Nicolai Gedda and South German Madrigal Choir | ||
| Conducted by Wolfgang Gonnenwein | ||
| 23. | Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8): Chorus. Kommt, eilet und laufet 5:13 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Choir & Players and Taverner Consort Players | ||
| 24. | Cantata No. 208, "Was mir behagt," (Hunt Cantata), BWV 208 (BC G1, G3): Aria. Schafe können sicher weiden 4:19 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Carl Philipp Emanuel Bach Chamber Orchestra and Barbara Hendricks | ||
| Conducted by Peter Schreier | ||
| 25. | Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166): Chorus. Wachet auf 8:11 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Consortium Musicum and South German Madrigal Choir | ||
| Conducted by Wolfgang Gonnenwein | ||
| 26. | Nun komm der Heiden Heiland (II), chorale prelude for organ (Achtzehn Choräle No. 8), BWV 659 (BC K82) 4:24 | |
| Composed by Johann Sebastian Bach | ||
| 27. | Toccata and Fugue, for organ in D minor, BWV 565 (BC J37) 8:15 | |
| Composed by Johann Sebastian Bach | ||
| 28. | Concerto for solo organ No. 2 in A minor (after Vivaldi Op. 3/8, RV 522), BWV 593 (BC J86) 11:35 | |
| Composed by Johann Sebastian Bach | ||
| 29. | Passacaglia and Fugue, for organ in C minor, BWV 582 (BC J79) 13:29 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Lionel Rogg | ||
| 30. | Orchestral Suite No. 3 in D major, BWV 1068: Ouverture 7:29 | |
| Composed by Johann Sebastian Bach | ||
| Performed by English Chamber Orchestra | ||
| Conducted by Philip Ledger | ||
| 31. | Orchestral Suite No. 3 in D major, BWV 1068: Air 4:47 | |
| Composed by Johann Sebastian Bach | ||
| Performed by English Chamber Orchestra | ||
| Conducted by Philip Ledger | ||
| 32. | Orchestral Suite No. 3 in D major, BWV 1068: Gavotte 4:07 | |
| Composed by Johann Sebastian Bach | ||
| Performed by English Chamber Orchestra | ||
| Conducted by Philip Ledger | ||
| 33. | Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043 15:23 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Jonathan Rees, Jane Murdoch and Scottish Ensemble | ||
| Conducted by Jonathan Rees | ||
| 34. | Orchestral Suite No. 2 in B minor, BWV 1067: 1. Rondeau / 2. Sarabande / 3. Bourrées 1 & 2 6:50 | |
| Composed by Johann Sebastian Bach | ||
| Performed by English Chamber Orchestra | ||
| Conducted by Philip Ledger | ||
| 35. | Orchestral Suite No. 2 in B minor, BWV 1067: 4. Polonaise / 5. Menuet / 6. Badinerie 6:00 | |
| Composed by Johann Sebastian Bach | ||
| Performed by English Chamber Orchestra | ||
| Conducted by Philip Ledger | ||
| 36. | Brandenburg Concerto No. 4 in G major, BWV 1049 16:07 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Giles Lewin, William Lyons, Jonathan Rees and Scottish Ensemble | ||
| Conducted by Jonathan Rees | ||
| 37. | Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056 9:14 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Melante Amsterdam and Bob van Asperen | ||
| 38. | The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Ricercare a 6 7:11 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Sonnerie | ||
| 39. | Brandenburg Concerto No. 2 in F major, BWV 1047 11:33 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Rachel Beckett, Mark Bennett, Paul Goodwin, Monica Huggett and Orchestra of the Age of Enlightenment | ||
| 40. | Concerto for oboe & violin (or 2 violins), strings & continuo in D minor (reconstruction), BWV 1060R 13:14 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Alfredo Bernardini, Fabio Biondi and Europa Galante | ||
| 41. | Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065 10:10 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Marcelo Bussi, Bernhard Klapprott, Carsten Lohff, Melante Amsterdam and Bob van Asperen | ||
| 42. | Brandenburg Concerto No. 3 in G major, BWV 1048 10:29 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Alison Bury and Orchestra of the Age of Enlightenment | ||
| 43. | Concerto for violin, strings & continuo No. 1 in A minor, BWV 1041 13:12 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Orchestra of the Age of Enlightenment and Elizabeth Wallfisch | ||
| 44. | Brandenburg Concerto No. 5 in D major, BWV 1050 20:23 | |
| Composed by Johann Sebastian Bach | ||
| Performed by John Holloway, Janet See, Taverner Consort Players and John Toll | ||
| Conducted by Andrew Parrott | ||
| 45. | Partita for solo flute in A minor, BWV 1013: Allemande 5:02 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Marc Hantai | ||
| 46. | Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029 15:28 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Ton Koopman and Jordi Savall | ||
| 47. | Italian Concerto, for solo keyboard in F major (Clavier-Übung II/1), BWV 971 (BC L7) 13:13 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Davitt Moroney | ||
| 48. | Partita for solo violin No. 2 in D minor, BWV 1004: 5. Ciaccona 12:53 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Christian Tetzlaf | ||
| 49. | Suite for solo cello No. 1 in G major, BWV 1007: 1. Prélude 2:35 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Ralph Kirshbaum | ||
| 50. | Suite for solo cello No. 3 in C major, BWV 1009: 4. Bourrées 1 & 2 3:21 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Ralph Kirshbaum | ||
| 51. | Suite for solo cello No. 3 in C major, BWV 1009: 6. Gigue 3:09 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Ralph Kirshbaum | ||
| 52. | Suite for lute in E minor, BWV 996 (BC L166): 4. Sarabande 3:56 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Pierre Hantaï | ||
| 53. | Suite for lute in E minor, BWV 996 (BC L166): 5. Bourrée 0:59 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Pierre Hantaï | ||
| 54. | Suite for lute in E minor, BWV 996 (BC L166): 6. Gigue 2:38 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Pierre Hantaï | ||
| 55. | Partita for keyboard No. 1 in B flat major, BWV 825 (BC L1) 12:28 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Gustav Leonhardt | ||
| 56. | Partita for solo violin No. 3 in E major, BWV 1006: 1. Preludio 4:11 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Monica Huggett | ||
| 57. | Partita for solo violin No. 3 in E major, BWV 1006: 2. Gavotte en rondeaux / 3. Menuets 1 & 2 / 4. Bou 10:15 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Monica Huggett | ||
| 58. | Prelude and Fugue, for keyboard No. 3 in C sharp major (WTC I/3), BWV 848 (BC L82) 3:32 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Bob van Asperen | ||
| 59. | Prelude and Fugue, for keyboard No. 14 in F sharp minor (WTC II/14), BWV 883 (BC L117) 7:54 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Bob van Asperen | ||
| 60. | Chromatic Fantasia and Fugue, for keyboard in D minor, BWV 903 (BC L34) 11:37 | |
| Composed by Johann Sebastian Bach | ||
| 61. | Sonata for flute & keyboard in E flat major, BWV 1031 10:02 | |
| Composed by Johann Sebastian Bach | ||
| 62. | Goldberg Variations, for keyboard (Clavier-Übung IV), BWV 988 (BC L9): (Excerpt) 4:33 | |
| Composed by Johann Sebastian Bach | ||
| 63. | Sonata for violin & continuo in E minor, BWV 1023 11:00 | |
| Composed by Johann Sebastian Bach | ||
| 64. | Toccata, Adagio and Fugue, for organ in C major, BWV 564 (BC J36) 14:47 | |
| Composed by Johann Sebastian Bach | ||
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