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Best Adagios 100 | ||
| 1. | Adagio, for violin, strings & organ in G minor, T. Mi 26 (composed by Remo Giazotto; not by Albinoni): [Extract] 2:42 | |
| Composed by Tomaso Albinoni | ||
| Performed by English Chamber Orchestra | ||
| Conducted by Ian Watson | ||
| 2. | Canon in D major, instrumental arrangement 3:42 | |
| Composed by Johann Pachelbel | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Players | ||
| 3. | Miserere mei Deus (Psalm 51), motet for chorus: [Extract] 5:48 | |
| Composed by Gregorio Allegri | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Choir & Players | ||
| 4. | Flute Concerto, for flute, strings & continuo in F major ("La tempesta di mare"), Op. 10/1, RV 433: 2. Largo 1:44 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Players | ||
| 5. | Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269: 2. Largo e pianissimo 2:43 | |
| Composed by Antonio Vivaldi | ||
| Performed by London Chamber Orchestra | ||
| Conducted by Christopher Warren-Green | ||
| 6. | Violin Concerto, for violin, strings & continuo in G minor ("L'estate," The Four Seasons; "Il cimento" No. 2), Op. 8/2, RV 315: 2. Adagio 2:08 | |
| Composed by Antonio Vivaldi | ||
| Performed by London Chamber Orchestra | ||
| Conducted by Christopher Warren-Green | ||
| 7. | Violin Concerto, for violin, strings & continuo in F major ("L'autunno," The Four Seasons; "Il cimento" No. 3), Op.8/3, RV 293: 2. Adagio molto 2:57 | |
| Composed by Antonio Vivaldi | ||
| Performed by London Chamber Orchestra | ||
| Conducted by Christopher Warren-Green | ||
| 8. | Violin Concerto, for violin, strings & continuo in F minor ("L'inverno," The Four Seasons; "Il cimento" No. 4), Op. 8/4, RV 297: 2. Largo 2:29 | |
| Composed by Antonio Vivaldi | ||
| Performed by London Chamber Orchestra | ||
| Conducted by Christopher Warren-Green | ||
| 9. | Mandolin Concerto, for mandolin, strings & continuo in C major, RV 425: 2. Largo 2:56 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Fabio Biondi | ||
| Performed by Europa Galante and Giovanni Scaramuzzino | ||
| 10. | Concerto for harpsichord, strings & continuo No. 4 in A major, BWV 1055: 2. Larghetto 4:56 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Melante Amsterdam | ||
| Conducted by Bob van Asperen | ||
| 11. | Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056: 2. Largo 2:34 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Melante Amsterdam | ||
| Conducted by Bob van Asperen | ||
| 12. | Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043: 2. Largo ma non tanto 6:52 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Jonathan Rees, Jane Murdoch and Scottish Ensemble | ||
| 13. | Orchestral Suite No. 1 in C major, BWV 1066: 4. Sarabande 3:12 | |
| Composed by Johann Sebastian Bach | ||
| Performed by English Chamber Orchestra | ||
| Conducted by Philip Ledger | ||
| 14. | Orchestral Suite No. 3 in D major, BWV 1068: Air "on the G string" 4:50 | |
| Composed by Johann Sebastian Bach | ||
| Performed by English Chamber Orchestra | ||
| Conducted by Philip Ledger | ||
| 15. | Suite for solo cello No. 5 in C minor, BWV 1011: 4. Sarabande 4:19 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Ralph Kirshbaum | ||
| 16. | Symphony No. 88 in G major ("Letter V"), H. 1/88: 2. Largo [Extract] 2:33 | |
| Composed by Franz Joseph Haydn | ||
| Performed by La Petite Bande | ||
| Conducted by Sigiswald Kuijken | ||
| 17. | Stabat mater, for soprano, alto, strings & organ in F major: [Opening] 4:46 | |
| Composed by Giovanni Pergolesi | ||
| Performed by Véronique Gens, Il Seminario Musicale and Gerard Lesne | ||
| 18. | Ave verum Corpus, motet for chorus, strings & organ, K. 618 2:41 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by London Classical Players and The Schütz Choir | ||
| Conducted by Roger Norrington | ||
| 19. | Serse (Xerxes), opera, HWV 40: Ombra mai fù 3:08 | |
| Composed by George Frideric Handel | ||
| Performed by David Daniels [countertenor] and Orchestra of the Age of Enlightenment | ||
| Conducted by Roger Norrington | ||
| 20. | Solfeggio, for chorus 4:00 | |
| Composed by Arvo Pärt | ||
| Performed by Estonian Philharmonic Chamber Choir | ||
| Conducted by Tonu Kaljuste | ||
| 21. | The Protecting Veil, for cello & orchestra: [Conclusion] 2:59 | |
| Composed by John Tavener | ||
| Performed by London Symphony Orchestra | ||
| Conducted by Gennady Rozhdestvensky | ||
| 22. | Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467: 2. Andante 6:48 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Diana Ambache and Amber Chamber Orchestra | ||
| 23. | La Clemenza di Tito, opera, K. 621: 2. Adagio 6:41 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Ensemble Orchestral de Paris and Paul Meyer | ||
| Conducted by John Nelson | ||
| 24. | Piano Concerto No. 20 in D minor, K. 466: 2. Romanze [extract] 4:20 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Deutsche Kammerphilharmonie and Mikhail Pletnev | ||
| 25. | Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525: 2. Romanze 5:53 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by London Chamber Orchestra | ||
| Conducted by Christopher Warren-Green | ||
| 26. | Piano Concerto No. 22 in E flat major, K. 482: 2. Andante 9:44 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Annie Fischer and New Philharmonia Orchestra of London | ||
| Conducted by Wolfgang Sawallisch | ||
| 27. | Symphony No. 40 in G minor, K. 550: 2. Andante 7:27 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Yehudi Menuhin | ||
| Performed by Sinfonia Varsovia | ||
| 28. | Piano Concerto No. 23 in A major, K. 488: 2. Adagio 6:17 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Deutsche Kammerphilharmonie and Mikhail Pletnev | ||
| 29. | Piano Concerto No. 24 in C minor, K. 491: 2. Larghetto 8:23 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Deutsche Kammerphilharmonie and Mikhail Pletnev | ||
| 30. | Maurerische Trauermusik (Masonic Funeral Music), for orchestra in C minor, K. 477 (K. 479a) 3:35 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by London Classical Players | ||
| Conducted by Roger Norrington | ||
| 31. | Piano Concerto No. 24 in C minor, K. 491: 2. Largehtto 6:29 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Sabine Meyer | ||
| 32. | Piano Sonata No. 8 in A minor, K. 310 (K. 300d): 2. Andante cantabile con espressione [extract] 2:39 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Jean-Bernard Pommier | ||
| 33. | Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c): 2. Andantino 9:13 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by English Chamber Orchestra, Naoko Yoshino and Samuel Coles | ||
| Conducted by Yehudi Menuhin | ||
| 34. | Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2: 1. Adagio sostenuto 6:15 | |
| Composed by Ludwig van Beethoven | ||
| Performed by François-René Duchâble | ||
| 35. | Symphony No. 3 in E flat major ("Eroica"), Op. 55: 2. Marcia funebre [extract] 3:32 | |
| Composed by Ludwig van Beethoven | ||
| Performed by London Classical Players | ||
| Conducted by Roger Norrington | ||
| 36. | Piano Concerto No. 4 in G major, Op. 58: 2. Andante con moto 4:08 | |
| Composed by Ludwig van Beethoven | ||
| Performed by London Classical Players and Melvyn Tan | ||
| Conducted by Roger Norrington | ||
| 37. | Piano Sonata No. 8 in C minor ("Pathétique"), Op. 13: 2. Adagio cantabile 5:02 | |
| Composed by Ludwig van Beethoven | ||
| Performed by François-René Duchâble | ||
| 38. | Piano Concerto No. 5 in E flat major ("Emperor"), Op. 73: 2. Adagio un poco mosso 5:33 | |
| Composed by Ludwig van Beethoven | ||
| Performed by London Classical Players and Melvyn Tan | ||
| Conducted by Roger Norrington | ||
| 39. | Symphony No. 3 in F major, Op. 90: 3. Poco allegretto 5:57 | |
| Composed by Johannes Brahms | ||
| Conducted by Daniel Harding | ||
| Performed by German Chamber Philharmonic, Bremen | ||
| 40. | Piano Concerto No. 2 in B flat major, Op. 83: 3. Andante [extract] 6:16 | |
| Composed by Johannes Brahms | ||
| Performed by Stephen Hough, BBC Symphony Orchestra and Timothy Hugh | ||
| Conducted by Andrew Davis | ||
| 41. | A Midsummer Night's Dream, incidental music, Op. 61: Nocturne 5:51 | |
| Composed by Felix Mendelssohn Bartholdy | ||
| Conducted by Charles Mackerras | ||
| Performed by Orchestra of the Age of Enlightenment | ||
| 42. | Symphony No. 8 in B minor ("Unfinished"), D. 759: 2. Andante con moto [extract] 6:33 | |
| Composed by Franz Schubert | ||
| Conducted by Charles Mackerras | ||
| Performed by Orchestra of the Age of Enlightenment | ||
| 43. | String Quartet No. 14 in D minor ("Death and the Maiden"), D. 810: 2. Andante con moto [extract] 2:17 | |
| Composed by Franz Schubert | ||
| Performed by The Hungarian Quartet | ||
| 44. | Symphony No. 9 in C major ("The Great"), D. 944: 2. Andante con moto [extract] 2:04 | |
| Composed by Franz Schubert | ||
| Conducted by Charles Mackerras | ||
| Performed by Orchestra of the Age of Enlightenment | ||
| 45. | Piano Trio No. 2 in E flat major, D. 929 (Op. 100): 2. Andante con moto [extract] 3:14 | |
| Composed by Franz Schubert | ||
| Performed by Frank Braley, Renaud Capuçon and Gautier Capuçon | ||
| 46. | Kinderszenen No. 7 ("Träumerei"), for piano, Op. 15/7 2:11 | |
| Composed by Robert Schumann | ||
| Performed by Alexis Weissenberg | ||
| 47. | Symphony No. 3 in E flat major ("Rhenish"), Op. 97: 4. Feierlich 4:39 | |
| Composed by Robert Schumann | ||
| Performed by Bamberg Symphony Chorus | ||
| Conducted by Christoph Eschenbach | ||
| 48. | Morgen ("Und morgen wird die Sonne wieder scheinen"), song for voice & piano (or orchestra), Op. 27/4 (TrV 170/4) 3:49 | |
| Composed by Richard Strauss | ||
| Performed by Gundula Janowitz, Peter Manning and London Academy | ||
| Conducted by Richard Stamp | ||
| 49. | Siegfried Idyll, for small orchestra in E major, WWV 103: [Extract] 5:38 | |
| Composed by Richard Wagner | ||
| Conducted by Marek Janowski | ||
| Performed by Radio France Philharmonic Orchestra | ||
| 50. | Symphony No. 5 in C sharp minor: 4. Adagietto (extract) 3:42 | |
| Composed by Gustav Mahler | ||
| Performed by Finnish Radio Symphony Orchestra | ||
| Conducted by Jukka-Pekka Saraste | ||
| 51. | Verklärte Nacht, for string sextet, Op. 4: Grave 2:55 | |
| Composed by Arnold Schoenberg | ||
| Performed by The Nash Ensemble | ||
| 52. | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: Aquarium 2:43 | |
| Composed by Camille Saint-Saëns | ||
| Performed by The Nash Ensemble | ||
| 53. | The Swan (from "Carnival of the Animals"), original (for 2 pianos & ensemble) and arrangements 2:58 | |
| Composed by Camille Saint-Saëns | ||
| Performed by The Nash Ensemble | ||
| 54. | Suite bergamasque, for piano, L. 75: Clair de lune 5:44 | |
| Composed by Claude Debussy | ||
| Performed by Kun Woo Paik | ||
| 55. | Des pas sur la neige, prelude for piano, L. 117/6 4:30 | |
| Composed by Claude Debussy | ||
| Performed by Jean-Bernard Pommier | ||
| 56. | La cathédrale engloutie, prelude for piano, L. 117/10 5:29 | |
| Composed by Claude Debussy | ||
| Performed by Jean-Bernard Pommier | ||
| 57. | Élégie for cello & piano or orchestra in C minor, Op. 24 7:31 | |
| Composed by Gabriel Fauré | ||
| Performed by Paul Tortelier | ||
| 58. | Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50 5:33 | |
| Composed by Gabriel Fauré | ||
| Conducted by Paul Tortelier | ||
| Performed by English Chamber Orchestra | ||
| 59. | Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: Introit (extract) 7:16 | |
| Composed by Gabriel Fauré | ||
| Conducted by Michel Corboz | ||
| Performed by Ensemble Vocal et Instrumental de Lausanne | ||
| 60. | Concerto for 2 pianos & orchestra in D minor, FP 61: 2. Largehtto 5:53 | |
| Composed by Poulenc | ||
| Conducted by Richard Hickox | ||
| Performed by Jean-Bernard Pommier, Anne Queffélec and City of London Sinfonia | ||
| 61. | Concert champêtre, for harpsichord & orchestra, FP 49: 2. Andante 6:14 | |
| Composed by Poulenc | ||
| Performed by Maggie Cole and City of London Sinfonia | ||
| Conducted by Richard Hickox | ||
| 62. | Gnossienne, for piano No.1 3:26 | |
| Composed by Erik Satie | ||
| Performed by Anne Queffélec | ||
| 63. | Gymnopedie for piano No.3 2:44 | |
| Composed by Erik Satie | ||
| Performed by Anne Queffélec | ||
| 64. | Piano Concerto in G major: 2. Adagio [extract] 4:17 | |
| Composed by Maurice Ravel | ||
| Performed by Andrew Litton and Bournemouth Symphony Orchestra | ||
| Conducted by Libor Pesek | ||
| 65. | Vocalise-Étude en forme de Habanera, for voice & piano 3:07 | |
| Composed by Maurice Ravel | ||
| Performed by Arleen Augér and New Philharmonia Orchestra of London | ||
| Conducted by Libor Pesek | ||
| 66. | Ma mère l'oye, ballet for orchestra: Pavane de la Belle au Bois dormant 1:46 | |
| Composed by Maurice Ravel | ||
| Conducted by Jukka-Pekka Saraste | ||
| Performed by Scottish Chamber Orchestra | ||
| 67. | Ma mère l'oye, ballet for orchestra: Le jardin féérique 3:45 | |
| Composed by Maurice Ravel | ||
| Conducted by Jukka-Pekka Saraste | ||
| Performed by Scottish Chamber Orchestra | ||
| 68. | Pavane pour une infante défunte, for piano (or orchestra) 6:08 | |
| Composed by Maurice Ravel | ||
| Conducted by Jukka-Pekka Saraste | ||
| Performed by Scottish Chamber Orchestra | ||
| 69. | Suite for Jazz Orchestra No. 2: Waltz 3:50 | |
| Composed by Dmitry Shostakovich | ||
| Conducted by Paavo Järvi | ||
| Performed by Radio France Philharmonic Orchestra | ||
| 70. | Les contes d'Hoffmann, opera in 4 acts: Barcarolle 4:19 | |
| Composed by Jacques Offenbach | ||
| Conducted by Sylvain Cambreling | ||
| Performed by Ann Murray, Jessye Norman, Théâtre La Monnaie Royal Opera Orchesta and Théâtre La Monnaie Royal Opera Chorus | ||
| 71. | Symphonie espagnole, for violin and orchestra in D minor, Op. 21: 4. Andante 6:26 | |
| Composed by Edouard Lalo | ||
| Performed by Czech Philharmonic Orchestra and Christian Tetzlaf | ||
| Conducted by Libor Pesek | ||
| 72. | Thaïs, lyric comedy in 3 acts: Méditation 5:20 | |
| Composed by Jules Massenet | ||
| Conducted by Daniel Harding | ||
| Performed by German Chamber Philharmonic, Bremen and Renaud Capuçon | ||
| 73. | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: Il vecchio castello 4:36 | |
| Composed by Modest Mussorgsky | ||
| Conducted by Charles Mackerras | ||
| Performed by Royal Liverpool Philharmonic Orch | ||
| 74. | Piano Concerto No. 2 in C minor, Op. 18: 2. Adagio sostenuto [extract] 7:23 | |
| Composed by Sergey Rachmaninov | ||
| Conducted by Lawrence Foster | ||
| Performed by The Hallé and Jean-Bernard Pommier | ||
| 75. | Symphony No. 2 in E minor, Op. 27: 3. Adagio [extract] 4:12 | |
| Composed by Sergey Rachmaninov | ||
| Conducted by Andrew Litton | ||
| Performed by Royal Philharmonic Orchestra | ||
| 76. | Vocalise, song for voice & piano, Op. 34/14 5:18 | |
| Composed by Sergey Rachmaninov | ||
| Performed by Berlin Philharmonic Orchestra and Natalie Dessay | ||
| Conducted by Michael Schønwandt | ||
| 77. | Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra: Serenata 3:19 | |
| Composed by Igor Stravinsky | ||
| Conducted by Richard Hickox | ||
| Performed by Martyn Hill and City of London Sinfonia | ||
| 78. | Nocturne for piano No. 5 in F sharp major, Op. 15/2, CT. 112 3:40 | |
| Composed by Frédéric Chopin | ||
| Performed by Mikhail Pletnev | ||
| 79. | Nocturne for piano in C sharp minor (doubtful), KK Anh.Ia/6 4:13 | |
| Composed by Frédéric Chopin | ||
| Performed by François-René Duchâble | ||
| 80. | Prelude for piano No. 4 in E minor, Op. 28/4, CT. 169 2:29 | |
| Composed by Frédéric Chopin | ||
| Performed by François-René Duchâble | ||
| 81. | Piano Sonata No. 2 in B flat minor, Op. 35, CT. 202: [Excerpt] 2:27 | |
| Composed by Frédéric Chopin | ||
| Performed by Leif Ove Andsnes | ||
| 82. | Piano Concerto No. 1 in B flat minor, Op. 23: 2. Andantino semplice [extract] 3:39 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Conducted by Lawrence Foster | ||
| Performed by The Hallé and Jean-Bernard Pommier | ||
| 83. | Violin Concerto in D major, Op. 35: 2. Canzonetta 6:30 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Performed by Augustin Dumay and London Symphony Orchestra | ||
| Conducted by Emil Tchakarov | ||
| 84. | Symphony No. 6 in B minor ("Pathétique"), Op.74: 4. Adagio lamentoso 10:21 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Conducted by Andrew Litton | ||
| Performed by Bournemouth Symphony Orchestra | ||
| 85. | Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 7:12 | |
| Composed by Samuel Barber | ||
| Conducted by Jukka-Pekka Saraste | ||
| Performed by Scottish Chamber Orchestra | ||
| 86. | Slavonic Dance No. 10 for piano, 4 hands in E minor, B. 145/2 (Op. 72/2): [Extract] 2:34 | |
| Composed by Antonin Dvorák | ||
| Performed by Berlin Philharmonic Orchestra | ||
| Conducted by Lorin Maazel | ||
| 87. | Slavonic Dance No. 2 for orchestra in E minor, B. 83/2 (Op. 46/2): [extract] 1:23 | |
| Composed by Antonin Dvorák | ||
| Performed by Berlin Philharmonic Orchestra | ||
| Conducted by Lorin Maazel | ||
| 88. | Silent Woods (Klid), for cello & orchestra (arr. from From the Bohemian Forest, B. 133), B. 182 (Op. 68/5) 5:21 | |
| Composed by Antonin Dvorák | ||
| Conducted by Libor Pesek | ||
| Performed by Royal Liverpool Philharmonic Orch and Timothy Woods | ||
| 89. | Peer Gynt, incidental music, Op. 23: The Death of Ase 5:04 | |
| Composed by Edvard Grieg | ||
| Conducted by Paavo Järvi | ||
| Performed by Estonian National Symphony Orchestra | ||
| 90. | Peer Gynt, incidental music, Op. 23: Morning 4:10 | |
| Composed by Edvard Grieg | ||
| Conducted by Paavo Järvi | ||
| Performed by Estonian National Symphony Orchestra | ||
| 91. | Piano Concerto in A minor, Op. 16: 2. Adagio 6:50 | |
| Composed by Edvard Grieg | ||
| Performed by Leif Ove Andsnes and Bergen Philharmonic Orchestra | ||
| Conducted by Dmitri Kitayenko | ||
| 92. | Fra Holbergs tid (From Holberg’s Time), for string orchestra ("Holberg Suite"), Op. 40: Air 5:51 | |
| Composed by Edvard Grieg | ||
| Conducted by Paavo Järvi | ||
| Performed by Estonian National Symphony Orchestra | ||
| 93. | The Swan of Tuonela, tone poem for orchestra (Lemminkäinen Suite No. 3), Op. 22/3: [Extract] 5:09 | |
| Composed by Jean Sibelius | ||
| Conducted by Paavo Järvi | ||
| Performed by Stockholm Philharmonic Orchestra | ||
| 94. | Valse Triste, for orchestra (from Kuolema), Op. 44/1 4:48 | |
| Composed by Jean Sibelius | ||
| Conducted by Paavo Järvi | ||
| Performed by Estonian National Symphony Orchestra | ||
| 95. | Consolation, for piano No. 3 in D flat major "Lento placido", S. 172/3 (LW A111a/2/2) 3:52 | |
| Composed by Franz Liszt | ||
| Performed by François-René Duchâble | ||
| 96. | Liebesträume, notturno for piano No. 3 in A flat major ("O Lieb, so lang du lieben kannst"), S. 541/3 (LW A103/3) 4:01 | |
| Composed by Franz Liszt | ||
| Performed by François-René Duchâble | ||
| 97. | Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love") 4:15 | |
| Composed by Ralph Vaughan Williams | ||
| Performed by London Chamber Orchestra | ||
| Conducted by Christopher Warren-Green | ||
| 98. | Bachianas Brasileiras No. 5, for voice & piano, A. 390: Aria 6:04 | |
| Composed by Villa-Lobos-Duo | ||
| Conducted by Enrique Bátiz | ||
| Performed by Barbara Hendricks and Royal Philharmonic Orchestra | ||
| 99. | Melodia sentimental, for voice & piano (from Floresta do Amazones), A. 556 3:58 | |
| Composed by Villa-Lobos-Duo | ||
| Performed by Sharon Isbin | ||
| 100. | Concierto de Aranjuez, for guitar & orchestra: 2. Adagio [extract] 3:02 | |
| Composed by Joaquín Rodrigo | ||
| Performed by Lausanne Chamber Orchestra and Sharon Isbin | ||
| Conducted by Lawrence Foster | ||
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