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Best Adagio Voices 100
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CD
- Release Date: 10/06/2009
- 6 Disc Set
- Sales Rank: 5,164
- Label: VIRGIN CLASSICS
- UPC: 5099996429228
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Best Adagio Voices 100 | ||
| 1. | Vocalise, song for voice & piano, Op. 34/14 5:22 | |
| Composed by Sergey Rachmaninov | ||
| Performed by Berlin Symphony Orchestra and Natalie Dessay | ||
| Conducted by Michael Schønwandt | ||
| 2. | Agnus Dei, for chorus (arr. from 2nd mvt. of String Quartet), Op. 11 7:47 | |
| Composed by Samuel Barber | ||
| Performed by Winchester Cathedral Choir | ||
| Conducted by David Hill | ||
| 3. | Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50 6:21 | |
| Composed by Gabriel Fauré | ||
| Conducted by Daniel Barenboim | ||
| Performed by Edinburgh Festival Chorus and Orchestre de Paris | ||
| 4. | Giustino, opera in 3 acts, RV717: Vedro con mio diletto 5:12 | |
| Composed by Antonio Vivaldi | ||
| Performed by Matheus Ensemble and Philippe Jaroussky | ||
| Conducted by Jean-Christophe Spinosi | ||
| 5. | Così fan tutte, opera, K. 588: Soave sia il vento 3:04 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Claudio Desderi, London Philharmonic Orchestra, Carol Vaness and Delores Ziegler | ||
| Conducted by Bernard Haitink | ||
| 6. | Saul, oratorio, HWV 53: Oh Lord, whose mercies numberless 4:03 | |
| Composed by George Frideric Handel | ||
| Performed by English Chamber Orchestra and Paul Esswood | ||
| Conducted by Philip Ledger | ||
View all tracks on this disc | ||
Best Adagio Voices 100 | ||
| 1. | Vocalise, song for voice & piano, Op. 34/14 5:22 | |
| Composed by Sergey Rachmaninov | ||
| Performed by Berlin Symphony Orchestra and Natalie Dessay | ||
| Conducted by Michael Schønwandt | ||
| 2. | Agnus Dei, for chorus (arr. from 2nd mvt. of String Quartet), Op. 11 7:47 | |
| Composed by Samuel Barber | ||
| Performed by Winchester Cathedral Choir | ||
| Conducted by David Hill | ||
| 3. | Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50 6:21 | |
| Composed by Gabriel Fauré | ||
| Conducted by Daniel Barenboim | ||
| Performed by Edinburgh Festival Chorus and Orchestre de Paris | ||
| 4. | Giustino, opera in 3 acts, RV717: Vedro con mio diletto 5:12 | |
| Composed by Antonio Vivaldi | ||
| Performed by Matheus Ensemble and Philippe Jaroussky | ||
| Conducted by Jean-Christophe Spinosi | ||
| 5. | Così fan tutte, opera, K. 588: Soave sia il vento 3:04 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Claudio Desderi, London Philharmonic Orchestra, Carol Vaness and Delores Ziegler | ||
| Conducted by Bernard Haitink | ||
| 6. | Saul, oratorio, HWV 53: Oh Lord, whose mercies numberless 4:03 | |
| Composed by George Frideric Handel | ||
| Performed by English Chamber Orchestra and Paul Esswood | ||
| Conducted by Philip Ledger | ||
| 7. | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Porgi, Amor 3:42 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Carlo Maria Giulini | ||
| Performed by Philharmonia Chamber Orchestra and Elisabeth Schwarzkopf | ||
| 8. | Le siège de Corinthe (The Siege of Corinth), opera: Giusto ciel! in tal periglio 3:37 | |
| Composed by Gioachino Rossini | ||
| Performed by Lyon National Opera Chorus, Lyon National Opera and Katia Ricciarelli | ||
| Conducted by Gabriele Ferro | ||
| 9. | La Wally, opera (dramma musicale) in 4 acts: Ebben? Ne andrò lontana 4:23 | |
| Composed by Alfredo Catalani | ||
| Performed by Barbara Hendricks and Radio France National Orchestra | ||
| Conducted by Paavo Järvi | ||
| 10. | La forza del destino, opera: La vergine degli angeli 3:28 | |
| Composed by Giuseppe Verdi | ||
| Performed by Ambrosian Opera Chorus, Montserrat Caballé and Royal Philharmonic Orchestra | ||
| Conducted by Anton Guadagno | ||
| 11. | Lakmé, opera: Duo des fleurs 4:48 | |
| Composed by Léo Delibes | ||
| Conducted by Alain Lombard | ||
| Performed by Mady Mesplé, Danielle Millet and Orchestre du Théàtre National de l'Opéra-Comique | ||
| 12. | Les contes d'Hoffmann, opera in 4 acts: Barcarolle 4:20 | |
| Composed by Jacques Offenbach | ||
| Conducted by Sylvain Cambreling | ||
| Performed by Ann Murray, Jessye Norman, Théâtre La Monnaie Royal Opera Orchesta and Théâtre La Monnaie Royal Opera Chorus | ||
| 13. | Les Pêcheurs de perles, opera in 3 acts: Je crois entendre encore 3:07 | |
| Composed by Georges Bizet | ||
| Conducted by Michel Plasson | ||
| Performed by Rolando Villazón and Rundfunkorchester | ||
| 14. | Gianni Schicchi, opera: O mio babbino caro 2:41 | |
| Composed by Giacomo Puccini | ||
| Performed by Montserrat Caballé and London Symphony Orchestra | ||
| Conducted by Charles Mackerras | ||
| 15. | Rusalka, opera, B. 203 (Op. 114): Song to the Moon 5:53 | |
| Composed by Antonin Dvorák | ||
| Performed by Lucia Popp and Rundfunkorchester | ||
| Conducted by Stefan Soltesz | ||
| 16. | Madama Butterfly (Madame Butterfly), opera: Humming Chorus 3:08 | |
| Composed by Giacomo Puccini | ||
| Conducted by Lamberto Gardelli | ||
| Performed by Royal Opera House Covent Garden Chorus and Orchestra and Royal Opera House Chorus Covent Garden | ||
| 17. | The Tsar's Bride (Tsarskaya nevesta), opera in 4 acts: Lioubasha aria 4:31 | |
| Composed by Nikolai Rimsky-Korsakov | ||
| Performed by London Philharmonic Orchestra and Galina Vishnevskaya | ||
| Conducted by Mstislav Rostropovich | ||
| 18. | Norma, opera: Casta Diva 5:35 | |
| Composed by Vicenzo Bellini | ||
| Performed by Maria Callas, La Scala Theater Chorus and La Scala Theater Orchestra | ||
| Conducted by Tullio Serafin | ||
| 19. | Il trionfo del Tempo e del Disinganno, oratorio, HWV 46a: Lascia la spina 6:29 | |
| Composed by George Frideric Handel | ||
| Conducted by Emmanuelle Haïm | ||
| Performed by Le Concert d'Astrée and Ann Hallenberg | ||
| 20. | When I am laid in earth (from "Dido and Aeneas"), soprano aria (Dido's Lament), Z. 626/38b 3:55 | |
| Composed by Henry Purcell | ||
| Performed by Susan Graham and Le Concert d'Astrée | ||
| Conducted by Emmanuelle Haïm | ||
| 21. | Serse (Xerxes), opera, HWV 40: Ombra mai fu 2:49 | |
| Composed by George Frideric Handel | ||
| Performed by Ensemble Orchestral de Paris and Stephanie Blythe | ||
| Conducted by John Nelson | ||
| 22. | Interrotte speranze, madrigal for 2 voices (from Book 7), SV 132 2:40 | |
| Composed by Claudio Monteverdi | ||
| Conducted by Emmanuelle Haïm | ||
| Performed by Rolando Villazón, Topi Lehtipuu and Le Concert d'Astrée | ||
| 23. | Hippolyte et Aricie, tragédie lyrique: Cruelle mère des amours 5:13 | |
| Composed by Jean-Philippe Rameau | ||
| Performed by Véronique Gens and Les Talens Lyriques | ||
| Conducted by Christophe Rousset | ||
| 24. | Il Delirio Amoroso (Da Quel Giorno Fatale), cantata for soprano & instruments, HWV 99: Lascia omai le brune vele 5:27 | |
| Composed by George Frideric Handel | ||
| Performed by Natalie Dessay and Le Concert d'Astrée | ||
| Conducted by Emmanuelle Haïm | ||
| 25. | La sonnambula, opera: Ah! no credea mirarti 4:47 | |
| Composed by Vicenzo Bellini | ||
| Performed by Natalie Dessay and Lyon National Opera | ||
| Conducted by Evelino Pidò | ||
| 26. | Otello, opera: Ave Maria 5:33 | |
| Composed by Giuseppe Verdi | ||
| Conducted by John Barbirolli | ||
| Performed by Gwyneth Jones and New Philharmonia Orchestra of London | ||
| 27. | Gustaf Wasa, opera: Aria Från tronen uti bojor 3:47 | |
| Composed by Johann Gottlieb Naumann | ||
| Conducted by Philip Brunelle | ||
| Performed by Lena Nordin and Royal Swedish Opera Orchestra | ||
| 28. | La légende de Sainte Cécile, incidental music for solo voices, female voices & small orchestra, Op. 22: Que d'étoiles dans vos cheveux 4:47 | |
| Composed by Ernest Chausson | ||
| Performed by Paul Boufil, Ensemble Orchestral de Paris and Isabelle Vernet | ||
| Conducted by Jean-Jacques Kantorow | ||
| 29. | Hamlet, opera in 5 acts: Mort d'Ophélie. Le voilà, je crois l'entendre 4:54 | |
| Composed by Ambroise Thomas | ||
| Performed by Natalie Dessay, Orchestre Capitole Toulouse and Chœur Les Eléments | ||
| Conducted by Michel Plasson | ||
| 30. | Turandot, opera: Signore ascolta! 2:52 | |
| Composed by Giacomo Puccini | ||
| Performed by Mirella Freni and Orchestre Philharmonique de Strasbourg | ||
| Conducted by Alain Lombard | ||
| 31. | Peer Gynt, incidental music, Op. 23: Solveig's Song 4:52 | |
| Composed by Edvard Grieg | ||
| Conducted by Paavo Järvi | ||
| Performed by Estonian National Symphony Orchestra and Belinda Camilla Tilling | ||
| 32. | Wenn mein Schatz Hochzeit macht, song for low voice & piano (or orchestra) (Lieder eines fahrenden Gesellen No. 1) 4:48 | |
| Composed by Gustav Mahler | ||
| Conducted by Andrew Litton | ||
| Performed by Ann Murray and Royal Philharmonic Orchestra | ||
| 33. | Wiegenlied ("Träume, träume, du mein süsses Leben"), song for voice & piano (or orchestra), Op. 41/1 (TrV 195/1) 3:56 | |
| Composed by Richard Strauss | ||
| Performed by Gundula Janowitz and London Academy | ||
| Conducted by Richard Stamp | ||
| 34. | Waldseligkeit ("Der Wald beginnt zu rauchen"), song for voice & piano (or orchestra), Op. 49/1 (TrV 204/1) 2:55 | |
| Composed by Richard Strauss | ||
| Performed by Gundula Janowitz and London Academy | ||
| Conducted by Richard Stamp | ||
| 35. | Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra: Serenata: Mentre l'erbetta 3:20 | |
| Composed by Igor Stravinsky | ||
| Conducted by Richard Hickox | ||
| Performed by Martyn Hill and Sinfonia of London Orchestra | ||
| 36. | Cantata No. 47, "Wer sich selbst erhöhet," BWV 47 (BC A141): Jesu, Joy of Man's Desiring 3:29 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Academy of St. Martin-in-the-Fields and Choir of King's College, Cambridge | ||
| Conducted by Sir David Wilcocks | ||
| 37. | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Erbarme Dich 6:48 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Harry Bicket | ||
| Performed by David Daniels [countertenor] and English Consort | ||
| 38. | Dixit Dominus, hymn for soloists, chorus & orchestra in G minor, HWV 232: De Torrente 3:30 | |
| Composed by George Frideric Handel | ||
| Performed by Natalie Dessay, Véronique Gens and Le Concert d'Astrée | ||
| Conducted by Emmanuelle Haïm | ||
| 39. | Stabat mater, for soprano, alto, strings & organ in F major: [Excerpt] 4:42 | |
| Composed by Giovanni Pergolesi | ||
| Performed by Véronique Gens and Il Seminario Musicale | ||
| 40. | Ave verum Corpus, motet for chorus, strings & organ, K. 618 3:32 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Winchester Cathedral Choir | ||
| Conducted by David Hill | ||
| 41. | Messiah, oratorio, HWV 56: Comfort ye my people 3:20 | |
| Composed by George Frideric Handel | ||
| Performed by Joseph Cornwell and Taverner Players | ||
| Conducted by Andrew Parrott | ||
| 42. | Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339: Laudate Dominum 5:27 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields, Academy Chorus and Barbara Hendricks | ||
| 43. | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Et Misericordia 3:24 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Emmanuelle Haïm | ||
| Performed by Toby Spence, Le Concert d'Astrée and Philippe Jaroussky | ||
| 44. | Mass No. 17 for soloists, chorus & orchestra in C minor (fragment, "Great Mass"), K. 427 (K. 417a): Kyrie 6:40 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Natalie Dessay and Le Concert d'Astrée | ||
| Conducted by Louis Langree | ||
| 45. | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Dona nobis pacem 3:00 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Michel Corboz | ||
| Performed by Ensemble Instrumental de Lausanne and Ensemble Vocal de Lausanne | ||
| 46. | Requiem for soloists, chorus, and orchestra, K. 626: Lacrimosa 3:16 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Michel Corboz | ||
| Performed by Ensemble Vocal de Lausanne and Ensemble instrumental de Genève | ||
| 47. | Requiem in D minor: Recordare 5:46 | |
| Composed by Franz von Suppe | ||
| Conducted by Michel Corboz | ||
| Performed by Gulbenkian Foundation Orchestra, Lisbon, Aquiles Machado, Gulbenkian Foundation Chorus, Lisbon, Elisabete Matos, Mira Kalin and Luis Rodrigues | ||
| 48. | Messe de Requiem, for soloists, chorus & orchestra, Op. 23: Requiem aeternam 1:38 | |
| Composed by J. Domingos Bomtempo | ||
| Conducted by Michel Corboz | ||
| Performed by Gulbenkian Foundation Orchestra, Lisbon and Gulbenkian Foundation Chorus, Lisbon | ||
| 49. | Psalm 42 ("As pants the hart"), for soloists, chorus & orchestra in F major, Op. 42: Chœur: Wie der Hirsch schreit nach frischem Wasser 5:54 | |
| Composed by Felix Mendelssohn Bartholdy | ||
| Conducted by Richard Hickox | ||
| Performed by London Symphony Chorus and City of London Sinfonia | ||
| 50. | Missa Solemnis, for soloists, chorus & orchestra in B flat minor, WAB 29: Agnus Dei 3:29 | |
| Composed by Anton Bruckner | ||
| Performed by Bamberg Symphony Chorus and Bamberg Symphony Orchestra | ||
| Conducted by Karl Anton Rickenbacher | ||
| 51. | Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: Pie Jesu 3:17 | |
| Composed by Gabriel Fauré | ||
| Conducted by Michel Corboz | ||
| Performed by Ensemble Instrumental de Lausanne, Ensemble Vocal de Lausanne and Magali Dami | ||
| 52. | Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: In Paradisum 4:00 | |
| Composed by Gabriel Fauré | ||
| Conducted by Michel Corboz | ||
| Performed by Ensemble Instrumental de Lausanne, Ensemble Vocal de Lausanne and Magali Dami | ||
| 53. | Requiem, for orchestra, organ & chorus; for organ & chorus; for small ensemble, organ & chorus, Op. 9 (3 versions): In Paradisum 2:55 | |
| Composed by Maurice Duruflé | ||
| Performed by John Butt and Choir of King's College, Cambridge | ||
| Conducted by Philip Ledger | ||
| 54. | Miserere mei Deus (Psalm 51), motet for chorus: [Excerpt] 6:50 | |
| Composed by Gregorio Allegri | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Choir & Players | ||
| 55. | Man that is born of a woman, anthem for soprano, alto, tenor, chorus & organ, Z. 27 2:39 | |
| Composed by Henry Purcell | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Choir & Players, Taverner Consort Choir and Taverner Players | ||
| 56. | Salve Regina (II), for 2 voices (from Selva morale e spirituale), SV 284 5:48 | |
| Composed by Claudio Monteverdi | ||
| Conducted by Andrew Parrott | ||
| Performed by Taverner Consort Choir & Players, Taverner Consort Choir and Taverner Players | ||
| 57. | Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem): Libera me - Requiem 2:55 | |
| Composed by Giuseppe Verdi | ||
| Performed by Orchestre Capitole Toulouse, Orféon Donostiarra and Julia Varady | ||
| Conducted by Michel Plasson | ||
| 58. | Gloria, for soprano, chorus & orchestra, FP 177: Domine Deus 4:42 | |
| Composed by Poulenc | ||
| Conducted by Michel Corboz | ||
| Performed by Brigitte Fournier, Gulbenkian Foundation Orchestra, Lisbon and Gulbenkian Foundation Chorus, Lisbon | ||
| 59. | Ave Verum, motet for soprano & alto (or 2-part female chorus) & organ, Op. 65/1 3:28 | |
| Composed by Gabriel Fauré | ||
| Conducted by Michel Corboz | ||
| Performed by Ensemble Instrumental de Lausanne and Ensemble Vocal de Lausanne | ||
| 60. | O magnum mysterium, motet for chorus (4 motets pour le temps de Noël), FP 152/1 3:25 | |
| Composed by Poulenc | ||
| Conducted by Harry Christophers | ||
| Performed by The Sixteen | ||
| 61. | Bogoroditse devo, radouisya (Rejoice Virgin, Mother of God), for chorus 2:43 | |
| Composed by Sergey Rachmaninov | ||
| Conducted by Tonu Kaljuste | ||
| Performed by Swedish Radio Choir | ||
| 62. | Magnificat, for chorus 6:21 | |
| Composed by Arvo Pärt | ||
| Performed by Choir of King's College, Cambridge | ||
| Conducted by Stephen Cleobury | ||
| 63. | Lament of the Mother of God, for soprano & chorus: [Excerpt] 4:45 | |
| Composed by John Tavener | ||
| Performed by Winchester Cathedral Choir and Solveig Kringelborn | ||
| Conducted by David Hill | ||
| 64. | Maitea, nun zira? 3:49 | |
| Composed by Basque Traditional | ||
| Conducted by Beñat Achiary | ||
| Performed by Choir Ama-lur | ||
| 65. | Loch Lomond 3:55 | |
| Composed by Scottish Traditional | ||
| Performed by The Swingle Singers | ||
| 66. | Al-yawma-l-batûl, Kondakion of the Nativity 2:23 | |
| Composed by Byzantine Melkite Chant | ||
| Conducted by Soeur Marie Keyrouz | ||
| Performed by Ensemble de la Paix | ||
| 67. | Veni creator spiritus, hymn in mode 8 3:09 | |
| Composed by Gregorian Chant | ||
| Performed by Downside Abbey Monks and Choirboys | ||
| Conducted by Dom Dustan O'Keeffe | ||
| 68. | Lord, I can't turn back 2:06 | |
| Composed by Traditional Spiritual | ||
| Performed by Derek Lee Ragin and Moses Hogan Singers | ||
| Conducted by Moses George Hogan | ||
| 69. | Salve Regina, antiphon in mode 1 2:32 | |
| Composed by Gregorian Chant | ||
| Performed by Downside Abbey Monks and Choirboys | ||
| Conducted by Dom Dustan O'Keeffe | ||
| 70. | Away in A Manger 2:31 | |
| Composed by Christmas Traditional | ||
| Performed by Derek Lee Ragin and Moses Hogan Singers | ||
| Conducted by Moses George Hogan | ||
| 71. | Berceuse de Gràinne pour Diarmait (after Vivaldi) 5:08 | |
| Composed by Hugh de Courson / Youenn Le Berre | ||
| Performed by Breda Mayock and La Orfanelle della Pieta | ||
| 72. | Bachianas Brasileiras No. 5, for voice & 8 cellos, A. 389: Cantilena 6:29 | |
| Composed by Villa-Lobos-Duo | ||
| Conducted by Paul Capolongo | ||
| Performed by Mady Mesplé and Cellos ensemble of the Orchestre de Paris | ||
| 73. | Music for a While (from "Oedipus"), song, Z. 583/2 3:48 | |
| Composed by Henry Purcell | ||
| Performed by David Daniels [countertenor] and Craig Ogden | ||
| 74. | Hor ch'el ciel e la terra e'l vento tace, madrigal for 6 voices and 2 violins (from Book 8), SV 147 4:53 | |
| Composed by Claudio Monteverdi | ||
| Performed by Consort of Musicke | ||
| Conducted by Anthony Rooley | ||
| 75. | Du bist die Ruh, song for voice & piano, D. 776 (Op. 59/3) 4:05 | |
| Composed by Franz Schubert | ||
| Performed by Arleen Augér and Lambert Orkis | ||
| 76. | Es tönt ein voller Harfenklang, for female chorus, 2 horns & harp, Op. 17/1 2:49 | |
| Composed by Johannes Brahms | ||
| Conducted by Richard Hickox | ||
| Performed by London Symphony Chorus and City of London Sinfonia | ||
| 77. | Mich zieht es nach dem Dörfchen hin, part song for mixed voices, Op. 55/3 2:47 | |
| Composed by Robert Schumann | ||
| Performed by Accentus Chamber Choir | ||
| Conducted by Laurence Equilbey | ||
| 78. | Letztes Glück ("Leblos gleitet Blatt um Blatt"), for chorus (vocal sextet), Op. 104/3 2:22 | |
| Composed by Johannes Brahms | ||
| Performed by Accentus Chamber Choir | ||
| Conducted by Laurence Equilbey | ||
| 79. | Gesang der Geister über den Wassern IV ("Des Menschen Seele..."), for male voices & strings, D. 714 (Op. posth. 167) 11:00 | |
| Composed by Franz Schubert | ||
| Conducted by Wolfgang Sawallisch | ||
| Performed by Capella Bavariae | ||
| 80. | Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7): Le Spectre de la rose 6:54 | |
| Composed by Hector Berlioz | ||
| Conducted by Richard Hickox | ||
| Performed by City of London Sinfonia and Dame Janet Baker | ||
| 81. | Flickan Knyter I Johannenatten for voice & piano 1:54 | |
| Composed by Wilhelm Stenhammar | ||
| Conducted by Paavo Järvi | ||
| Performed by Anne Sofie von Otter and Royal Philharmonic Orchestra | ||
| 82. | Chanson perpétuelle, for soprano & orchestra (or piano quintet), Op. 37 6:56 | |
| Composed by Ernest Chausson | ||
| Conducted by Armin Jordan | ||
| Performed by Kammer Ensemble de Paris and Felicity Lott | ||
| 83. | Carmina Burana, scenic cantata for soloists, choruses & orchestra: In truttina 2:43 | |
| Composed by Carl Orff | ||
| Performed by Bournemouth Symphony Chorus, Janice Watson and Bournemouth Symphony Orchestra | ||
| Conducted by David Hill | ||
| 84. | Les illuminations, song cycle for high voice & strings, Op. 18: Phrase 1:08 | |
| Composed by Benjamin Britten | ||
| Conducted by Richard Hickox | ||
| Performed by Martyn Hill and City of London Sinfonia | ||
| 85. | By a foutainside, for voice & piano, Op. 12/6 3:49 | |
| Composed by Roger Quilter | ||
| Performed by Geoffrey Parsons and Thomas Allen | ||
| 86. | Concerto for Coloratura Soprano & Orchestra, Op. 82: Andante 8:43 | |
| Composed by Reinhold Glière | ||
| Performed by Berlin Symphony Orchestra and Natalie Dessay | ||
| Conducted by Michael Schønwandt | ||
| 87. | L'Air, for voice & piano 3:42 | |
| Composed by Reynaldo Hahn | ||
| Performed by Claude Lavoix and Rachel Yakar | ||
| 88. | Shéhérazade, poems (3) for soprano (or tenor) & orchestra (or piano): L'Indifférent 4:13 | |
| Composed by Maurice Ravel | ||
| Performed by Arleen Augér and Philharmonia Chamber Orchestra | ||
| Conducted by Libor Pesek | ||
| 89. | Après un rêve ("Dans un sommeil"), song for voice & piano, Op. 7/1 2:36 | |
| Composed by Gabriel Fauré | ||
| Performed by Véronique Gens and Roger Vignoles | ||
| 90. | Dieu! qu'il la fait bon regarder!, song for chorus, L. 92/1 1:57 | |
| Composed by Claude Debussy | ||
| Conducted by Jean Sourisse | ||
| Performed by Ensemble Vocal Jean Sourisse | ||
| 91. | Cantique de Jean Racine, for 4-part chorus & organ (or orchestra), Op. 11 5:52 | |
| Composed by Gabriel Fauré | ||
| Performed by Winchester Cathedral Choir | ||
| Conducted by David Hill | ||
| 92. | Duos (2), for 2 voices & piano, Op. 11 6:32 | |
| Composed by Ernest Chausson | ||
| Performed by Emmanuel Strosser and Ensemble Vocal Jean Sourisse | ||
| Conducted by Jean Sourisse | ||
| 93. | Trois beaux oiseaux du paradis, for chorus (or voice & piano) (Trois Chansons No. 2) 2:41 | |
| Composed by Maurice Ravel | ||
| Performed by Delphine Collot, Brigitte Vinson, Jean-Louis Bouillat, Ensemble Vocal Jean Sourisse and Gérard Wieclaw | ||
| Conducted by Jean Sourisse | ||
| 94. | Choruses (2) for chorus with piano ad lib, Op. 68: 1. Calme des Nuits 2:17 | |
| Composed by Camille Saint-Saëns | ||
| Conducted by Jean Sourisse | ||
| Performed by Ensemble Vocal Jean Sourisse | ||
| 95. | Baïlèro, folksong for voice & orchestra (Chants d'Auvergne, Series 1, No. 2) 6:42 | |
| Composed by Joseph Canteloube | ||
| Performed by Arleen Augér and English Chamber Orchestra | ||
| Conducted by Yann Pascal Tortelier | ||
| 96. | Vocalise-Étude en forme de Habanera, for voice & piano 3:24 | |
| Composed by Maurice Ravel | ||
| Performed by Berlin Symphony Orchestra and Natalie Dessay | ||
| Conducted by Michael Schønwandt | ||
| 97. | L'invitation au voyage ("Mon enfant, ma soeur"), song for voice & piano (or orchestra) 3:45 | |
| Composed by Henri Duparc | ||
| Performed by Francois LeRoux and Monte Carlo Philharmonic Orchestra | ||
| Conducted by John Nelson | ||
| 98. | Quatre poèmes hindous (Four Hindu Poems), for soprano & ensemble: Lahore 3:52 | |
| Composed by Maurice Delage | ||
| Conducted by Armin Jordan | ||
| Performed by Kammer Ensemble de Paris and Felicity Lott | ||
| 99. | Chansons de Bilitis, incidental music for narrator, 2 flutes, 2 harps & celesta, L. 96: La Pluie au matin 2:38 | |
| Composed by Claude Debussy | ||
| Performed by The Nash Ensemble and Delphine Seyrig | ||
Product Details
- Format: CD
- Release Date: 10/06/2009
- Label: VIRGIN CLASSICS
- Catalog No.: 64292
- UPC: 5099996429228
- Sales Rank: 5,164
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