|
| 1 |  Christe patris excelsi / Birgitta von Schwede |
| 2 | Tenebrae factae sunt / Francesco Corteccia |
| 3 | Tenebrae factae sunt, 2e / Marc-Antoine Charpen |
| 4 | Lamentations, for chorus / Tomás Luis de Victor |
| 5 | Stava a pié de la croce / Leonardo Giustiniani |
| 6 | Tu solus qui facis mirabi / Josquin Desprez |
| 7 | Popule meus / Johann Melchior Glet |
| 8 | Vexilla regis / Passio Do / Pierre de la Rue |
| 9 | Ay, qué dolor! / Joan Cererols |
| 10 | Messiah, oratorio, HWV 56 / George Frederick Han |
| 11 | St. John Passion for sopr / Heinrich Schütz |
| 12 | Violin (or recorder) Sona / George Frederick Han |
| 13 | Semone blando angelus (Il / Thomas Tallis |
| 14 | Kyrie Paschale / Anonymous, Codex Fra |
| 15 | Dominica resurrectionis / Gregorian Chant |
|
Behold, and See |
| 1.
| Christe patris excelsi 5:46
|
| Composed by Birgitta von Schweden |
| Performed by Les Flamboyants |
| 2.
| Tenebrae factae sunt 3:23
|
| Composed by Francesco Corteccia |
| Conducted by Filippo Maria Bressan |
| 3.
| Second répons après la première leçon du second nocturne du jeudi saint, motet for bass voice, strings & continuo, H. 129 4:08
|
| Composed by Marc-Antoine Charpentier |
| Performed by Istvan Kovacs and Orfeo Baroque Orchestra |
| Conducted by György Vashegyi |
| 4.
| Lamentations, for chorus 4:03
|
| Composed by Tomás Luis de Victoria |
| Conducted by Raúl Mallavibarrena |
| Performed by Musica Ficta |
| 5.
| Stava a pié de la croce 6:39
|
| Composed by Leonardo Giustiniani |
| Performed by Ensemble Daedalus |
| 6.
| Tu solus qui facis mirabilia, motet for 4 parts 4:16
|
| Composed by Josquin Desprez |
| Conducted by Eckehard Kiem |
| 7.
| Popule meus 5:16
|
| Composed by Johann Melchior Gletle |
| Performed by Vienna Viola da gamba Consort and Bernhard Hunziker |
| 8.
| Vexilla regis / Passio Domini 1:33
|
| Composed by Pierre de la Rue |
| 9.
| Ay, qué dolor! 3:09
|
| Composed by Joan Cererols |
| Conducted by Josep Cabre |
| 10.
| Messiah, oratorio, HWV 56: Behold, and see (arioso) 1:51
|
| Composed by George Frideric Handel |
| Performed by Bach Collegium Japan and John Elwes |
| Conducted by Masaaki Suzuki |
| 11.
| St. John Passion for soloists & chorus, SWV 481: conclusion 2:45
|
| Composed by Heinrich Schütz |
| Performed by Jakob Staempfli and Westfalische Kantorei |
| Conducted by Wilhelm Ehmann |
| 12.
| Violin (or recorder) Sonata in G major, HWV 358: Adagio; Allegro 2:33
|
| Composed by George Frideric Handel |
| Performed by David Schrader,
John Mark Rozendaal and Rachel Barton Pine |
| 13.
| Semone blando angelus (Illae dum pergunt concitae), motet for 5 voices, P. 193 5:26
|
| Composed by Thomas Tallis |
| Performed by Chapelle du Roi |
| 14.
| Kyrie Paschale 2:04
|
| Composed by Anonymous, Codex Franus |
| Conducted by Laszlo Dobszay and Janka Szendrei |
| Performed by Schola Hungarica |
| 15.
| Dominica resurrectionis 3:19
|
| Composed by Gregorian Chant |
| Conducted by Laszlo Dobszay and Janka Szendrei |
| 16.
| Tudecus est decoris/O Maria beata genitrix/Nostrom
|
| Composed by Anonymous |
| 17.
| Alleluja haec dies 1:33
|
| Composed by Nicola Vicentino |
| Performed by Academy of Ancient Music and Vox Hesperia |
| Conducted by Romano Vettori |
| 18.
| Victimae paschali laudes, sequence for 3 voices 3:03
|
| Composed by Guillaume Dufay |
| Performed by Orlando Consort |
| 19.
| Victimae Paschali 4:35
|
| Composed by Eustache du Caurroy |
| Performed by Choir of New College, Oxford |
| Conducted by Edward Higginbottom |
| 20.
| Cantio Surrexit Christus hodie 2:00
|
| Composed by Anonymous, Codex Franus |
| Performed by Schola Cantorum and Gregoriana |
| Conducted by David Eben |
| 21.
| Regina coeli laetare, motet for 5 voices, M. xxi (S. v/106) 2:22
|
| Composed by Orlande de Lassus |
| Conducted by Detlef Bratschke |
| Performed by Orlando di Lasso Ensemble |
| 22.
| Salva Jesu 3:07
|
| Composed by Johannes Bedyngham |
| 23.
| O Rex Gloriae 2:31
|
| Composed by Luca Marenzio |
| 24.
| O pastor animarum, antiphon 1:18
|
| Composed by Hildegard von Bingen |
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