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Gramophone, the prestigious British music magazine, made this their primary recommendation for a recording of Beethoven's Violin Concerto. Not bad for a violinist who's still in her teens. These days musical prodigies are a dime a dozen, although Hilary Hahn is clearly no dimestore prodigy. Sure, she has technique to burn and a silky golden tone, but what sets Hahn apart is her imagination. It sounds as if she's considered afresh every phrase of Beethoven's familiar work to arrive at an exquisite and engaging performance. She's equally at home in Bernstein's clever Serenade (1954), an early work inspired by Plato's "Symposium." Lyrical and jazzy, it is one of the composer's finest symphonic creations and Hahn is an effective champion for its syncopated charm. Conductor David Zinman and the Baltimore Symphony offer fine support, particularly in the delicacy of the Serenade's sweet Adagio. Andrew Farach-Colton, Barnes & Noble