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CD - Box Set
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Beethoven: Complete Works | ||
| 1. | Symphony No. 1 in C major, Op. 21 27:34 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leipzig Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
| 2. | Symphony No. 3 in E flat major ("Eroica"), Op. 55 49:45 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leipzig Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
| 3. | Symphony No. 2 in D major, Op. 36 37:07 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leipzig Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
| 4. | Symphony No. 7 in A major, Op. 92 36:16 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leipzig Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
| 5. | Symphony No. 6 in F major ("Pastoral"), Op. 68 44:17 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leipzig Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
| 6. | Symphony No. 8 in F major, Op. 93 27:01 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leipzig Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
View all tracks on this disc | ||
The first thing to say about this hefty 85-CD box set is what an astonishing bargain it is. For about a dollar and a half per disc, or the cost of a few months of basic cable TV, you can own recordings of every score Ludwig van Beethoven wrote -- including, of course, some of the greatest monuments of Western classical music. The second point is that, despite Brilliant Classics' budget price, there's very little compromise in quality. The performances are by and large excellent, assembled with care to match thrift with high artistic standards, and you'll be surprised by how many first-rank performers are represented, including some of the finest Beethoven interpreters of the last 50 years. The bulk of the set consists of recordings licensed from other labels (many from Universal Classics' vast out-of-print holdings) and range in date from the 1950s up to the present day. Cherry-picking highlights is a challenge in a collection of this breadth, so let's start right at the top: Kurt Masur and the venerable Gewandhaus Orchestra performing the nine magnificent symphonies. Recorded in 1974, these are compelling and stimulating accounts, and their lack of idiosyncrasies makes them a fine choice for first-timers. Henryk Szeryng's 1973 Violin Concerto, with Bernard Haitink leading the Concertgebouw Orchestra, is similarly persuasive, while Arthur Grumiaux and Clara Haskil offer distinguished readings of the violin sonatas -- although the constricted mid-'50s sound quality will be a turn-off to some. Counterbalancing this drawback are Heinrich Schiff's and Till Fellner's singing performances of the cello sonatas, superbly recorded in 1998 with modern digital technology. Moving down the list of masterworks, the Guarneri Quartet's accounts of the string quartets are competitive with the best available, while the Borodin Trio offers richly Romantic, satisfying interpretations of the piano trios, on recordings licensed from Chandos. The solo piano music is equally strong, with Friedrich Gulda's invigorating set of the piano sonatas, originally released on Amadeo in the '60s, and, from the same era, Alfred Brendel's technically immaculate performances of the piano variations, first issued on Vox. The large-scale works impress nearly as much, with Colin Davis leading the London Symphony Orchestra and Chorus in the splendid Missa Solemnis and Christoph von Dohnanyi directing an all-German-speaking cast in Fidelio, Beethoven's only opera. Filling out the comprehensive set are brand-new recordings of seldom-heard folksongs, canons, and other curiosities, alongside a large inventory of chamber music, dances, overtures, and lots more that must remain unmentioned. Housed in a sturdy cardboard box, the CDs are enclosed in space-saving slip sleeves and include a companion CD-ROM (PC only) with libretti and liner notes. For aficionados, it goes without saying that some performances won't measure up to personal favorites, but for the average listener or local library, you won't find a better buy. Still hesitating? Consider this: If you tried to purchase this set track-by-track at the standard download price, you wouldn't get past disc 13 before the cost surpassed this incredible deal. [Note: Brilliant Classics has also realeased complete Mozart and Bach editions, with even lower per-disc costs.] EJ Johnson, Barnes & Noble
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January 03, 2009:
As a student of classical music, I strive to find the complete works of my favorite composers... and Beethoven, being my absolute favorite, I was excited to find this and recieve this as a present.
Considering that Beethoven is in my opinion the greatest composer that ever lived, I have to say that some pieces are lacking due to interpretation yet the lesser known pieces, from the variations from Alfred Brendel to the beautifully paced Wellington Victory Symphony conducted by Sir Neville Marriner, you gain true insite in the amazing composition of Beethoven.
The Symphonies were lacking, in my opinion, the Fifth did not have the fire I'd expect from the first movement and the last movement did not have the majestic nature of the finale. However, the Ninth was what brought me to greatest disapointment; Kurt Masur, in my opinion, did not bring the high point of the last movement to it's full potential, limiting it with a very stacatto feeling that was origionally to be written when Beethoven first composed the Symphony long before it was to be the Ninth. However, I will note that I compare all Symphony Cycles to the cycle recording made by Wilhelm Furtwangler, who sadly is becoming less and less well known. His recording of the Ninth is still a reference point to modern conductors and listeners.
I also have to say that the Piano Sonatas lacked the fire and passion that is famous of Beethoven. Gulda did not bring the emotion that I expected. Honestly, it did not pull my heart and that is what I expect from the piano sonatas. I recommend the recordings done by Daniel Barenboim, who is aclaimed for his interpertation of the Eight, Fourteenth, and Twenty-Third Piano Sonatas.
However, the Guarneri Quartet is one of the many highlights of this box set. They truely bring the fun and passion to the String Quartets of Beethoven and are highly reccommended outside of this box set as well, one of the quality recordings that are a rare find for such a great price.
Despite this, I have to say that the real treat of this box set is the minor pieces. Few know of the Wellington Victory Symphony nor the variations. Most of these pieces are had to find in the first place but thankfully, a true lover of Beethoven will rellish in his Scottish Songs that would be near impossible to find outside this box set as well as the long list of Works without Opus.
Overall, this is a great box set that I would highly reccommend to anyone (with the exception of the Symphonies and Piano Sonatas, but that is my opinion). But beware, the box tears easy.
I Also Recommend: Beethoven: The 9 Symphonies [Box Set], Beethoven: The Complete Piano Sonatas [Box Set].
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September 04, 2008: I gave this collection to a friend as a gift. I have never seen anyone so happy to receive any gift. It was all that could be talked about. A year later it is still visably present and listened to daily. If you know someone who loves Bach--this is the ultimate gift.
Beethoven: Complete Works | ||
| 1. | Symphony No. 1 in C major, Op. 21 27:34 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leipzig Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
| 2. | Symphony No. 3 in E flat major ("Eroica"), Op. 55 49:45 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leipzig Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
| 3. | Symphony No. 2 in D major, Op. 36 37:07 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leipzig Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
| 4. | Symphony No. 7 in A major, Op. 92 36:16 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leipzig Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
| 5. | Symphony No. 6 in F major ("Pastoral"), Op. 68 44:17 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leipzig Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
| 6. | Symphony No. 8 in F major, Op. 93 27:01 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leipzig Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
| 7. | Symphony No. 4 in B flat major, Op. 60 35:25 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leipzig Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
| 8. | Symphony No. 5 in C minor ("Fate"), Op. 67 33:06 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leipzig Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
| 9. | Symphony No. 9 in D minor ("Choral"), Op. 125 1:09:28 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Theo Adam, Annelies Burmeister, Leipzig Radio Chorus, Leipzig Radio Choir, Rundfunkchor Berlin, Peter Schreier, Anna Tomowa-Sintow, Dresden Philharmonic Children's Chorus and Gewandhaus Orchestra | ||
| Conducted by Kurt Masur | ||
| 10. | Piano Concerto No. 1 in C major, Op. 15 38:16 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda and Wiener Philharmoniker | ||
| Conducted by Horst Stein | ||
| 11. | Piano Concerto No. 3 in C minor, Op. 37 34:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda and Wiener Philharmoniker | ||
| Conducted by Horst Stein | ||
| 12. | Piano Concerto No. 2 in B flat major, Op. 19 28:49 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda and Wiener Philharmoniker | ||
| Conducted by Horst Stein | ||
| 13. | Piano Concerto in D major (after the Violin Concerto, Op. 61), Op. 61a 47:34 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Philharmonic Orchestra and Shoko Sugitani | ||
| Conducted by Gerard Oskamp | ||
| 14. | Piano Concerto No. 4 in G major, Op. 58 35:17 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda and Wiener Philharmoniker | ||
| Conducted by Horst Stein | ||
| 15. | Piano Concerto No. 5 in E flat major ("Emperor"), Op. 73 40:42 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda and Wiener Philharmoniker | ||
| Conducted by Horst Stein | ||
| 16. | Violin Concerto in D major, Op. 61 46:07 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Royal Concertgebouw Orchestra Amsterdam and Henryk Szeryng | ||
| Conducted by Bernard Haitink | ||
| 17. | Romance for violin & orchestra No. 1 in G major, Op. 40 8:07 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Royal Concertgebouw Orchestra Amsterdam and Henryk Szeryng | ||
| Conducted by Bernard Haitink | ||
| 18. | Romance for violin & orchestra No. 2 in F major, Op. 50 9:26 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Royal Concertgebouw Orchestra Amsterdam and Henryk Szeryng | ||
| Conducted by Bernard Haitink | ||
| 19. | Concerto for piano, violin, cello & orchestra in C major ("Triple Concerto"), Op. 56 37:10 | |
| Composed by Ludwig van Beethoven | ||
| Performed by English Chamber Orchestra, Joseph Kalichstein, Jaime Laredo and Sharon Robinson | ||
| Conducted by Alexander Gibson | ||
| 20. | Piano Concerto in E flat major, WoO 4 31:13 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker and Martin Galling | ||
| Conducted by Carl-August Bünte | ||
| 21. | Rondo for piano & orchestra in B flat major, WoO 6 9:34 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Saint Louis Symphony Orchestra | ||
| Conducted by Jerzy Semkov | ||
| 22. | Leonore Overture No. 1 in C major, Op. 138 9:46 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra | ||
| 23. | Leonore Overture No. 2 in C major, Op. 72a 14:27 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra | ||
| 24. | Leonore Overture No. 3 in C major, Op. 72b 14:23 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra | ||
| 25. | Fidelio, overture, Op. 72c 6:54 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra | ||
| 26. | Leonore Prohaska, incidental music, WoO 96: Funeral March 4:53 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra | ||
| 27. | Die Weihe des Hauses (Consecration of the House), overture for orchestra, Op. 124 10:27 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra | ||
| 28. | Wo sich die Pulse jugendlich jagen (for the play "Die Weihe des Hauses"), chorus with soprano solo, WoO 98 7:06 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Phyllis Bryn-Julson, Minnesota Orchestra, Bach Society of Minnesota and David Laberge | ||
| 29. | Coriolan Overture, Op. 62 8:27 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra | ||
| 30. | Wellington's Victory, for orchestra, Op. 91 16:43 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 31. | Namensfeier (Name-Day Celebration) Overture for orchestra in C major, Op. 115 6:52 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra | ||
| 32. | Gratulations-Menuet for orchestra in E flat major, WoO 3 3:55 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra | ||
| 33. | Triumphal march in C for "Tarpeja," for orchestra, WoO 2a 2:36 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra | ||
| 34. | Fugue for organ in D major, WoO 31 2:02 | |
| Composed by Ludwig van Beethoven | ||
| 35. | Pieces (5) for musical clock, WoO 33 22:07 | |
| Composed by Ludwig van Beethoven | ||
| 36. | Grenadier March for mechanical clock in F major, Hess 107 4:50 | |
| Composed by Ludwig van Beethoven | ||
| 37. | Contredanses (12) for orchestra, WoO14 10:57 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Chamber Orchestra | ||
| Conducted by Helmut Koch | ||
| 38. | Minuets (6) for 2 violins & double bass, WoO 9 13:06 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Chamber Orchestra, Klaus Peters, Matthias Pfaender and Karl Suske | ||
| Conducted by Helmut Koch | ||
| 39. | Mödlinger Tänze (11) for 2 clarinets, 2 horns, 2 violins & double bass, WoO 17 19:04 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Chamber Orchestra | ||
| Conducted by Helmut Koch | ||
| 40. | Ländler (6) for 2 violins & double bass, WoO 15 6:10 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Chamber Orchestra | ||
| Conducted by Helmut Koch | ||
| 41. | German Dances (12) for orchestra, WoO 8 19:34 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Chamber Orchestra | ||
| Conducted by Helmut Koch | ||
| 42. | Minuets (12) for orchestra, WoO 7 26:40 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Friedemann Batzel | ||
| Performed by Vienna State Opera Chamber Orchestra | ||
| 43. | March for wind ensemble in D major, WoO 24 6:54 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Friedemann Batzel | ||
| Performed by Capella Istropolitana and Vienna State Opera Chamber Orchestra | ||
| 44. | Minuets (6) for piano (or orchestra), WoO 10 13:27 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Capella Istropolitana and Vienna State Opera Chamber Orchestra | ||
| 45. | German Dances (6) for violin & piano, WoO 42 4:41 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Vienna State Opera Chamber Orchestra, Michael Wagener and Sachiko Kobayashi | ||
| 46. | Ecossaises (6) for piano, WoO 83 (spurious) 2:07 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Vienna State Opera Chamber Orchestra and Rainer Maria Klass | ||
| 47. | Écossaise militaire, for wind band in G major, WoO 23 0:38 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Vienna State Opera Chamber Orchestra and Rainer Maria Klass | ||
| 48. | Ländler (7) for piano (all in D major), WoO 11 4:50 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Vienna State Opera Chamber Orchestra and Rainer Maria Klass | ||
| 49. | German Dances (12) for orchestra, WoO 13 16:19 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Vienna State Opera Chamber Orchestra and Rainer Maria Klass | ||
| 50. | Octet for winds in E flat major, Op. 103 20:50 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano | ||
| 51. | Rondo for wind octet in E flat major ("Rondino"), WoO 25 7:19 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano | ||
| 52. | Sextet for 2 clarinets, 2 horns & 2 bassoons in E flat major, Op. 71 17:52 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano | ||
| 53. | Duos (3) for clarinet & bassoon, WoO 27 28:32 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano | ||
| 54. | March for wind ensemble in F major, ("Für die Böhmische Landwehr"), WoO 18 2:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano and Members of the Orchestra da Camera di Genova | ||
| 55. | March for wind ensemble in C major, WoO 20 3:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano and Members of the Orchestra da Camera di Genova | ||
| 56. | March for wind ensemble in F major, WoO 19 3:47 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano and Members of the Orchestra da Camera di Genova | ||
| 57. | Polonaise for wind ensemble in D major, WoO 21 2:19 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano and Members of the Orchestra da Camera di Genova | ||
| 58. | Ecossaise for wind ensemble in D major, WoO 22 1:07 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano and Members of the Orchestra da Camera di Genova | ||
| 59. | March for wind ensemble in B flat major, WoO 29 1:17 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano and Members of the Orchestra da Camera di Genova | ||
| 60. | Quintet for oboe, 3 horns & bassoon in E flat major, Hess 19 7:10 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano and Members of the Orchestra da Camera di Genova | ||
| 61. | Adagio for 3 horns in F major, Hess 297 1:01 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano and Members of the Orchestra da Camera di Genova | ||
| 62. | Equali (3) for 4 trombones, WoO 30 5:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano and Members of the Orchestra da Camera di Genova | ||
| 63. | Trio for 2 oboes & English horn in C major, Op. 87 19:04 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano and Members of the Orchestra da Camera di Genova | ||
| 64. | Variations for 2 oboes & English horn in C major on Mozart's "La ci darem," WoO 28 9:29 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano and Members of the Orchestra da Camera di Genova | ||
| 65. | Duo for 2 flutes (or flute & violin) in G major, WoO 26 5:58 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ottetto Italiano and Members of the Orchestra da Camera di Genova | ||
| 66. | Serenade for flute & piano in D major (arr. of Serenade, Op. 25), Op. 41 22:28 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Jean-Pierre Rampal and Robert Veyron-Lacroix | ||
| 67. | National Airs (6) with variations for flute/violin & piano, Op. 105 19:06 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Jean-Pierre Rampal and Robert Veyron-Lacroix | ||
| 68. | Duo for 2 flutes (or flute & violin) in G major, WoO 26 5:48 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alain Marion, Jean-Pierre Rampal and Robert Veyron-Lacroix | ||
| 69. | Trio for piano, flute & bassoon in G major, WoO 37 21:32 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Paul Hongne, Jean-Pierre Rampal and Robert Veyron-Lacroix | ||
| 70. | National Airs (10) with variations for flute/violin & piano, Op. 107 42:50 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Jean-Pierre Rampal and Robert Veyron-Lacroix | ||
| 71. | Trio for 3 flutes in G major 10:17 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Christian Larde, Alain Marion, Jean-Pierre Rampal and Robert Veyron-Lacroix | ||
| 72. | Sonata for flute & piano in B flat major, Kinsky-Halm Anh 4 21:10 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Jean-Pierre Rampal and Robert Veyron-Lacroix | ||
| 73. | Septet for strings & woodwinds in E flat major, Op. 20 39:27 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Academy of St. Martin-in-the-Fields Chamber Ensemble | ||
| 74. | Sextet for 2 horns & string quartet in E flat major, Op. 81b 17:53 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Gerhard Meyer, Rudolf Horold and Erben-Quartett | ||
| 75. | Quintet for piano, oboe, clarinet, horn & bassoon in E flat major, Op. 16 24:51 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Henk de Graaf, Hans Meijer, Peter Gaasterland, Klára Würtz and Martin van de Merwe | ||
| 76. | Trio for clarinet (or violin), cello & piano No. 4 in B flat major ("Gassenhauer"), Op. 11 21:23 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Kalman Berkes, Zoltán Kocsis and Miklós Perényi | ||
| 77. | Sonata for horn & piano in F major, Op. 17 14:28 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Dezso Ranki and Ferenc Tarjáni | ||
| 78. | Trio for piano, clarinet (or violin) & cello in E flat major (arr. of septet, Op. 20), Op. 38 43:41 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Chihiro Saito, Michael Wagener and Sachiko Kobayashi | ||
| 79. | Variations for violin & piano in F major on "Se vuol ballare" from Mozart's "Le nozze di Figaro," WoO 40 9:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander and Peter Glatte | ||
| 80. | Serenade for flute, violin & viola in D major, Op. 25 23:43 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Levon Chilingirian, Susan Milan and Ian Brown | ||
| 81. | Rondo for violin & piano in G major, WoO 41 4:37 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Chihiro Saito, Michael Wagener and Sachiko Kobayashi | ||
| 82. | Piano Trio in E flat major ("Allegretto"), Hess 48 3:53 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Chihiro Saito, Michael Wagener and Sachiko Kobayashi | ||
| 83. | Adagio for piano & mandolin in E flat major, WoO 43/2 6:15 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Amadeus Webersinke and Erhard Fietz | ||
| 84. | Sonatina for mandolin & piano in C major, WoO 44/1 3:08 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Amadeus Webersinke and Erhard Fietz | ||
| 85. | Sonatina for mandolin & piano in C minor, WoO 43/1 4:41 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Lajos Mayer and Imre Rohmann | ||
| 86. | Andante and variations for mandolin & piano in D major, WoO 44/2 10:02 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Lajos Mayer and Imre Rohmann | ||
| 87. | Piano Quartet No. 3 in C major, WoO 36/3 18:03 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Anthony Goldstone | ||
| 88. | Piano Quartet No. 1 in E flat major, WoO 36/1 19:35 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Anthony Goldstone | ||
| 89. | Piano Quartet No. 2 in D major, WoO 36/2 16:12 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Anthony Goldstone | ||
| 90. | Piano Trio in E flat major, Op. 1/1 32:49 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Borodin Trio | ||
| 91. | Piano Trio in G major, Op. 1/2 37:06 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Borodin Trio | ||
| 92. | Piano Trio in C minor, Op. 1/3 33:34 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Borodin Trio | ||
| 93. | Piano Trio in B flat major ("Allegretto"), WoO 39 16:13 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Borodin Trio | ||
| 94. | Piano Trio in G major ("Kakadu Variations"), Op. 121a 17:51 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Borodin Trio | ||
| 95. | Piano Trio in D major ("Ghost"), Op. 70/1 31:06 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Borodin Trio | ||
| 96. | Piano Trio in E flat major, Op. 70/2 37:34 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Borodin Trio | ||
| 97. | Piano Trio in E flat major, WoO 38 6:20 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Borodin Trio | ||
| 98. | Piano Trio in B flat major ("Archduke"), Op. 97 45:01 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Borodin Trio | ||
| 99. | Piano Trio in E flat major ("14 Variations on an Original Theme"), Op. 44 14:28 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Borodin Trio | ||
| 100. | Sonata for cello & piano No. 1 in F major, Op. 5/1 21:48 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Till Fellner and Heinrich Schiff | ||
| 101. | Sonata for cello & piano No. 2 in G minor, Op. 5/2 22:41 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Till Fellner and Heinrich Schiff | ||
| 102. | Sonata for cello & piano No. 3 in A major, Op. 69 26:53 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Till Fellner and Heinrich Schiff | ||
| 103. | Sonata for cello & piano No. 4 in C major, Op. 102/1 15:57 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Till Fellner and Heinrich Schiff | ||
| 104. | Sonata for cello & piano No. 5 in D major, Op. 102/2 20:26 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Till Fellner and Heinrich Schiff | ||
| 105. | Variations for cello & piano in G major on Handel's "See, the Conqu'ring Hero comes," WoO 45 12:27 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Till Fellner and Heinrich Schiff | ||
| 106. | Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 10:15 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Till Fellner and Heinrich Schiff | ||
| 107. | Variations for cello & piano in E flat major on Mozart's "Bei Männern," WoO 46 9:34 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Till Fellner and Heinrich Schiff | ||
| 108. | Sonata for violin & piano No. 1 in D major, Op. 12/1 18:20 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Arthur Grumiaux and Clara Haskil | ||
| 109. | Sonata for violin & piano No. 2 in A major, Op. 12/2 14:45 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Arthur Grumiaux and Clara Haskil | ||
| 110. | Sonata for violin & piano No. 3 in E flat major, Op. 12/3 18:45 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Arthur Grumiaux and Clara Haskil | ||
| 111. | Sonata for violin & piano No. 4 in A minor, Op. 23 16:31 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Arthur Grumiaux and Clara Haskil | ||
| 112. | Sonata for violin & piano No. 5 in F major ("Spring"), Op. 24 22:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Arthur Grumiaux and Clara Haskil | ||
| 113. | Sonata for violin & piano No. 6 in A major, Op. 30/1 20:10 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Arthur Grumiaux and Clara Haskil | ||
| 114. | Sonata for violin & piano No. 7 in C minor ("Eroica"), Op. 30/2 25:09 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Arthur Grumiaux and Clara Haskil | ||
| 115. | Sonata for violin & piano No. 8 in G major, Op. 30/3 17:25 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Arthur Grumiaux and Clara Haskil | ||
| 116. | Sonata for violin & piano No. 9 in A major ("Kreutzer"), Op. 47 33:52 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Arthur Grumiaux and Clara Haskil | ||
| 117. | Sonata for violin & piano No. 10 in G major ("The Cockcrow"), Op. 96 25:14 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Arthur Grumiaux and Clara Haskil | ||
| 118. | Trio for violin, viola & cello in E flat major, Op. 3 42:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Zurich String Trio | ||
| 119. | Serenade for violin, viola & cello in D major, Op. 8 28:47 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Zurich String Trio | ||
| 120. | Trio for violin, viola & cello in G major, Op. 9/1 25:42 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Zurich String Trio | ||
| 121. | Trio for violin, viola & cello in D major, Op. 9/2 25:02 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Zurich String Trio | ||
| 122. | Trio for violin, viola & cello in C minor, Op. 9/3 24:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Zurich String Trio | ||
| 123. | String Quartet No. 1 in F major, Op. 18/1 30:10 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 124. | String Quartet No. 2 in G major ("Compliments"), Op. 18/2 23:11 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 125. | String Quartet No. 3 in D major, Op. 18/3 24:55 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 126. | String Quartet No. 4 in C minor, Op. 18/4 26:09 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 127. | String Quartet No. 5 in A major, Op. 18/5 29:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 128. | String Quartet No. 6 in B flat major, Op. 18/6 25:26 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 129. | String Quartet No. 11 in F minor ("Serioso"), Op. 95 21:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 130. | String Quartet No. 7 in F major ("Rasumovsky 1"), Op. 59/1 39:48 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 131. | String Quartet No. 8 in E minor ("Rasumovsky 2"), Op. 59/2 38:21 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 132. | String Quartet No. 10 in E flat major ("Harp"), Op. 74 32:29 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 133. | String Quartet No. 14 in C sharp minor, Op. 131 38:07 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 134. | String Quartet No. 12 in E flat major, Op. 127 37:38 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 135. | String Quartet No. 16 in F major, Op. 135 25:22 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 136. | String Quartet No. 15 in A minor ("Heiliger Dankgesang"), Op. 132 46:38 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 137. | String Quartet No. 9 in C major ("Rasumovsky 3"), Op. 59/3 32:15 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 138. | String Quartet No. 13 in B flat major ("Lieb"), Op. 130 43:21 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 139. | Fugue for string quartet in B flat major ("Grosse Fuge"), Op. 133 16:06 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Guarneri Quartet | ||
| 140. | String Quintet in C major ("Storm"), Op. 29 34:22 | |
| Composed by Ludwig van Beethoven | ||
| 141. | String Quintet in C minor (after Piano Trio, Op. 1/3), Op. 104 31:19 | |
| Composed by Ludwig van Beethoven | ||
| 142. | String Quartet in F major (arrangement of Piano Sonata No. 9 in E major, Op. 14/1), Hess 34 14:12 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Suske-Quartett | ||
| 143. | String Quintet in E flat major (after the Octet, Op. 103), Op. 4 32:52 | |
| Composed by Ludwig van Beethoven | ||
| 144. | Fugue for string quintet in D major, Op. 137 1:49 | |
| Composed by Ludwig van Beethoven | ||
| 145. | Duo for viola & cello in E flat major ("With two eyeglasses obbligato"), WoO 32 14:22 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Mikayel Hakhnazaryan and Dominik Ostertag | ||
| 146. | Ländler (6) for 2 violins & double bass, WoO 15 4:55 | |
| Composed by Ludwig van Beethoven | ||
| 147. | Prelude and Fugue for 2 violins & cello in E minor, Hess 29 6:18 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Perez Quartet | ||
| 148. | Prelude and Fugue at the octave, for string quartet, in F major, Hess 30 7:20 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Perez Quartet | ||
| 149. | Prelude and Fugue at the tenth, for string quartet, in C major, Hess 31 4:52 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Perez Quartet | ||
| 150. | Minuet for string quartet in A flat major, Hess 33 1:33 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Perez Quartet | ||
| 151. | Work(s): Prelude for String Quintet, Hess 40 2:47 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Perez Quartet | ||
| 152. | Piano Sonata No. 1 in F minor, Op. 2/1 15:19 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 153. | Piano Sonata No. 2 in A major, Op. 2/2 21:30 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 154. | Piano Sonata No. 3 in C major, Op. 2/3 23:04 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 155. | Piano Sonata No. 4 in E flat major ("Grand Sonata"), Op. 7 25:17 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 156. | Piano Sonata No. 5 in C minor, Op. 10/1 16:11 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 157. | Piano Sonata No. 6 in F major, Op. 10/2 11:54 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 158. | Piano Sonata No. 7 in D major, Op. 10/3 20:57 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 159. | Piano Sonata No. 8 in C minor ("Pathétique"), Op. 13 17:55 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 160. | Piano Sonata No. 9 in E major, Op. 14/1 12:34 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 161. | Piano Sonata No. 10 in G major, Op. 14/2 14:40 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 162. | Piano Sonata No. 11 in B flat major, Op. 22 20:42 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 163. | Piano Sonata No. 12 in A flat major ("Funeral March"), Op. 26 18:57 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 164. | Piano Sonata No. 13 in E flat major ("Quasi una fantasia"), Op. 27/1 14:29 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 165. | Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2 15:53 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 166. | Piano Sonata No. 15 in D major ("Pastoral"), Op. 28 22:10 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 167. | Piano Sonata No. 16 in G major, Op. 31/1 19:54 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 168. | Piano Sonata No. 17 in D minor ("Tempest"), Op. 31/2 20:57 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 169. | Piano Sonata No. 18 in E flat major ("Hunt"), Op. 31/3 20:19 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 170. | Piano Sonata No. 19 in G minor, Op. 49/1 8:05 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 171. | Piano Sonata No. 20 in G major, Op. 49/2 7:40 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 172. | Piano Sonata No. 21 in C major ("Waldstein"), Op. 53 20:36 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 173. | Piano Sonata No. 22 in F major, Op. 54 10:37 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 174. | Piano Sonata No. 23 in F minor ("Appassionata"), Op. 57 20:31 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 175. | Piano Sonata No. 24 in F sharp major ("A Thérèse"), Op. 78 9:15 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 176. | Piano Sonata No. 25 in G major ("Cuckoo"), Op. 79 8:55 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 177. | Piano Sonata No. 26 in E flat major ("Les Adieux"), Op. 81a 14:29 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 178. | Piano Sonata No. 27 in E minor, Op. 90 10:35 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 179. | Piano Sonata No. 28 in A major, Op. 101 20:04 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 180. | Piano Sonata No. 29 in B flat major ("Hammerklavier"), Op. 106 36:53 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 181. | Piano Sonata No. 30 in E major, Op. 109 16:51 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 182. | Piano Sonata No. 31 in A flat major, Op. 110 17:08 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 183. | Piano Sonata No. 32 in C minor, Op. 111 24:10 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Friedrich Gulda | ||
| 184. | Variations (15) and fugue on a theme from "Prometheus" for piano in E flat major ("Eroica Variations"), Op. 35 22:49 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 185. | Piano Sonata No. 20 in G major, Op. 49/2 8:11 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 186. | Variations (5) on "Rule Britannia," for piano in D major, WoO 79 4:37 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 187. | Variations (7) on "God Save the King," for piano in C major, WoO 78 8:52 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 188. | Variations (12) on a Russian Dance from Wranitzky's "Das Waldmädchen," for piano in A major, WoO 71 11:45 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 189. | Variations (6) on an original theme for piano in F major, Op. 34 12:50 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 190. | Variations (6) on an original theme, for piano in D major, Op. 76 5:48 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 191. | Variations (32) on an original theme for piano in C minor, WoO 80 11:14 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 192. | Variations (7) on Winter's "Kind willst du," for piano in F major, WoO 75 10:57 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 193. | Variations (24) on Righini's arietta "Venni Amore," for piano in D major, WoO 65 16:04 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 194. | Variations (6) on "Nel Cor Più" from Paisiello's La molinara, for piano in G major, WoO 70 4:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 195. | Variations (8) on "Tändeln und Scherzen," for piano in F major, WoO 76 8:18 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 196. | Variations (13) on Dittersdorf's "Es war einmal ein alter Mann," for piano in A major, WoO 66 12:07 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 197. | Variations (10) on Salieri's "La Stessa, le Stessissima," for piano in B flat major, WoO 73 9:43 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 198. | Variations (6) on a Swiss song for piano in F major, WoO 64 2:53 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 199. | Variations (9) on Paisiello's "Quant è Più Bello," for piano in A major, WoO 69 5:29 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 200. | Variations (6) on an original theme for piano in G major, WoO 77 4:52 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 201. | Variations (8) on Grétry's "Une fièvre brûlante," for piano in C major, WoO 72 6:45 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 202. | Rondo for piano in G major, Op. 51/2 9:48 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 203. | Allegretto for piano in C minor, WoO 53 3:52 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 204. | Ecossaises (6) for piano, WoO 83 (spurious) 1:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 205. | Bagatelle for piano in A minor ("Für Elise"), WoO 59 2:47 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 206. | Polonaise for piano in C major, Op. 89 5:36 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 207. | Piano Sonata in E flat major ("Kurfürstensonate"), WoO 47/1 13:47 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ulrich Staerk | ||
| 208. | Piano Sonata in F minor ("Kurfürstensonate"), WoO 47/2 15:00 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ulrich Staerk | ||
| 209. | Variations (33) on a waltz by Diabelli, for piano in C major ("Diabelli Variations"), Op. 120 53:00 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 210. | Bagatelles (11) for piano, Op. 119 15:00 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 211. | Bagatelles (6) for piano, Op. 126 19:56 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 212. | Rondo a Capriccio for piano in G major ("Rage Over a Lost Penny"), Op. 129 6:15 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 213. | Rondo for piano in C major, Op. 51/1 5:53 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 214. | Bagatelles (7) for piano, Op. 33 19:36 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 215. | Andante for piano in F major ("Andante favori") WoO 57 8:58 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 216. | Bagatelle for piano in B flat major, WoO 60 1:14 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 217. | Bagatelle for piano in C minor, WoO 52 3:22 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 218. | Allegretto for piano in C minor, Hess 69 2:00 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 219. | Piece for piano in C major/C minor ("Lustig - traurig"), WoO 54 1:14 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 220. | Rondo for piano in C major, WoO 48 1:57 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 221. | Rondo for piano in A major, WoO 49 1:55 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 222. | Sonatina for piano in F major, WoO 50 (2 movements) 1:35 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 223. | Allemande for piano in A major, WoO 81 1:27 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 224. | Anglaise for piano in D major, Hess 61 0:29 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 225. | Prelude for piano (or organ) in F minor, WoO 55 1:31 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 226. | Fantasia for piano in G minor, Op. 77 9:35 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 227. | Allegretto for piano in B minor, WoO 61 2:57 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 228. | Variations (9) on a march by Dressler, for piano in C minor, WoO 63 9:50 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 229. | Preludes (2) Through All 12 Major Keys, for piano (or organ), Op. 39 7:17 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 230. | Fugue for piano in C major, Hess 64 1:25 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 231. | Minuet for piano in E flat major, WoO 82 3:19 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 232. | Allegretto for piano in C major ("Bagatelle"), WoO 56 1:22 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 233. | Variations (12) on Haibel's "Menuett à la Viganò," for piano in C major, WoO 68 11:25 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 234. | Waltz for piano E flat major, WoO 84 1:16 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 235. | Allegretto quasi andante for piano in G minor, WoO 61a 0:31 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 236. | Waltz for piano in D major, WoO 85 0:29 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 237. | Ecossaise for piano in E flat major, WoO 86 0:17 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Georg Friedrich Schenck | ||
| 238. | Sonata for piano, 4 hands in D major, Op. 6 5:48 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Stefan Thomas and Frank Zabel | ||
| 239. | Variations (8) on a theme by Count Waldstein, for piano, 4 hands in C major, WoO 67 9:13 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Stefan Thomas and Frank Zabel | ||
| 240. | Marches (3) for piano, 4 hands, Op. 45 15:22 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Stefan Thomas and Frank Zabel | ||
| 241. | Variations (6) on "Ich denke dein," for piano, 4 hands in D major, WoO 74 5:49 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Stefan Thomas and Frank Zabel | ||
| 242. | Fugue for piano, 4 hands in B flat major (arr. from Grosse Fuge for string quartet), Op. 134 16:52 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Stefan Thomas and Frank Zabel | ||
| 243. | Piano Sonata in D major ("Kurfürstensonate"), WoO 47/3 20:02 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ulrich Staerk | ||
| 244. | Leonore, opera (early version of Fidelio), Hess 109: Overture 14:02 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Dresden Staatskapelle | ||
| 245. | Leonore, opera (early version of Fidelio), Hess 109: Act 1. Fidelio kommt nicht zurück! 0:35 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Helen Donath and Dresden Staatskapelle | ||
| 246. | Leonore, opera (early version of Fidelio), Hess 109: Act 1. No. 1 Aria. O wär'ich schon mit dir vereint 4:32 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Helen Donath and Dresden Staatskapelle | ||
| 247. | Leonore, opera (early version of Fidelio), Hess 109: Act 1. Wenn ich diese Tür nicht 0:23 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Eberhard Buchner, Helen Donath and Dresden Staatskapelle | ||
| 248. | Leonore, opera (early version of Fidelio), Hess 109: Act 1. No. 2 Duetto. Jetzt, Schätzchen 5:04 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Eberhard Buchner, Helen Donath and Dresden Staatskapelle | ||
| 249. | Leonore, opera (early version of Fidelio), Hess 109: Act 1. Höre, Jaquino 2:00 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Eberhard Buchner, Helen Donath and Dresden Staatskapelle | ||
| 250. | Leonore, opera (early version of Fidelio), Hess 109: Act 1. No. 3 Terzetto. Ein Mann ist bald genommen 3:40 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Eberhard Buchner, Helen Donath, Dresden Staatskapelle and Karl Ridderbusch | ||
| 251. | Leonore, opera (early version of Fidelio), Hess 109: Act 1. Ist Fidelio noch nich nach Hause gekommen? 1:18 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Eberhard Buchner, Helen Donath, Dresden Staatskapelle, Edda Moser and Karl Ridderbusch | ||
| 252. | Leonore, opera (early version of Fidelio), Hess 109: Act 1. No. 4 Canon (Quartetto). Mir ist so wunderb 4:52 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Eberhard Buchner, Helen Donath, Dresden Staatskapelle, Edda Moser and Karl Ridderbusch | ||
| 253. | Leonore, opera (early version of Fidelio), Hess 109: Act 1. Höre, Fidelio 0:48 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Helen Donath, Dresden Staatskapelle, Edda Moser and Karl Ridderbusch | ||
| 254. | Leonore, opera (early version of Fidelio), Hess 109: Act 1. No. 5 Aria. Hat man nich auch Gold beineben 2:46 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Dresden Staatskapelle and Karl Ridderbusch | ||
| 255. | Leonore, opera (early version of Fidelio), Hess 109: Act 1. Ihr könnt das leicht sagen 2:37 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Helen Donath, Dresden Staatskapelle, Edda Moser and Karl Ridderbusch | ||
| 256. | Leonore, opera (early version of Fidelio), Hess 109: Act 1. No. 6 Terzetto. Gut, Sönnchen, gut 7:08 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Helen Donath, Dresden Staatskapelle, Edda Moser and Karl Ridderbusch | ||
| 257. | Leonore, opera (early version of Fidelio), Hess 109: Act 2. No. 7 March 1:57 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Dresden Staatskapelle | ||
| 258. | Leonore, opera (early version of Fidelio), Hess 109: Act 2. Drei Schildwachten auf den Wall 1:35 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Theo Adam, Dresden Staatskapelle and Karl Ridderbusch | ||
| Conducted by Herbert Blomstedt | ||
| 259. | Leonore, opera (early version of Fidelio), Hess 109: Act 2. No. 8 Aria with Chorus. Ha! Welch ein Augen 2:58 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Theo Adam, Dresden Staatskapelle and Karl Ridderbusch | ||
| Conducted by Herbert Blomstedt | ||
| 260. | Leonore, opera (early version of Fidelio), Hess 109: Act 2. Rocco! 0:09 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Theo Adam, Dresden Staatskapelle and Karl Ridderbusch | ||
| Conducted by Herbert Blomstedt | ||
| 261. | Leonore, opera (early version of Fidelio), Hess 109: Act 2. No. 9 Duetto. Jetzt, Alter, jetzt hat es Ei 4:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Theo Adam, Dresden Staatskapelle and Karl Ridderbusch | ||
| Conducted by Herbert Blomstedt | ||
| 262. | Leonore, opera (early version of Fidelio), Hess 109: Act 2. Nun ist es endlich entscheiden 0:09 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Helen Donath, Dresden Staatskapelle and Edda Moser | ||
| 263. | Leonore, opera (early version of Fidelio), Hess 109: Act 2. No. 10 Duetto. Im in der Ehe froh zu leben 6:05 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Helen Donath, Dresden Staatskapelle and Edda Moser | ||
| 264. | Leonore, opera (early version of Fidelio), Hess 109: Act 2. Sie doch, wie du so schnell 1:17 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Helen Donath, Dresden Staatskapelle and Edda Moser | ||
| 265. | Leonore, opera (early version of Fidelio), Hess 109: Act 2. No. 11 Recitativo & Aria. Ach, brich noch n 8:18 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Dresden Staatskapelle and Edda Moser | ||
| 266. | Leonore, opera (early version of Fidelio), Hess 109: Act 2. No. 12 Finale. O welche Lust! 8:38 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Dresden Staatskapelle, Reiner Goldberg and Siegfried Lorenz | ||
| 267. | Leonore, opera (early version of Fidelio), Hess 109: Act 2. Entfernt euch jetzt! 2:52 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Dresden Staatskapelle, Edda Moser and Karl Ridderbusch | ||
| 268. | Leonore, opera (early version of Fidelio), Hess 109: Act 2. Wir müssen gleich zu Werke schreiten 3:45 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Theo Adam, Helen Donath, Dresden Staatskapelle, Edda Moser and Karl Ridderbusch | ||
| Conducted by Herbert Blomstedt | ||
| 269. | Leonore, opera (early version of Fidelio), Hess 109: Act 2. Auf euch nur will ich bauen 3:49 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Theo Adam, Leipzig Radio Chorus, Dresden Staatskapelle and Leipzig Radio Choir | ||
| Conducted by Herbert Blomstedt | ||
| 270. | Leonore, opera (early version of Fidelio), Hess 109: Act 3. No. 13 Recitativo & Aria. Gott! Welch dunke 10:56 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Dresden Staatskapelle and Richard Cassilly | ||
| 271. | Leonore, opera (early version of Fidelio), Hess 109: Act 3. No. 14 Melodrama & Duetto. Wie kalt ist es 6:00 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Dresden Staatskapelle, Edda Moser and Karl Ridderbusch | ||
| 272. | Leonore, opera (early version of Fidelio), Hess 109: Act 3. Er erwacht! 2:13 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Dresden Staatskapelle, Edda Moser, Karl Ridderbusch and Richard Cassilly | ||
| 273. | Leonore, opera (early version of Fidelio), Hess 109: Act 3. No. 15 Terzetto. Euch werde Lohn in bessern 6:48 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Dresden Staatskapelle, Edda Moser, Karl Ridderbusch and Richard Cassilly | ||
| 274. | Leonore, opera (early version of Fidelio), Hess 109: Act 3. Alles ist bereit 0:32 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Theo Adam, Dresden Staatskapelle, Edda Moser and Karl Ridderbusch | ||
| Conducted by Herbert Blomstedt | ||
| 275. | Leonore, opera (early version of Fidelio), Hess 109: Act 3. No. 16 Quartetto. Er sterbe! 4:37 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Theo Adam, Dresden Staatskapelle, Edda Moser, Karl Ridderbusch and Richard Cassilly | ||
| Conducted by Herbert Blomstedt | ||
| 276. | Leonore, opera (early version of Fidelio), Hess 109: Act 3. Die Waffe hab'ich mir 0:13 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Dresden Staatskapelle, Edda Moser and Richard Cassilly | ||
| 277. | Leonore, opera (early version of Fidelio), Hess 109: Act 3. No. 17 Recitativo & Duetto. Ich kann mich n 9:26 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Dresden Staatskapelle, Edda Moser and Richard Cassilly | ||
| 278. | Leonore, opera (early version of Fidelio), Hess 109: Act 3. O Lenore, sprich! 0:34 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Dresden Staatskapelle, Edda Moser and Karl Ridderbusch | ||
| 279. | Leonore, opera (early version of Fidelio), Hess 109: Act 3. No. 18 Finale. Zur Rache 5:06 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Leipzig Radio Chorus, Dresden Staatskapelle, Leipzig Radio Choir, Edda Moser, Hermann-Christian Polster, Karl Ridderbusch and Richard Cassilly | ||
| 280. | Leonore, opera (early version of Fidelio), Hess 109: Act 3. O Gott! O welch ein Augenblick! 5:04 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Leipzig Radio Chorus, Helen Donath, Dresden Staatskapelle, Leipzig Radio Choir, Edda Moser, Hermann-Christian Polster, Karl Ridderbusch and Richard Cassilly | ||
| 281. | Leonore, opera (early version of Fidelio), Hess 109: Act 3. Wie lange habt Ihr sie getragen? 2:04 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Eberhard Buchner, Leipzig Radio Chorus, Helen Donath, Dresden Staatskapelle, Leipzig Radio Choir, Edda Moser, Hermann-Christian Polster, Karl Ridderbusch and Richard Cassilly | ||
| 282. | Leonore, opera (early version of Fidelio), Hess 109: Act 3. Priest mit hoher Freude Glut 0:39 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Leipzig Radio Chorus, Dresden Staatskapelle and Leipzig Radio Choir | ||
| 283. | Leonore, opera (early version of Fidelio), Hess 109: Act 3. Wer ein solches Weib errungen 4:54 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Herbert Blomstedt | ||
| Performed by Eberhard Buchner, Leipzig Radio Chorus, Helen Donath, Dresden Staatskapelle, Leipzig Radio Choir, Edda Moser, Hermann-Christian Polster and Karl Ridderbusch | ||
| 284. | Fidelio, opera, Op. 72: Ouverture 6:36 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 285. | Fidelio, opera, Op. 72: Act 1. Jetzt, Schätzchen, jetzt sind wir allein 5:35 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 286. | Fidelio, opera, Op. 72: Act 1. O, war ich schon mit dir vereint 4:47 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 287. | Fidelio, opera, Op. 72: Act 1. Mir ist so wunderbar 5:10 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 288. | Fidelio, opera, Op. 72: Act 1. Hat man nicht auch Gold beineben 4:31 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 289. | Fidelio, opera, Op. 72: Act 1. Gut, Söhnchen, gut 6:14 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 290. | Fidelio, opera, Op. 72: Act 1. Marsch 2:36 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 291. | Fidelio, opera, Op. 72: Act 1. Ha! Welch'ein Augenblick 3:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 292. | Fidelio, opera, Op. 72: Act 1. Jetzt, Alter, jetzt hat es Eile! 4:45 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 293. | Fidelio, opera, Op. 72: Act 1. Abscheulicher! Wo eilst du hin? 1:51 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 294. | Fidelio, opera, Op. 72: Act 1. Komm, Hoffnung, lass den letzten Stern 6:30 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 295. | Fidelio, opera, Op. 72: Act 1. O welche Lust 6:52 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 296. | Fidelio, opera, Op. 72: Act 1. Nun sprecht, wie ging's? 4:56 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 297. | Fidelio, opera, Op. 72: Act 1. Ach! Vater, Vater, eilt! 2:30 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 298. | Fidelio, opera, Op. 72: Act 1. Leb'wohl, du warmes Sonnenlicht 3:36 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 299. | Fidelio, opera, Op. 72: Act 2. Gott! Welch'dunkel hier! 5:31 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| Conducted by Christoph von Dohnányi | ||
| 300. | Fidelio, opera, Op. 72: Act 2. In des Lebens Frühlingstagen 4:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| 301. | Fidelio, opera, Op. 72: Act 2. Wie kalt ist es in diesem unterirdischen Ge 2:03 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| 302. | Fidelio, opera, Op. 72: Act 2. Nur hurtig fort, nur frisch gegraben 5:45 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| 303. | Fidelio, opera, Op. 72: Act 2. Euch werde Lohn in bessern Welten 6:38 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| 304. | Fidelio, opera, Op. 72: Act 2. Er sterbe! 5:10 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| 305. | Fidelio, opera, Op. 72: Act 2. O namenlose Freude! 2:54 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| 306. | Fidelio, opera, Op. 72: Act 2. Heil sei dem Tag! 2:08 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| 307. | Fidelio, opera, Op. 72: Act 2. Des besten Königs Wink und Wille 7:58 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| 308. | Fidelio, opera, Op. 72: Act 2. Wer ein holdes Weib errungen 4:12 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Wiener Philharmoniker, Uwe Heilmann, Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Josef Protschka, Kurt Rydl, Gabriele Schnaut, Falk Struckmann, Hartmut Welker and Ruth Ziesak | ||
| 309. | Egmont, incidental music, Op. 84 46:35 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Heinz Bongartz | ||
| Performed by Elisabeth Breul, Horst Schulze and Staatskapelle Berlin | ||
| 310. | Die Geschöpfe des Prometheus (The Creatures of Prometheus), ballet, Op. 43 59:14 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rochester Philharmonic Orchestra | ||
| Conducted by David Zinman | ||
| 311. | Musik zu einem Ritterballet (Music for a ballet of knights), WoO 1 10:40 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Gunther Herbig | ||
| Performed by Staatskapelle Berlin | ||
| 312. | Ruins of Athens, incidental music, Op. 113 31:12 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Philharmonic Orchestra, Berlin Concert Chorus, Vladimir de Kanel and N. Starling | ||
| Conducted by Hans-Hubert Schonzeler | ||
| 313. | König Stephan (King Stephen), incidental music, Op. 117: Overture 7:09 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Philharmonic Orchestra, Berlin Concert Chorus, Vladimir de Kanel and N. Starling | ||
| Conducted by Hans-Hubert Schonzeler | ||
| 314. | König Stephan (King Stephen), incidental music, Op. 117: Männerchor "Ruhend von seinen Taten" 2:31 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Philharmonic Orchestra, Berlin Concert Chorus, Vladimir de Kanel and N. Starling | ||
| Conducted by Hans-Hubert Schonzeler | ||
| 315. | König Stephan (King Stephen), incidental music, Op. 117: Männerchor "Auf dunklem Irrweg" 1:21 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Philharmonic Orchestra, Berlin Concert Chorus, Vladimir de Kanel and N. Starling | ||
| Conducted by Hans-Hubert Schonzeler | ||
| 316. | König Stephan (King Stephen), incidental music, Op. 117: Siegesmarsch 1:45 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Philharmonic Orchestra, Berlin Concert Chorus, Vladimir de Kanel and N. Starling | ||
| Conducted by Hans-Hubert Schonzeler | ||
| 317. | König Stephan (King Stephen), incidental music, Op. 117: Frauenchor "Wo die Unschuld" 2:40 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Philharmonic Orchestra, Berlin Concert Chorus, Vladimir de Kanel and N. Starling | ||
| Conducted by Hans-Hubert Schonzeler | ||
| 318. | König Stephan (King Stephen), incidental music, Op. 117: Chor "Eine neue strahlende Sonne" 0:45 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Philharmonic Orchestra, Berlin Concert Chorus, Vladimir de Kanel and N. Starling | ||
| Conducted by Hans-Hubert Schonzeler | ||
| 319. | König Stephan (King Stephen), incidental music, Op. 117: Chor "Heil, Heil, Heil" 2:13 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Philharmonic Orchestra, Berlin Concert Chorus, Vladimir de Kanel and N. Starling | ||
| Conducted by Hans-Hubert Schonzeler | ||
| 320. | Germania (finale from Treitschke's Singspiel "Die gute Nachricht"), WoO 94 5:12 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey, Soloists of the Chamber Orchestra of Europe and Chamber Choir of Europe | ||
| Conducted by Nicol Matt | ||
| 321. | Chor auf die verbündeten Fürsten, for chorus & orchestra, WoO 95 1:54 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey, Soloists of the Chamber Orchestra of Europe and Chamber Choir of Europe | ||
| Conducted by Nicol Matt | ||
| 322. | Ah! perfido! . . . Per pieta, non dirmi addio, scena and aria for soprano & orchestra, Op. 65 11:55 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Arthur Apelt | ||
| Performed by Eberhard Buchner, Hanne-Lore Kuhse, Staatskapelle Berlin and Siegfried Vogel | ||
| 323. | Primo amore . . . Tal amor, scena and aria for soprano & orchestra, WoO 92 14:06 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Arthur Apelt | ||
| Performed by Hanne-Lore Kuhse and Staatskapelle Berlin | ||
| 324. | No, non turbarti! . . . Ma tu tremi, o mio tesoro, scena and aria for soprano & orchestra, WoO 92a 6:18 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Arthur Apelt | ||
| Performed by Hanne-Lore Kuhse and Staatskapelle Berlin | ||
| 325. | Nei giorni tuoi felici, duet for 2 voices & orchestra, WoO 93 8:04 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Arthur Apelt | ||
| Performed by Eberhard Buchner, Hanne-Lore Kuhse and Staatskapelle Berlin | ||
| 326. | Tremate, Empi, Tremate for 3 voices & orchestra, Op. 116 8:41 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Arthur Apelt | ||
| Performed by Hanne-Lore Kuhse, Staatskapelle Berlin and Siegfried Vogel | ||
| 327. | Prüfung des Küssens, aria for bass & orchestra, WoO 89 5:40 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Arthur Apelt | ||
| Performed by Staatskapelle Berlin and Siegfried Vogel | ||
| 328. | Mit Mädeln sich vertragen, aria for bass & orchestra WoO 90 4:11 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Arthur Apelt | ||
| Performed by Staatskapelle Berlin and Siegfried Vogel | ||
| 329. | O welch ein Leben, aria for tenor & orchestra, WoO 91/1 2:36 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Arthur Apelt | ||
| Performed by Eberhard Buchner and Staatskapelle Berlin | ||
| 330. | Soll ein Schuh nicht drücken, aria for soprano & orchestra, WoO 91/2 4:29 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Arthur Apelt | ||
| Performed by Hanne-Lore Kuhse and Staatskapelle Berlin | ||
| 331. | Auf den Tod Kasier Josephs II, cantata for soloists, chorus & orchestra, WoO 87 35:50 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Estonian Philharmonic Chamber Choir, Leonid Savitzky, Estonian National Symphony Orchestra, Mati Kõrts, Fiona Cameron and Teele Jõks | ||
| Conducted by Tonu Kaljuste | ||
| 332. | Auf die Erhebung Leopold des Zweiten, cantata for soloists, chorus & orchestra, WoO 88 22:13 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Estonian Philharmonic Chamber Choir, Leonid Savitzky, Estonian National Symphony Orchestra, Mati Kõrts, Fiona Cameron and Teele Jõks | ||
| Conducted by Tonu Kaljuste | ||
| 333. | Der glorreiche Augenblick, cantata for soloists, chorus & orchestra, Op. 136 35:20 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Jeremy Ovenden, Francesca Pedaci, Robert Gierlach, Swiss Radio Choir, Swiss-Italian Radio Orchestra and Alla Simoni | ||
| 334. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Bei labbri che amore 1:25 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Daniel Johanssen and Heike Heilmann | ||
| 335. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Sei mio ben 0:46 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Daniel Johanssen and Heike Heilmann | ||
| 336. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Scrivo in te 1:09 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Daniel Johanssen and Heike Heilmann | ||
| 337. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Fra tutte le pene 1 0:50 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner and Daniel Johanssen | ||
| 338. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Fra tutte le pene 2 1:26 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner and Daniel Johanssen | ||
| 339. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Salvo tu voi lo sposo? 1:13 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Daniel Johanssen and Heike Heilmann | ||
| 340. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Ma tu tremi 1:38 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Daniel Johanssen, Heike Heilmann and Anne Bierwirth | ||
| 341. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Giura il nocchier 1:33 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner, Heike Heilmann and Anne Bierwirth | ||
| 342. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Per te d'amico aprile 1:17 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner, Heike Heilmann and Anne Bierwirth | ||
| 343. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Fra tutte le pene 1 0:41 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Daniel Johanssen, Heike Heilmann and Anne Bierwirth | ||
| 344. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Fra tutte le pene 2 0:53 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Daniel Johanssen, Heike Heilmann and Anne Bierwirth | ||
| 345. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Quella cetra ah pur tu sei 0:52 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner, Daniel Johanssen and Heike Heilmann | ||
| 346. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Chi mai di questo 1:31 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner, Daniel Johanssen and Heike Heilmann | ||
| 347. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Gia la notte 0:41 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner, Daniel Johanssen and Anne Bierwirth | ||
| 348. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Nei campi e nelle selve 1 1:22 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner, Daniel Johanssen, Heike Heilmann and Anne Bierwirth | ||
| 349. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Nei campi e nelle selve 2 1:39 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner, Daniel Johanssen, Heike Heilmann and Anne Bierwirth | ||
| 350. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Fra tutte le pene 1 1:08 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner, Daniel Johanssen, Heike Heilmann and Anne Bierwirth | ||
| 351. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Fra tutte le pene 2 1:19 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner, Daniel Johanssen, Heike Heilmann and Anne Bierwirth | ||
| 352. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Quella cetra ah pur tu sei, in G major 0:52 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner, Daniel Johanssen, Heike Heilmann and Anne Bierwirth | ||
| 353. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Quella cetra ah pur tu sei, in F major 0:44 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner, Daniel Johanssen, Heike Heilmann and Anne Bierwirth | ||
| 354. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Giura il nocchier, in C major 0:53 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner, Daniel Johanssen, Heike Heilmann and Anne Bierwirth | ||
| 355. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Giura il nocchier, in B flat major 0:45 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner, Daniel Johanssen, Heike Heilmann and Anne Bierwirth | ||
| 356. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: Gia la notte 0:41 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Diego Fasolis | ||
| Performed by Swiss Radio Choir, Swiss-Italian Radio Orchestra, Manfred Bittner, Daniel Johanssen, Heike Heilmann and Anne Bierwirth | ||
| 357. | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99: E pur fra le tempeste 0:55 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Daniel Johanssen and Elizabeth Grünert | ||
| 358. | Bundeslied for soloists, chorus & wind instruments, Op. 122 8:07 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra and Bach Society of Minnesota | ||
| 359. | Fantasia for piano, chorus, and orchestra ("Choral Fantasy"), Op. 80 20:00 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Klien, Saint Louis Symphony Chorus and Saint Louis Symphony Orchestra | ||
| Conducted by Jerzy Semkov | ||
| 360. | Elegiac song (Elegischer Gesang) ("Sanft wie du lebtest") for 4 voices & string quartet, Op. 118 5:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Saint Louis Symphony Chorus and Saint Louis Symphony Orchestra | ||
| Conducted by Jerzy Semkov | ||
| 361. | Bundeslied for soloists, chorus & wind instruments, Op. 122 4:30 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Daniel Schreiber, Michael Wagener, Barbara Emilia Schedel and Kerstin Wagner | ||
| 362. | Un lieto Brindisi, cantata for 4 voices & piano ("Rural Cantata"/ "Cantata campestre"), WoO 103 5:28 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Daniel Schreiber, Michael Wagener, Barbara Emilia Schedel and Rainer Tetenberg | ||
| 363. | Lobkowitz Birthday Cantata for solo voice, chorus & piano, WoO 106 2:12 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Michael Wagener, Barbara Emilia Schedel and Rainer Tetenberg | ||
| 364. | Canon in 3 parts in F major ("Kurz ist der Schmerz"), WoO 166 4:46 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Daniel Schreiber, Tobias Altvater and Rainer Tetenberg | ||
| 365. | Opferlied ("Die Flamme lodert"), for soprano, chorus & orchestra, Op. 121b 4:33 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Manfred Bittner, Daniel Johanssen, Heike Heilmann, Elizabeth Grünert and Anne Bierwirth | ||
| 366. | Hochzeitslied ("Auf, Freunde, singt dem Gott der Ehen") for solo, chorus & piano, WoO 105 1:51 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Manfred Bittner, Daniel Johanssen, Heike Heilmann, Elizabeth Grünert and Anne Bierwirth | ||
| 367. | Abschiedsgesang an Wiens Bürger, song for voice & piano (or orchestra), WoO 121 3:17 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey and Norbert Groh | ||
| 368. | Kriegslied der Österreicher (War Song of the Austrians) ("Ein großes deutches Volk") for voice & piano (or orchestra), WoO 122 3:32 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey and Norbert Groh | ||
| 369. | Opferlied ("Die Flamme lodert"), song for voice & piano, WoO 126 2:43 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey and Norbert Groh | ||
| 370. | Es ist vollbracht (finale of Treitschke's Singspiel "Die Ehrenpforten"), WoO 97 5:06 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Arthur Apelt | ||
| Performed by Deutschen Staatsopernchor Berlin, Staatskapelle Berlin and Siegfried Vogel | ||
| 371. | Opferlied ("Die Flamme lodert"), for soprano, chorus & orchestra, Op. 121b 6:06 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berlin Radio Symphony Orchestra, Berlin Radio Chorus and Ingeborg Springer | ||
| Conducted by Helmut Koch | ||
| 372. | Christus am Ölberge (Christ on the Mount of Olives), oratorio, Op. 85 53:41 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Stuttgart Bach Collegium, Michel Brodard, Gächinger Kantorei Stuttgart, Keith Lewis and Maria Venuti | ||
| Conducted by Helmuth Rilling | ||
| 373. | Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Kyrie 11:02 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Colin Davis | ||
| Performed by Robert Lloyd, London Symphony Chorus, London Symphony Orchestra, Patricia Payne, Robert Tear and Anna Tomowa-Sintow | ||
| 374. | Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Gloria in excelsis 4:58 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Colin Davis | ||
| Performed by Robert Lloyd, London Symphony Chorus, London Symphony Orchestra, Patricia Payne, Robert Tear and Anna Tomowa-Sintow | ||
| 375. | Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Qui tollis 6:28 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Colin Davis | ||
| Performed by Robert Lloyd, London Symphony Chorus, London Symphony Orchestra, Patricia Payne, Robert Tear and Anna Tomowa-Sintow | ||
| 376. | Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Quoniam tu solus Sanctus 7:28 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Colin Davis | ||
| Performed by Robert Lloyd, London Symphony Chorus, London Symphony Orchestra, Patricia Payne, Robert Tear and Anna Tomowa-Sintow | ||
| 377. | Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Credo in unum Deum 5:01 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Colin Davis | ||
| Performed by Robert Lloyd, London Symphony Chorus, London Symphony Orchestra, Patricia Payne, Robert Tear and Anna Tomowa-Sintow | ||
| 378. | Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Et incarnatus est 7:45 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Colin Davis | ||
| Performed by Robert Lloyd, London Symphony Chorus, London Symphony Orchestra, Patricia Payne, Robert Tear and Anna Tomowa-Sintow | ||
| 379. | Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Credo in Spiritum Sanctum 9:43 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Colin Davis | ||
| Performed by Robert Lloyd, London Symphony Chorus, London Symphony Orchestra, Patricia Payne, Robert Tear and Anna Tomowa-Sintow | ||
| 380. | Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Sanctus 4:23 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Colin Davis | ||
| Performed by Robert Lloyd, London Symphony Chorus, London Symphony Orchestra, Patricia Payne, Robert Tear and Anna Tomowa-Sintow | ||
| 381. | Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Benedictus 12:43 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Colin Davis | ||
| Performed by Robert Lloyd, London Symphony Chorus, London Symphony Orchestra, Patricia Payne, Robert Tear and Anna Tomowa-Sintow | ||
| 382. | Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Agnus Dei 7:21 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Colin Davis | ||
| Performed by Robert Lloyd, London Symphony Chorus, London Symphony Orchestra, Patricia Payne, Robert Tear and Anna Tomowa-Sintow | ||
| 383. | Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Dona nobis pacem 2:38 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Colin Davis | ||
| Performed by Robert Lloyd, London Symphony Chorus, London Symphony Orchestra, Patricia Payne, Robert Tear and Anna Tomowa-Sintow | ||
| 384. | Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op. 123: Agnus Dei 7:59 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Colin Davis | ||
| Performed by Robert Lloyd, London Symphony Chorus, London Symphony Orchestra, Patricia Payne, Robert Tear and Anna Tomowa-Sintow | ||
| 385. | Mass for soloists, chorus & orchestra in C major, Op. 86 48:26 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Colin Davis | ||
| Performed by Christiane Eda-Pierre, London Symphony Chorus, London Symphony Orchestra, Kurt Moll, Patricia Payne and Robert Tear | ||
| 386. | An die ferne Geliebte, song cycle for voice & piano, Op. 98 14:42 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 387. | Adelaide, song for voice & piano, Op. 46 6:34 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 388. | Zärtliche Liebe, song for voice & piano, WoO 123 2:17 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 389. | Der Kuss (The Kiss), arietta for voice & piano, Op. 128 2:05 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 390. | Lied aus der Ferne ("Als mir noch die Träne"), for voice & piano, WoO 137 3:47 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 391. | Der Jüngling in der Fremde, song for voice & piano, WoO 138 2:08 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 392. | Resignation ("Lisch aus, mein Licht"), song for voice & piano, WoO 149 3:12 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 393. | Andenken, song for voice & piano, WoO 136 2:46 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 394. | Songs (6) for voice & piano, Op. 48 13:39 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 395. | Maigesang, song for voice & piano, Op. 52/4 2:24 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 396. | Marmotte ("Ich komme schon"), song for voice & piano, Op. 52/7 0:50 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 397. | Neue Liebe, neues Leben, song for voice & piano, Op. 75/2 2:56 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 398. | Wonne der Wehmut, song for voice & piano, Op. 83/1 3:27 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 399. | Sehnsucht, song for voice & piano, Op. 83/2 2:14 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 400. | Mit einem gemalten Band, song for voice & piano, Op. 83/3 2:10 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 401. | Egmont, incidental music, Op. 84: No. 4. Freudvoll und leidvoll 1:42 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 402. | Das Glück der Freundschaft (Der lebt ein Leben wonniglich") song for voice & piano, Op. 88 2:13 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 403. | Seufzer eines Ungeliebten, song for voice & piano, WoO 118/1 6:15 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 404. | Der Liebende, song for voice & piano, WoO 139 2:14 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 405. | Ruf vom Berge, song for voice & piano, WoO 147 1:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 406. | An die Hoffnung (I), song for voice & piano, Op. 32 5:40 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 407. | An die Hoffnung (II), song for voice & piano, Op. 94 8:02 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 408. | An die Geliebte, song for voice & piano, WoO 140 (2 versions) 2:25 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 409. | Selbstgespräch ("Ich, der mit flatterndem Sinn"), song for voice & piano, WoO 114 3:53 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 410. | Gedenke mein, for voice & piano, WoO 130 1:33 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz, Peter Schreier and Adele Stolte | ||
| 411. | Variations (6) on "Ich denke dein," for piano, 4 hands in D major, WoO 74 0:55 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 412. | Die Liebe, song for voice & piano, Op. 52/6 1:19 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 413. | Das Blümchen Wunderhold, song for voice & piano, Op. 52/8 1:54 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 414. | Schilderung eines Mädchens, song for voice & piano, WoO 107 0:34 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 415. | An Minna, song for voice & piano, WoO 115 0:45 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 416. | Die laute Klage, song for voice & piano, WoO 135 2:51 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 417. | Als die Geliebte sich trennen wollte, song for voice & piano, WoO 132 2:33 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 418. | Das Liedchen von der Ruhe, song for voice & piano, Op. 52/3 2:41 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 419. | Sehnsucht ("Die stille Nacht undunkelt"), song for voice & piano, WoO 146 2:36 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 420. | Es war einmal ein König, song for voice, men's choir & piano, Op. 75/3 (orchestrated Igor Stravinsky) 2:26 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 421. | Urians Reise um die Welt ("Wenn jemand"), for voice & piano, Op. 52/1 3:34 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 422. | Trinklied for voice & piano (or orchestra), WoO 109 1:33 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 423. | Punschlied ("Wer nicht, wenn warm von Hand"), for voice, unsion chorus & piano, WoO 111 0:47 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 424. | Der Zufriedene ("Zwar schuf das Glück hienieden"), song for voice & piano, Op. 75/6 1:13 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 425. | Ariettas (4) and a duet on Italian texts for voice & piano, Op. 82 11:27 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 426. | O care selve, oh cara, for voice & piano/orchestra, WoO 119 0:58 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Gisela Franke, Walter Olbertz and Peter Schreier | ||
| 427. | La partenza ("Ecco quel fiero"), for voice & piano, WoO 124 1:16 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 428. | In questa tomba oscura, arietta for voice and piano (or orchestra), WoO 133 3:00 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 429. | La Tiranna for voice & piano, WoO 125 3:27 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 430. | Que le temps me dure, song for voice & piano (2 versions), WoO 116 1:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 431. | Plaisir d'aimer, for voice & piano ("Romance"), WoO 128 1:06 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 432. | Der Wachtelschlag, song for voice & piano ("Ach, mir schallt's dorten"), WoO 129 3:25 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 433. | Wo blüht das Blümchen ("Das Geheimnis"), song for voice & piano, WoO 145 1:22 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 434. | An Laura, song for voice & piano, WoO 112 2:56 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 435. | Abendlied unterm gestirnten Himmel, song for voice & piano, WoO 150 5:17 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 436. | Klage, song for voice & piano, WoO 113 2:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 437. | Feuerfarb ("Ich weiss eine Farbe"), for voice & piano, Op. 52/2 3:26 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 438. | Elegie auf den Tod eines Pudels (Elegy on the Death of a Poodle), for voice & piano, WoO 110 2:25 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 439. | So oder so, song for voice & piano, WoO 148 1:56 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 440. | Des Kriegers Abschied (Warrior's Farewell), song for voice & piano, WoO 143 1:31 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 441. | Der Freie Mann, song for voice & piano (or orchestra), WoO 117 1:48 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 442. | Opferlied ("Die Flamme lodert"), song for voice & piano, WoO 126 3:27 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Walter Olbertz and Peter Schreier | ||
| 443. | Der Gesang der Nachtigall (Höre, die Nachtigall singt") for voice & piano, WoO 141 3:19 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey and Norbert Groh | ||
| 444. | Neue Liebe, neues Leben, song for voice & piano, WoO 127 2:45 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey and Norbert Groh | ||
| 445. | Songs (2) for voice & piano, WoO 118: Seufzer eines Ungeliebten / Gegenliebe 5:48 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey and Norbert Groh | ||
| 446. | Der Bardengeist, for voice & piano, WoO 142 6:02 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey and Norbert Groh | ||
| 447. | Der Liebende, song for voice & piano, WoO 139 2:57 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey and Norbert Groh | ||
| 448. | Merkenstein, song for voice & piano, WoO 144 3:00 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey and Norbert Groh | ||
| 449. | Man strebt, die Flamme zu verhehlen, song for voice & piano, WoO 120 3:04 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Anna Haase and Norbert Groh | ||
| 450. | Mollys Abschied ("Lebe wohl, du Mann der Lust und Schmerzen"), for voice & piano, Op. 52/5 3:30 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Anna Haase and Norbert Groh | ||
| 451. | Sehnsucht ("Nur wer die Sehnsucht kennt"), song for voice & piano, WoO 134 (4 settings) 5:37 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Anna Haase and Norbert Groh | ||
| 452. | An den fernen Geliebten ("Einst wohnten süsse Ruh"), for voice & piano, Op. 75/5 3:46 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Anna Haase and Norbert Groh | ||
| 453. | Mignon ("Kennst du das Land"), song for voice & piano, Op. 75/1 3:40 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Anna Haase and Norbert Groh | ||
| 454. | Gretels Warnung, song for voice & piano, Op. 75/4 1:52 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Anna Haase and Norbert Groh | ||
| 455. | Der Mann von Wort, song for voice & piano, Op. 99 2:55 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey and Norbert Groh | ||
| 456. | Der Edle Mensch Sei Hülfreich und Gut, for voice & piano, WoO 151 0:47 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey and Norbert Groh | ||
| 457. | Traute Henriette, song for voice & piano, Hess 151 0:46 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey and Norbert Groh | ||
| 458. | Merkenstein, song for 2 voices & piano, Op. 100 1:56 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Florian Prey, Anna Haase and Norbert Groh | ||
| 459. | Lob auf den Dicken ("Schuppanzigh ist ein Lump"), for 3 voices & chorus, WoO 100 0:31 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 460. | Canon in 2 parts with 1 ostinato part ("Esel aller Esel"), Hess 277 0:26 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 461. | Graf, Graf, liebster Graf ("Graf, Graf, Graf"), musical joke for 3 voices, WoO 101 0:41 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 462. | Canon in 3 parts ("Herr Graf, ich komme zu fragen"), Hess 276 0:57 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 463. | Canon in 4 parts in F major ("Bester Herr Graf, Sie sind ein Schaf"), WoO 183 0:33 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 464. | Canon in 4 parts in F major ("Es muß sein"), WoO 196 0:31 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 465. | Canon in 2 parts in G major, Hess 274 0:34 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 466. | Canon in 5 parts in C major ("Das ist das Werk"), WoO 197 0:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 467. | Glaube und hoffe, for 4 voices, WoO 174 0:31 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 468. | Canon in 2 parts in C major ("Hoffmann, sei ja kein Hofmann"), WoO 180 0:41 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 469. | Anglaise for piano in D major, Hess 61 0:36 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 470. | Gesang der Mönche ("Rasch tritt der Tod") for 2 tenors and bass, WoO 104 1:09 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 471. | Canon in 2 parts in C major ("Ich war hier, Doktor"), WoO 190 0:21 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 472. | Canon in 3 parts in B flat major ("Signor Abate"), WoO 178 0:46 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 473. | Canon in 3 parts in F minor ("Kurz ist der Schmerz"), WoO 163 1:24 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 474. | Canon in 2 parts in B flat major ("Hol' euch der Teufel! B'hüt euch Gott"), WoO 173 0:16 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 475. | Canon in 2 parts in B flat major ("Gott ist eine feste Burg"), WoO 188 0:19 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 476. | Canons (2) in 2 parts, WoO 175 0:43 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 477. | Tugend ist kein leerer Name, canon for 3 voices, WoO 181/3 0:38 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 478. | Canon in 6 parts in E major ("Edel sei der Mensch, hülfreich und gut"), WoO 185 2:35 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 479. | Canon in 4 parts in E major ("Bester Magistrat, Ihr friert"), WoO 177 0:39 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 480. | Canon in 3 parts in B flat major ("Kühl, nicht lau"), WoO 191 0:55 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 481. | Wir irren allesamt, canon for 2 voices, WoO 198 0:31 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 482. | Canon in 4 parts in F major ("Schwenke dich ohne Schwänke"), WoO 187 0:39 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 483. | Canon in 3 parts in C major ("Brauchle, Linke"), WoO 167 0:21 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 484. | Canon in 3 parts in D minor ("O Tobias"), WoO 182 0:37 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 485. | Canon in 4 parts in C major ("Gedenket heute an Baden"), WoO 181/1 0:43 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 486. | Canon in 4 parts in C major ("Seiner Kaiserlichen Hoheit"), WoO 179 1:41 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 487. | Canon in 4 parts in G major ("Glück fehl' dir vor allem"), WoO 171 0:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 488. | Canon in 3 parts in C major ("Gehabt euch wohl"), WoO 181/2 0:29 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 489. | Canon in 2 parts in C major ("Freu dich des Lebens"), WoO 195 0:24 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 490. | Canon in 4 parts in E flat major ("Glück zum neuen Jahr"), WoO 165 0:32 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 491. | Canon in 2 parts in A flat major, Hess 275 0:28 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 492. | Canon in 3 parts in F major ("Im Arm der Liebe ruht sich's wohl"), WoO 159 1:30 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 493. | Canon in 2 parts in C major ("Ich küsse Sie"), WoO 169 0:16 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 494. | Languisco e moro, for 2 voices, Hess 229 1:20 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 495. | Te solo adoro for 2 voices, WoO 186 0:42 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 496. | Canon in 3 parts in C major ("Ewig dein"), WoO 161 1:13 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 497. | Canon in 3 parts in C major ("Freundschaft ist der Quell wahrer Glückseligkeit"), WoO 164 0:56 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 498. | Canon in 4 parts in C major, WoO 160/2 1:16 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 499. | Ta ta ta, lieber Mälzel for 4 voices, WoO 162 (spurious) 1:07 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 500. | Canon in 3 parts in E flat major ("Ich bitt' dich, schreib' mir die Es-Scala auf "), WoO 172 0:30 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 501. | Canon in 2 parts in F major ("Ars longa, vita brevis"), WoO 192 0:25 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 502. | Canon in 3 parts, WoO 160/1 1:09 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 503. | Canon in 3 parts in F major ("Das Schweigen: Lerne schweigen, o Freund"), WoO 168/1 1:09 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 504. | Canon in 3 parts in F major ("Rede, wenn's um einen Freund dir gilt"), WoO 168/2 1:15 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 505. | Canon in 5 parts in G major ("Falstafferel"), WoO 184 1:03 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 506. | Duet for 2 violins in A major, WoO 34 0:21 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 507. | Die Stunde schlägt, chorus for male voices ("Abschiedsgesang"), WoO 102 4:08 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio, Berliner Singakademie Kammerchor and Dietrich Knothe | ||
| 508. | Irish Songs (25) for voice & piano trio, WoO 152: No. 2. Sweet power of song 1:38 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio, Renate Krahmer and Ingeborg Springer | ||
| 509. | Irish Songs (25) for voice & piano trio, WoO 152: No. 5. On the massacre of Glencoe 1:58 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio and Siegfried Lorenz | ||
| 510. | Irish Songs (25) for voice & piano trio, WoO 152: No. 6. What shall I do to shew how much I love her 1:46 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio, Eberhard Buchner and Siegfried Lorenz | ||
| 511. | Irish Songs (25) for voice & piano trio, WoO 152: No. 8. Come draw we round a cheerful ring 0:53 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio and Siegfried Lorenz | ||
| 512. | Irish Songs (25) for voice & piano trio, WoO 152: No. 10. The deserter 1:08 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio and Eberhard Buchner | ||
| 513. | Irish Songs (25) for voice & piano trio, WoO 152: No. 11. Thou emblem of faith 1:30 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio and Siegfried Lorenz | ||
| 514. | Irish Songs (25) for voice & piano trio, WoO 152: No. 13. Musing on the roaring ocean 1:00 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio and Renate Krahmer | ||
| 515. | Irish Songs (25) for voice & piano trio, WoO 152: No. 15. Let brainspinning swains 1:03 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio and Siegfried Lorenz | ||
| 516. | Irish Songs (25) for voice & piano trio, WoO 152: No. 17. In vain to this desert 1:40 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio, Renate Krahmer and Siegfried Lorenz | ||
| 517. | Irish Songs (25) for voice & piano trio, WoO 152: No. 19. Wife, children and friends 1:41 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio, Eberhard Buchner and Renate Krahmer | ||
| 518. | Irish Songs (25) for voice & piano trio, WoO 152: No. 20. Farewell bliss and farewell Nancy 1:18 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio, Renate Krahmer and Siegfried Lorenz | ||
| 519. | Irish Songs (25) for voice & piano trio, WoO 152: No. 21. Morning a cruel turmoiler is 1:09 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio | ||
| 520. | Irish Songs (25) for voice & piano trio, WoO 152: No. 23. The wand'ring gypsy 0:51 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio and Renate Krahmer | ||
| 521. | Irish Songs (25) for voice & piano trio, WoO 152: No. 24. The Traugh welcome 0:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio and Siegfried Lorenz | ||
| 522. | Irish Songs (20) for voice & piano trio, WoO 153: No. 1. When eve's last rays in twilight 1:36 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio, Siegfried Lorenz and Armin Ude | ||
| 523. | Irish Songs (20) for voice & piano trio, WoO 153: No. 4. Since greybeards inform us that youth will 1:08 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio and Eberhard Buchner | ||
| 524. | Irish Songs (20) for voice & piano trio, WoO 153: No. 5. I dream'd I lay where flowers were springin 1:27 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio, Renate Krahmer and Ingeborg Springer | ||
| 525. | Irish Songs (20) for voice & piano trio, WoO 153: No. 7. O soothe me, my lyre 1:07 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio and Renate Krahmer | ||
| 526. | Irish Songs (20) for voice & piano trio, WoO 153: No. 8. Norah of Balamagairy 1:32 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Berliner Solisten, Brahms-Trio and Siegfried Lorenz | ||
| 527. | Irish Songs (20) for voice & piano trio, WoO 153: No. 10. The hapless soldier 1:29 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio, Renate Krahmer and Ingeborg Springer | ||
| 528. | Irish Songs (20) for voice & piano trio, WoO 153: No. 15. 't is but in vain, for nothing thrives 1:15 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio and Renate Krahmer | ||
| 529. | Irish Songs (20) for voice & piano trio, WoO 153: No. 17. Come, Darby dear, easy, be easy 1:12 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio and Armin Ude | ||
| 530. | Irish Songs (20) for voice & piano trio, WoO 153: No. 20. Thy ship must sail, my Henry dear 1:31 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Brahms-Trio and Renate Krahmer | ||
| 531. | Irish Songs (25) for voice & piano trio, WoO 152: 1. The Return to Ulster 5:35 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Jens Hamann, Rainer Maria Klass, Martin Haunhorst and Bernhard Schwarz | ||
| 532. | Irish Songs (25) for voice & piano trio, WoO 152: 3. Once more I hail thee 3:09 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 533. | Irish Songs (25) for voice & piano trio, WoO 152: 4. The morning air plays on my face 2:32 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Jens Hamann, Rainer Maria Klass, Martin Haunhorst and Bernhard Schwarz | ||
| 534. | Irish Songs (25) for voice & piano trio, WoO 152: 7. His boat comes on the sunny tide 2:05 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Bernhard Schwarz and Dorothee Wohlgemuth | ||
| 535. | Irish Songs (25) for voice & piano trio, WoO 152: 9. The Soldier's Dream 5:11 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Jens Hamann, Rainer Maria Klass, Martin Haunhorst and Bernhard Schwarz | ||
| 536. | Irish Songs (25) for voice & piano trio, WoO 152: 12. English Bulls 2:31 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 537. | Irish Songs (25) for voice & piano trio, WoO 152: 14. Dermot and Schelah 2:22 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Christine Wehler, Jens Hamann, Rainer Maria Klass, Martin Haunhorst and Bernhard Schwarz | ||
| 538. | Irish Songs (25) for voice & piano trio, WoO 152: 16. Hide not thy anguish 2:24 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Bernhard Schwarz and Dorothee Wohlgemuth | ||
| 539. | Irish Songs (25) for voice & piano trio, WoO 152: 18. They bid me slight my Dermot dear 2:21 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz, Bernhard Schwarz and Dorothee Wohlgemuth | ||
| 540. | Irish Songs (25) for voice & piano trio, WoO 152: 22. From Garyone, my happy home 3:32 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Bernhard Schwarz and Dorothee Wohlgemuth | ||
| 541. | Irish Songs (25) for voice & piano trio, WoO 152: 25. Oh harp of Erin 4:18 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 542. | Irish Songs (20) for voice & piano trio, WoO 153: 2. No riches from his scanty store 2:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Bernhard Schwarz and Dorothee Wohlgemuth | ||
| 543. | Irish Songs (20) for voice & piano trio, WoO 153: 3. The British Light Dragoons 2:50 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 544. | Irish Songs (20) for voice & piano trio, WoO 153: 6. Sad and luckless was the season 4:20 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Jens Hamann, Rainer Maria Klass, Martin Haunhorst and Bernhard Schwarz | ||
| 545. | Irish Songs (20) for voice & piano trio, WoO 153: 9. the kiss, dear maid, thy lip has left 2:49 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Jens Hamann, Rainer Maria Klass, Martin Haunhorst and Bernhard Schwarz | ||
| 546. | Irish Songs (20) for voice & piano trio, WoO 153: 11. When far from the home 2:19 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Jens Hamann, Rainer Maria Klass, Martin Haunhorst and Bernhard Schwarz | ||
| 547. | Irish Songs (20) for voice & piano trio, WoO 153: 12. I'll praise the Saints 3:46 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Bernhard Schwarz and Dorothee Wohlgemuth | ||
| 548. | Irish Songs (20) for voice & piano trio, WoO 153: 13. 'Tis sunshine at last 2:05 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 549. | Irish Songs (20) for voice & piano trio, WoO 153: 14. Paddy O'Rafferty 2:41 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Bernhard Schwarz and Dorothee Wohlgemuth | ||
| 550. | Irish Songs (20) for voice & piano trio, WoO 153: 16. O might I but my Patrick love 3:01 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Bernhard Schwarz and Dorothee Wohlgemuth | ||
| 551. | Irish Songs (20) for voice & piano trio, WoO 153: 18. No more, my Mary 1:58 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 552. | Irish Songs (20) for voice & piano trio, WoO 153: 19. Judy, lovely, matchless creature 2:46 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 553. | Irish Songs (12) for voice & piano trio, WoO 154 39:57 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Chihiro Saito, Daniel Schreiber, Michael Wagener, Sachiko Kobayashi, Barbara Emilia Schedel, Kerstin Wagner and Daniel Raschinsky | ||
| 554. | Welsh Songs (26) for voice(s) & piano trio WoO 155 1:13:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Michael Clark, Manfred Bittner, Antonia Bouervé, Cornelius Boensch, David Mulvenna Hamilton, Haakon Schaub, Rebekka Stöhr and Zsuzsa Zsizsmann | ||
| 555. | Scottish Songs (12) for voices & piano trio, WoO 156 28:13 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Michael Clark, Manfred Bittner, Antonia Bouervé, Cornelius Boensch, David Mulvenna Hamilton, Haakon Schaub, Rebekka Stöhr and Zsuzsa Zsizsmann | ||
| 556. | Songs (12) of Various Nationality for voice & piano trio, WoO 157 36:39 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Michael Clark, Manfred Bittner, Antonia Bouervé, Cornelius Boensch, David Mulvenna Hamilton, Haakon Schaub, Rebekka Stöhr and Zsuzsa Zsizsmann | ||
| 557. | Scottish Songs (25) for voices & piano trio, Op. 108 52:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Eberhard Buchner, Renate Krahmer, Gunther Leib, Horst Neumann, Ingeborg Springer, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 558. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 1. Ridder Stings Runer 0:40 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Gunther Leib, Kurt Mahn, Horst Neumann, Werner Pauli, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 559. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 4. Wann i in der Früh aufsteh 1:15 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Renate Krahmer, Kurt Mahn, Horst Neumann, Werner Pauli, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 560. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 7. Wer solche Buema afipackt 0:54 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Gunther Leib, Kurt Mahn, Horst Neumann, Werner Pauli, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 561. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 8. Ih mag di nit nehma, du töppeter Hecht 3:07 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Renate Krahmer, Kurt Mahn, Horst Neumann, Werner Pauli, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 562. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 9. Oj, oj upilem sie w karczmie 0:47 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Gunther Leib, Kurt Mahn, Horst Neumann, Werner Pauli, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 563. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 10. Poszla baba po popiol 0:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Eberhard Buchner, Kurt Mahn, Horst Neumann, Werner Pauli, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 564. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 12. Seus lindos olhos 2:17 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Eberhard Buchner, Gunther Leib, Kurt Mahn, Horst Neumann, Werner Pauli, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 565. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 13. Im Walde sind viele Mücklein geboren 0:56 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Renate Krahmer, Kurt Mahn, Horst Neumann, Werner Pauli, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 566. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 14. Ach Bächlein, Bächlein, kühle Wasser 1:32 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Renate Krahmer, Kurt Mahn, Horst Neumann, Werner Pauli, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 567. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 15. Unsere Mädchen gingen in den Wald 0:48 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Eberhard Buchner, Kurt Mahn, Horst Neumann, Werner Pauli, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 568. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 17. Vaggvisa 1:52 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Renate Krahmer, Kurt Mahn, Horst Neumann, Werner Pauli, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 569. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 18. Un ä Bergli bin i gesässe 1:53 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Renate Krahmer, Kurt Mahn, Horst Neumann, Werner Pauli, Ingeborg Springer, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 570. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 20. Bolero a due: Como la mariposa 1:04 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Renate Krahmer, Kurt Mahn, Horst Neumann, Werner Pauli, Ingeborg Springer, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 571. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 22. Magyar Szüretölö Ënek 0:58 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Eberhard Buchner, Kurt Mahn, Horst Neumann, Werner Pauli, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 572. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 24. Air de Colin, from Le Devin du Village 1:40 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Eberhard Buchner, Kurt Mahn, Horst Neumann, Werner Pauli, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 573. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 27. Air Francais 1:43 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eva Ander, Joachim Bischof, Kurt Mahn, Horst Neumann, Werner Pauli, Reinhard Ulbricht and Members of the Leipzig Radio Chorus | ||
| 574. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 2. Horch auf, mein Liebchen 1:53 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Jens Hamann, Rainer Maria Klass, Martin Haunhorst and Bernhard Schwarz | ||
| 575. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 3. Wegen meiner bleib d'Fräula 2:25 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Jens Hamann, Rainer Maria Klass, Martin Haunhorst and Bernhard Schwarz | ||
| 576. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 5. I bin a Tyroler Bua 3:49 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 577. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 6. A Madel, ja a Madel 2:49 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 578. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 11. Yo no quiero embarcarme 1:28 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 579. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 16. Schöne Minka, ich muss scheiden 3:05 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz, Bernhard Schwarz and Dorothee Wohlgemuth | ||
| 580. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 19. Una paloma blanca 2:35 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 581. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 21. La tiranna se embarca 3:32 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 582. | Songs (23) of Various Nationality for voice & piano trio, WoO 158a: 23. Da brava, Catina 1:04 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 583. | British Folk Songs (7) for voice & piano trio, WoO 158b: Adieu, my lov'd harp 2:38 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Christine Wehler, Rainer Maria Klass, Martin Haunhorst and Bernhard Schwarz | ||
| 584. | British Folk Songs (7) for voice & piano trio, WoO 158b: Oh ono chrio (O was not I a weary wight!) 5:28 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Christine Wehler, Rainer Maria Klass, Martin Haunhorst and Bernhard Schwarz | ||
| 585. | British Folk Songs (7) for voice & piano trio, WoO 158b: Red gleams the sun on yon hill tap 1:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 586. | British Folk Songs (7) for voice & piano trio, WoO 158b: Erin! O Erin! 3:23 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 587. | British Folk Songs (7) for voice & piano trio, WoO 158b: O Mary, ye's be clad in silk 2:39 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 588. | Songs (6) of Various Nationality for voice & piano trio, WoO 158c: When my Hero in court appears 1:49 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Christine Wehler, Rainer Maria Klass, Martin Haunhorst and Bernhard Schwarz | ||
| 589. | Songs (6) of Various Nationality for voice & piano trio, WoO 158c: Air de Colin (Non, non, Colette n'est point trompe 1:39 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 590. | Songs (6) of Various Nationality for voice & piano trio, WoO 158c: Mark yonder pomp of costly fashion 3:11 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Rainer Maria Klass, Martin Haunhorst, Georg Poplutz and Bernhard Schwarz | ||
| 591. | Songs (6) of Various Nationality for voice & piano trio, WoO 158c: Bonnie wee thing 2:18 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Christine Wehler, Jens Hamann, Rainer Maria Klass, Martin Haunhorst, Bernhard Schwarz and Dorothee Wohlgemuth | ||
| 592. | Songs (6) of Various Nationality for voice & piano trio, WoO 158c: From thee, Eliza, I must go 2:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Jens Hamann, Rainer Maria Klass, Martin Haunhorst, Georg Poplutz, Bernhard Schwarz and Dorothee Wohlgemuth | ||
The first thing to say about this hefty 85-CD box set is what an astonishing bargain it is. For about a dollar and a half per disc, or the cost of a few months of basic cable TV, you can own recordings of every score Ludwig van Beethoven wrote -- including, of course, some of the greatest monuments of Western classical music. The second point is that, despite Brilliant Classics' budget price, there's very little compromise in quality. The performances are by and large excellent, assembled with care to match thrift with high artistic standards, and you'll be surprised by how many first-rank performers are represented, including some of the finest Beethoven interpreters of the last 50 years. The bulk of the set consists of recordings licensed from other labels (many from Universal Classics' vast out-of-print holdings) and range in date from the 1950s up to the present day. Cherry-picking highlights is a challenge in a collection of this breadth, so let's start right at the top: Kurt Masur and the venerable Gewandhaus Orchestra performing the nine magnificent symphonies. Recorded in 1974, these are compelling and stimulating accounts, and their lack of idiosyncrasies makes them a fine choice for first-timers. Henryk Szeryng's 1973 Violin Concerto, with Bernard Haitink leading the Concertgebouw Orchestra, is similarly persuasive, while Arthur Grumiaux and Clara Haskil offer distinguished readings of the violin sonatas -- although the constricted mid-'50s sound quality will be a turn-off to some. Counterbalancing this drawback are Heinrich Schiff's and Till Fellner's singing performances of the cello sonatas, superbly recorded in 1998 with modern digital technology. Moving down the list of masterworks, the Guarneri Quartet's accounts of the string quartets are competitive with the best available, while the Borodin Trio offers richly Romantic, satisfying interpretations of the piano trios, on recordings licensed from Chandos. The solo piano music is equally strong, with Friedrich Gulda's invigorating set of the piano sonatas, originally released on Amadeo in the '60s, and, from the same era, Alfred Brendel's technically immaculate performances of the piano variations, first issued on Vox. The large-scale works impress nearly as much, with Colin Davis leading the London Symphony Orchestra and Chorus in the splendid Missa Solemnis and Christoph von Dohnanyi directing an all-German-speaking cast in Fidelio, Beethoven's only opera. Filling out the comprehensive set are brand-new recordings of seldom-heard folksongs, canons, and other curiosities, alongside a large inventory of chamber music, dances, overtures, and lots more that must remain unmentioned. Housed in a sturdy cardboard box, the CDs are enclosed in space-saving slip sleeves and include a companion CD-ROM (PC only) with libretti and liner notes. For aficionados, it goes without saying that some performances won't measure up to personal favorites, but for the average listener or local library, you won't find a better buy. Still hesitating? Consider this: If you tried to purchase this set track-by-track at the standard download price, you wouldn't get past disc 13 before the cost surpassed this incredible deal. [Note: Brilliant Classics has also realeased complete Mozart and Bach editions, with even lower per-disc costs.] EJ Johnson
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