|
| 1 |  Introduxit me rex, diminu |
| 2 | Io canterei d'amor, for s |
| 3 | Signor mio caro, diminuti |
| 4 | Signor mio caro, diminuti |
| 5 | Ancor che col partire, fo |
| 6 | La rose, diminution after |
| 7 | Pulchra es, for soloists |
| 8 | Tota pulchra es, diminuti |
| 9 | Fuit homo missus, for voi |
| 10 | Ma poichè vostra altezza, |
| 11 | Caro dolce ben mio, for v |
| 12 | Benedicta sit sancta Trin |
| 13 | Susanne un jour, diminuti |
| 14 | Ave Maria, for voice & ch |
| 15 | Dissi a l'amata mia, for |
|
Bassano: Mottetti, Madrigali et Canzoni francese |
| 1.
| Introduxit me rex, diminution after Palestrina for cornet & continuo 3:35
|
| Composed by Giovanni Bassano |
| Performed by Stefano Lorenzetti,
Lapo Bramanti,
Musica Figurata and David Yacus |
| 2.
| Io canterei d'amor, for soloists & chamber ensemble (after Cipriano de Rore) 4:23
|
| Composed by Giovanni Bassano |
| Performed by Alessandro Carmignani,
Paolo Fanciullacci,
Marcello Vargetto,
Santina Tomasello and Musica Figurata |
| 3.
| Signor mio caro, diminution after Cipriano de Rore for chamber ensemble 3:07
|
| Composed by Giovanni Bassano |
| Performed by Stefano Lorenzetti,
Lapo Bramanti and Musica Figurata |
| 4.
| Signor mio caro, diminution after Cipriano de Rore for chamber ensemble 3:07
|
| Composed by Giovanni Bassano |
| Performed by Stefano Lorenzetti,
Lapo Bramanti and Musica Figurata |
| 5.
| Ancor che col partire, for voice & chamber ensemble (after Cipriano de Rore) 3:30
|
| Composed by Giovanni Bassano |
| Performed by Alessandro Carmignani,
Stefano Lorenzetti,
Musica Figurata and David Yacus |
| 6.
| La rose, diminution after Adriano Willaert for chamber ensemble 4:26
|
| Composed by Giovanni Bassano |
| Performed by Stefano Lorenzetti,
Lapo Bramanti and Musica Figurata |
| 7.
| Pulchra es, for soloists & chamber ensemble (after Palestrina) 3:59
|
| Composed by Giovanni Bassano |
| Performed by Marcello Vargetto,
Stefano Lorenzetti,
Santina Tomasello,
Lapo Bramanti,
Musica Figurata and David Yacus |
| 8.
| Tota pulchra es, diminution after Palestrina for chamber ensemble 3:41
|
| Composed by Giovanni Bassano |
| Performed by Stefano Lorenzetti,
Lapo Bramanti,
Musica Figurata and David Yacus |
| 9.
| Fuit homo missus, for voice & chamber ensemble (after Palestrina) 5:51
|
| Composed by Giovanni Bassano |
| Performed by Marcello Vargetto,
Stefano Lorenzetti and Musica Figurata |
| 10.
| Ma poichè vostra altezza, diminution after Cipriano de Rore for chamber ensemble 3:18
|
| Composed by Giovanni Bassano |
| Performed by Stefano Lorenzetti,
Musica Figurata and David Yacus |
| 11.
| Caro dolce ben mio, for voice & chamber ensemble (after Andrea Gabrieli) 3:36
|
| Composed by Giovanni Bassano |
| Performed by Stefano Lorenzetti,
Santina Tomasello and Musica Figurata |
| 12.
| Benedicta sit sancta Trinitas, for voice & chamber ensemble (after Palestrina) 6:39
|
| Composed by Giovanni Bassano |
| Performed by Marcello Vargetto,
Stefano Lorenzetti,
Musica Figurata and David Yacus |
| 13.
| Susanne un jour, diminution after Lassus for chamber ensemble 3:45
|
| Composed by Giovanni Bassano |
| Performed by Stefano Lorenzetti and Musica Figurata |
| 14.
| Ave Maria, for voice & chamber ensemble (after Palestrina) 5:36
|
| Composed by Giovanni Bassano |
| Performed by Alessandro Carmignani,
Stefano Lorenzetti and Musica Figurata |
| 15.
| Dissi a l'amata mia, for soloists & chamber ensemble (after Luca Marenzio) 3:33
|
| Composed by Giovanni Bassano |
| Performed by Alessandro Carmignani,
Paolo Fanciullacci,
Marcello Vargetto,
Santina Tomasello and Musica Figurata |
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