About this Artist

• Biography

Editorial Reviews

Donovan was in a tremendously creative phase during the latter part of 1968, owing to both a tour of the United States (which yielded a live album) and the chemical and social stimulation of his surroundings. Amid all of that activity and his subsequent recordings, his European performances, and the slightly late catch-up of his British career to his American success, Donovan's work blossomed in several different directions on the resulting album, Barabajagal. He still sounded like a folkie, but on the title track as well as "Superlungs My Supergirl," he was backed by the Jeff Beck Group and an outfit that included Big Jim Sullivan and John Paul Jones, respectively. With Barabajagal, Donovan intermingled soft, lyrical, spaced-out folk, hard psychedelia, children's songs, anthems to free love (along with a lusty appreciation of the fairer sex that runs throughout the album), and even antiwar sentiments ("To Susan on the West Coast Waiting"). The result was the most challenging album then issued by Donovan, but also one of his most successful, with album sales driven by the presence of the U.S. hit "Atlantis." [This expanded disc not only upgrades the sound by eliminating any hiss and bringing the whole sound palette into the listener's lap, but throws on more than a dozen bonus tracks from chronologically connected sessions. Standouts include "Stromberg Twins," which sounds like a cross between the Beach Boys and the Bonzo Dog Band (though it actually has Jeff Beck and Nicky Hopkins on it), the rocking outtakes "Snakeskin," "Lauretta's Cousin Laurinda," and "A Poor Man's Sunshine" (the latter reportedly featuring Stephen Stills and Nils Lofgren), and various folk- and Celtic-themed demos, many of which would surface in finished form anywhere from two to 30 years later.] Bruce Eder, All Music Guide

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