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Editorial Reviews

Vibraphonist Milt Jackson's enormous capacity for invention percolates throughout the sumptuous settings on the "with strings" date, The Ballad Artistry of Milt Jackson. Jackson and the large string section, masterfully arranged and conducted by Quincy Jones, mesh beautifully. Equally critical, the rhythm section is superbly integrated in the arrangements, underpinning the billows of violins and cellos with a distinct jazz pulse. Above all, Jackson is himself, bringing his consistently flawless phrasing and subtle, but ever-present, blues feeling to his role as featured solist. Bassist Milt Hinton, drummer Connie Kay, guitarist Barry Galbraith, and pianist Jimmy Jones make up the rhythm section for this 1960 session. The other half of this compilation, 1964's Vibrations, is another fine set. This time Jackson is joined by four horns and another strong rhythm section. Tenor player Jimmy Heath, sounding satisfyingly like John Coltrane circa the start of his Atlantic period, is featured prominently. The interaction of Jackson and Heath with pianist Tommy Flanagan, drummer Connie Kay, and bassist Alvin Jackson provide the main interest. The set is nicely rounded out by two tracks with guitarist Kenny Burrell, and a small, vocal ensemble that sings wordless arrangements on the cooly swinging title tack and the hard bopping "Let Me Hear the Blues," both by Jackson. ~ Jim Todd, All Music Guide All Music Guide

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