Autumn Stone [Japan Import] The Small Faces

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CD - Remastered

  • Release Date: 11/14/2000
  • Original Release: 1969
  • Sales Rank: 170,376
  • Label: JVC JAPAN
  • UPC: 4988002407088
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  • Overview
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Track List
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Autumn Stone [Japan Import]

1LISTENHere Comes the Nice 3:07
2LISTENThe Autumn Stone 4:02
3LISTENCollibosher Instrumental 3:15
4LISTENAll or Nothing 3:03
5LISTENRed Balloon 4:17
6LISTENLazy Sunday 3:08
7LISTENCall It Something Nice 2:07
8LISTENI Can't Make It 2:06
9LISTENAfterglow (Of Your Love) 3:26
10LISTENSha-La-La-La-Lee 2:55
11LISTENThe Universal 2:44
12LISTENRollin' Over Live 2:22
13LISTENIf I Were a Carpenter Live 2:33
14LISTENEvery Little Bit Hurts Live 6:24
15LISTENMy Mind's Eye 2:02
16LISTENTin Soldier 3:27
17LISTENJust Passing 1:14
18LISTENItchycoo Park 2:54
19LISTENHey Girl 2:14
20LISTENWide Eyed Girl on the Wall Instrumental 2:49
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About this Artist

Editorial Reviews

The Autumn Stone was the only double LP in the history of Immediate Records, and it came out as the company was entering its death throes, a desperate effort to cash in -- or, to use a term that's become popular in the 21st century -- "monetize" their library of tapes on The Small Faces. When lead singer Steve Marriott quit in the waning days of 1968, the group had been midway into recording a new album that would have been its third for the label, and a follow-up to 1968's popular Ogden's Nut Gone Flake. Left high and dry by Marriott's departure, with an uncertain future ahead for the group, the company elected to release the first anthology of the Small Faces' work. The result was The Autumn Stone, a mix of hit singles (going all the way back to their Decca Records years, with "Whatcha Gonna Do About It" and "All or Nothing") and up through their final 45, "The Universal," plus three songs recorded live at Newcastle Town Hall in early 1968, a bunch of album tracks, and some unissued tracks from the tail end of their history, presumably intended for the never-finished third Immediate LP. It was the first (and, for over 20 years, the best) overview of the group's work and history, depicting its transition from a white British Invasion-era soul band to a more laid-back and experimental psychedelic outfit. And it still holds up reasonably well, even in the face of more ambitious and comprehensive compilations such as Sanctuary's Ultimate Collection. Bruce Eder, All Music Guide

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