Ansel Adams Brian Keane

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CD

  • Release Date: 04/23/2002
  • Sales Rank: 40,411
  • Label: GREEN LINNET
  • UPC: 048248314022

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  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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Ansel Adams

1LISTENAnsel Adams, film score~Benediction (piano) 1:58
2LISTENAnsel Adams, film score~Benediction (orchestral) 3:37
3LISTENAnsel Adams, film score~Cowboy Song 2:16
4LISTENMarias River Breakdown~as used in the film Ansel Adams 5:39
5LISTENAnsel Adams, film score~American Open 4:07
6LISTENAnsel Adams, film score~To The Summit 3:34
7LISTENAnsel Adams, film score~Starting Out 2:20
8LISTENSky (for the film Ansel Adams) 4:07
9LISTENAnsel Adams, film score~Searching 2:57
10LISTENAnsel Adams, film score~American Open (piano) 1:36
11LISTENAnsel Adams, film score~Ansel's Theme 2:46
12LISTENAnsel Adams, film score~Benediction (piano reprise) 3:08
13LISTENHigh Sierra (for the film Ansel Adams) 3:33
14LISTENPrelude and Fugue, for keyboard No. 1 in C major (WTC I/1), BWV 846 (BC 3:00
15LISTENAnsel Adams, film score~American Open (reprise) 5:40
16LISTENAnsel Adams, film score~Benediction (orchestral reprise) 4:15
17LISTENPrelude and Fugue, for keyboard No. 1 in C major (WTC I/1), BWV 846 (BC / Ansel Adams 3:07

About this Artist

Editorial Reviews

With his score for Ansel Adams, Grammy-winning composer Brian Keane (Long Journey Home: The Irish in America) continues his association with documentary filmmaker Ric Burns -- a relationship that began with the Emmy Award-winning PBS film New York. With his evocative piano and guitar solos (the latter reflecting Keane's early years in a famed duo with Larry Coryell) and lushly orchestrated passages, Keane evokes the grandeur and fragility of the wilderness explored by famed photographer and environmentalist Ansel Adams. The opening piece, "Benediction Piano," incorporates the sounds of the ocean and birds into a gentle solo keyboard melody. The tenderness of that theme takes wing in the expansive "Benediction Orchestral." Throughout, Keane conjures the zest and vitality of pure Americana, whether in the simplicity of a guitar solo in "Cowboy Song" or the hymnlike orchestral sound of "Ansel's Theme," which is reminiscent of the soaring dignity of Aaron Copland's classic "Fanfare for the Common Man." The breaking of ocean waves return on the closing piece, "Bach Prelude," performed by Adams himself. Like Adams's gorgeous photographs, Keane's music reflects the artist's love for the majesty of nature. Andrew Velez, Barnes & Noble

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