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Heavenly soprano Dawn Upshaw adds to her impressively wide repertoire with the poetically titled Angels Hide Their Faces by focusing on solo works by two very different Baroque composers: Henry Purcell and J. S. Bach. Purcell's music, with its airy, light-filled melodies and piquant harmonies, is a far cry from the grandeur and contrapuntal complexity of the German master's style, and the works on this program highlight this comparison. The album's centerpiece, Bach's solo Cantata Mein Herze schwimmt im Blut (My Heart Is Bathed in Blood), which remained unknown until it was discovered in the early 20th century, contains some of the most tortured and dark music Bach ever penned. But there are also moments of sensitivity and tenderness in this powerful, early work: the liltingly lyrical aria "Tief gebückt und voller Reue" (Deeply Bowed and Filled with Remorse), or the final, redemptive "Wie freudig ist mein Hertz" (How Joyful Is My Heart). Purcell's selections, however, betray an altogether sunnier disposition: the opening setting of Dryden's "Ah! How Sweet It Is to Love," or the delightful "If Music Be the Food of Love, Sing On Till I Am Fill'd with Joy." Upshaw's full, bright voice is perfectly attuned to this little-performed repertoire, and she gives finely shaded, expressive performances. The accompanying ensemble is first-rate. A highly recommended album. EJ Johnson, Barnes & Noble