Angels: Christmas with the Great Sopranos

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CD

  • Release Date: 10/14/2008
  • Sales Rank: 8,705
  • Label: DECCA
  • UPC: 028947803379

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  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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Angels: Christmas with the Great Sopranos

1LISTENCantique de Noël for voic / Adolphe Adam
2LISTENEllens Gesang III ("Ave M / Franz Schubert
3LISTENRequiem, for 2 solo voice / Gabriel Fauré
4LISTENGood King Wenceslas (Piae / Christmas Traditiona
5LISTENStille Nacht, heilige Nac / Franz Xaver Gruber
6LISTENWiegenlied ("Guten Abend, / Johannes Brahms
7LISTENOtello, opera: Ave Maria, / Giuseppe Verdi
8LISTENVesperae solennes de conf / Wolfgang Amadeus Moz
9LISTENMessiah, oratorio, HWV 56 / George Frederick Han
10LISTENHark! the Herald Angels S / Felix Mendelssohn
11LISTENCantata No. 147, "Herz un / Johann Sebastian Bac
12LISTENSamson, oratorio, HWV 57: / George Frederick Han
13LISTENIt Came Upon a Midnight C / Richard Storrs Willi
14LISTENAve Maria, for voice & or / Pietro Mascagni
15LISTENO Come, All Ye Faithful ( / John Francis Wade
16LISTENExsultate, jubilate, mote / Wolfgang Amadeus Moz

Editorial Reviews

This album's title, Angels: Christmas with the Great Sopranos, wisely leaves some latitude of interpretation about exactly what type of repertoire is included; this isn't all necessarily Christmas music, but there's nothing that stands out as musically inappropriate for the season. It helps to try to forget the original contexts of some of the selections, particularly Desdemona's "Ave Maria," and the Intermezzo from "Cavalleria Rusticana" arranged with the "Ave Maria" text. Other pieces, like Brahms' "Lullaby" and "I know that my Redeemer liveth" from "Messiah," have nothing whatsoever to do with Christmas, but musically they fit fine with the mix of serene or joyful music for the holiday. Each of the selections is a delight in its own way, and the album should please any fans of operatic singing, except for those who are disgruntled because a particular favorite soprano isn't included. Highlights include Joan Sutherland's artlessly direct singing of "Good King Wenceslas," Barbara Bonney's gleaming account of Mozart's "Laudate Dominum," and Sylvia McNair's serenely radiant "I know that my Redeemer liveth." The recordings, made between 1961 and 2005, aren't consistent in sound quality, but none are less than acceptable. The accompaniments, likewise, vary in quality, from the sophistication of the Academy of St. Martin-in-the-Fields to the Vienna Philharmonic's lackadaisical approach to intonation. The compilation provides adequate information for the listener to locate the albums from which each selection is taken. Stephen Eddins, All Music Guide

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