Disc
1 |
| 1 |  Messiah, oratorio, HWV 56 |
| 2 | Giulio Cesare in Egitto, |
| 3 | Atalanta, opera, HWV 35: |
| 4 | Samson, oratorio, HWV 57: |
| 5 | Rinaldo, opera, HWV 7: La |
| 6 | Cantata No. 209, "Non sa |
| 7 | Bist du bei mir, aria arr |
| 8 | Cantata No. 202, "Weichet |
| 9 | Cantata No. 202, "Weichet |
| 10 | St. Matthew Passion (Matt |
| 11 | St. Matthew Passion (Matt |
| 12 | Bachianas Brasileiras No. |
| 13 | Bachianas Brasileiras No. |
|
Disc
2 |
| 1 | Pastorale, song for voice |
| 2 | Del cabello más sutil, fo |
| 3 | Azulao, for voice & piano |
| 4 | Ständchen ("Mach' auf, ma |
| 5 | Selige Nacht, for voice & |
| 6 | Fleurs ("Fleurs promises, |
| 7 | Stornello for voice & pia |
| 8 | Music, When Soft Voices d |
| 9 | Drei Walzer (Three Waltze |
| 10 | Love's Philosophy, for vo |
| 11 | Widmung ("Du meine Seele, |
| 12 | Du bist wie eine Blume, s |
| 13 | Das Rosenband ("Im Frühli |
| 14 | Liebst du um Schönheit, s |
| 15 | Cantares, poema en forma |
| 16 | How Do I Love Thee? for v |
| 17 | Conversation Piece, music |
| 18 | Sérénade, for voice & pia |
| 19 | Claudine von Villa Bella, |
| 20 | Love went a-riding, for v |
| 21 | Why No One to Love? for v |
| 22 | O del mio amato ben, song |
| 23 | Folksong Arrangements, Vo |
| 24 | Poems (12) of Emily Dicki |
| 25 | Before I Gaze at You Agai |
|
American Soprano |
| 1.
| Messiah, oratorio, HWV 56: Rejoice Greatly 4:32
|
| Composed by George Frideric Handel |
| Performed by Arleen Augér and Mostly Mozart Festival Orchestra |
| Conducted by Gerard Schwarz |
| 2.
| Giulio Cesare in Egitto, opera, HWV 17: Piangeró 7:26
|
| Composed by George Frideric Handel |
| Performed by Arleen Augér and Mostly Mozart Festival Orchestra |
| Conducted by Gerard Schwarz |
| 3.
| Atalanta, opera, HWV 35: Care Selva 3:12
|
| Composed by George Frideric Handel |
| Performed by Arleen Augér and Mostly Mozart Festival Orchestra |
| Conducted by Gerard Schwarz |
| 4.
| Samson, oratorio, HWV 57: Let the Bright Seraphim 5:35
|
| Composed by George Frideric Handel |
| Performed by Arleen Augér and Mostly Mozart Festival Orchestra |
| Conducted by Gerard Schwarz |
| 5.
| Rinaldo, opera, HWV 7: Lascia ch'io pianga 5:29
|
| Composed by George Frideric Handel |
| Performed by Arleen Augér and Mostly Mozart Festival Orchestra |
| Conducted by Gerard Schwarz |
| 6.
| Cantata No. 209, "Non sa che sia dolore," BWV 209: Ricetti Gramezza 5:58
|
| Composed by Johann Sebastian Bach |
| Performed by Arleen Augér and Mostly Mozart Festival Orchestra |
| Conducted by Gerard Schwarz |
| 7.
| Bist du bei mir, aria for voice & continuo (spurious, by Stölzel), BWV 508 3:08
|
| Composed by Johann Sebastian Bach |
| Performed by Arleen Augér and Mostly Mozart Festival Orchestra |
| Conducted by Gerard Schwarz |
| 8.
| Cantata No. 202, "Weichet nur, betrübte Schatten," ("Wedding Cantata"), BWV 202: Weichet nur, betrübte Schatten 7:39
|
| Composed by Johann Sebastian Bach |
| Performed by Arleen Augér and Mostly Mozart Festival Orchestra |
| Conducted by Gerard Schwarz |
| 9.
| Cantata No. 202, "Weichet nur, betrübte Schatten," ("Wedding Cantata"), BWV 202: Sich üben im lieben 4:44
|
| Composed by Johann Sebastian Bach |
| Performed by Arleen Augér and Mostly Mozart Festival Orchestra |
| Conducted by Gerard Schwarz |
| 10.
| Matthäuspassion (St. Matthew Passion), BWV 244: Blute nur 5:34
|
| Composed by Johann Sebastian Bach |
| Performed by Arleen Augér and Mostly Mozart Festival Orchestra |
| Conducted by Gerard Schwarz |
| 11.
| Matthäuspassion (St. Matthew Passion), BWV 244: Ich will dir mein Herze schenken 3:27
|
| Composed by Johann Sebastian Bach |
| Performed by Arleen Augér and Mostly Mozart Festival Orchestra |
| Conducted by Gerard Schwarz |
| 12.
| Bachianas Brasileiras No. 5, for voice & 8 cellos, A. 389 13:05
|
| Composed by Heitor Villa-Lobos |
| Performed by Arleen Augér |
| Conducted by Aldo Parisot |
| 13.
| Pastorale, song for voice & piano 2:29
|
| Composed by Aaron Copland |
| Performed by Arleen Augér and Dalton Baldwin |
| 14.
| Del cabello más sutil 2:37
|
| Composed by Fernando J. Obradors |
| Performed by Arleen Augér and Dalton Baldwin |
| 15.
| Azulao, for voice & piano (or orchestra) 1:58
|
| Composed by Jaime Ovalle |
| Performed by Arleen Augér and Dalton Baldwin |
| 16.
| Songs (6) for voice & piano, Op. 17, No. 2, "Stäcdchen" Op. 17/2 2:23
|
| Composed by Richard Strauss |
| Performed by Arleen Augér and Dalton Baldwin |
| 17.
| Selige Nacht, for voice & piano 2:27
|
| Composed by Joseph Marx |
| Performed by Arleen Augér and Dalton Baldwin |
| 18.
| Fleurs ("Fleurs promises, fleurs tenues..."), song for voice & piano (Fiançailles pour rire), FP 101/6 2:42
|
| Composed by Francis Poulenc |
| Performed by Arleen Augér and Dalton Baldwin |
| 19.
| Stornello for voice & piano 3:25
|
| Composed by Pietro Cimara |
| Performed by Arleen Augér and Dalton Baldwin |
| 20.
| Music, When Soft Voices die for voice & piano, Op 25, No 5 2:06
|
| Composed by Roger Quilter |
| Performed by Arleen Augér and Dalton Baldwin |
| 21.
| Drei Walzer, operetta: Je t'aime 3:08
|
| Composed by Oscar Straus |
| Performed by Arleen Augér and Dalton Baldwin |
| 22.
| Love's Philosophy for voice & piano, Op 3, No 1 1:28
|
| Composed by Roger Quilter |
| Performed by Arleen Augér and Dalton Baldwin |
| 23.
| Widmung ("Du meine Seele, du mein Herz"), song for voice & piano (Myrthen), Op. 25/1 2:25
|
| Composed by Robert Schumann |
| Performed by Arleen Augér and Dalton Baldwin |
| 24.
| Du bist wie eine Blume, song for voice & piano (Myrthen), Op. 25/24 2:02
|
| Composed by Robert Schumann |
| Performed by Arleen Augér and Dalton Baldwin |
| 25.
| Songs (4) for voice & piano, Op. 36: No. 1, Das Rosenband 3:07
|
| Composed by Richard Strauss |
| Performed by Arleen Augér and Dalton Baldwin |
| 26.
| Liebst du um Schönheit, song for voice & piano in C major (No. 7 of 7 Songs) 2:50
|
| Composed by Gustav Mahler |
| Performed by Arleen Augér and Dalton Baldwin |
| 27.
| Poema en forma de canciones, for voice & piano (or orchestra), Op 19, No. 3, "Cantares", Op. 19/3 2:07
|
| Composed by Joaquín Turina |
| Performed by Arleen Augér and Dalton Baldwin |
| 28.
| How Do I Love Thee? for voice & piano 4:00
|
| Composed by Eduoard Lippé |
| Performed by Arleen Augér and Dalton Baldwin |
| 29.
| Conversation Piece, Musical: I'll Follow My Secret Heart 3:00
|
| Composed by Noël Coward |
| Performed by Arleen Augér and Dalton Baldwin |
| 30.
| Sérénade, for voice & piano with harmonium or cello ad lib. (and various arrangements; "Chantez, riez, dormez") 4:19
|
| Composed by Charles Gounod |
| Performed by Arleen Augér and Dalton Baldwin |
| 31.
| Claudine von Villa Bella, singspiel, D. 239: Liebe Schwärmt auf allen Wegen 1:18
|
| Composed by Franz Schubert |
| Performed by Arleen Augér and Dalton Baldwin |
| 32.
| Love Went A-Riding for voice & piano 1:50
|
| Composed by Frank Bridge |
| Performed by Arleen Augér and Dalton Baldwin |
| 33.
| Why No One to Love? for voice & piano 3:21
|
| Composed by Stephen Foster |
| Performed by Arleen Augér and Dalton Baldwin |
| 34.
| O del mio amato ben for voice & piano (or orchestra) 5:10
|
| Composed by Stefano Donaudy |
| Performed by Arleen Augér and Dalton Baldwin |
| 35.
| Folksong Arrangements, Vol. I "British Isles", for voice & piano 3:28
|
| Composed by Benjamin Britten |
| Performed by Arleen Augér and Dalton Baldwin |
| 36.
| Poems (12) of Emily Dickinson, song cycle for voice & piano (orchestrated 1970 as "Poems (8) of Emily Dickinson") 2:16
|
| Composed by Aaron Copland |
| Performed by Arleen Augér and Dalton Baldwin |
| 37.
| Before I Gaze at You Again (from "Camelot"), song 2:27
|
| Composed by Frederick Loewe |
| Performed by Arleen Augér and Dalton Baldwin |
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