All Good Things: Jerry Garcia Studio Sessions Jerry Garcia

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CD - Remastered

  • Release Date: 04/20/2004
  • 6 Disc Set
  • Sales Rank: 4,270
  • Label: RHINO / WEA
  • UPC: 081227806323

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About this Artist

Editorial Reviews

Although he certainly had room to explore within the loose confines of the Grateful Dead, Jerry Garcia used his solo career to venture into other streams, some of which ran parallel to the Dead's output and some of which eventually flowed into his main band's sonic ocean. This six-disc box compiles all of Garcia's solo albums, appending dozens of extra cuts that'll alternately tweak and tear at the masterful guitarist's fans. Garcia, released in 1972, is augmented by eight bonus tracks, including a steel guitar–laced version of "The Wheel" and a sharper, more acidic take on "Sugaree." The remastered take of the covers-heavy Compliments, which came out two years later, likewise adds a slew of extra tracks, highlighted by a swinging version of the jazz standard "Back Home in Indiana" -- featuring fretwork that's unusually deft, even by Garcia's standards -- and a sweet, nostalgic interpretation of "Lonesome Town," which was initially popularized by Ricky Nelson. Garcia's 1976 album Reflections affirmed his flair for far-flung covers, and the newly uncovered additions -- including a spry rendition of Elizabeth Cotten's "It Ain't No Lie" and a hot-sauced take on Hank Williams's "You Win Again" -- keep the streak intact. Diehard Deadheads will be most drawn to the lovingly annotated set's sixth disc, entirely made up of -- as its title indicates -- Outtakes, Jams and Alternates. Some -- like an acoustic take on "Lonesome Town" and a stripped-bare version of "Deal"-- offer new perspectives on often-heard tunes. Others, such as a performance of Allen Toussaint's "I'll Take a Melody" -- which interpolates bits of "Hully Gully" and "Rockin' Pneumonia and the Boogie Woogie Flu" -- shine a light on Garcia's always-restless musical spirit. Perhaps most intriguing is the disc's closing track, a profoundly poignant version of Warren Zevon's "Accidentally like a Martyr," on which Garcia eschews guitar entirely in favor of a seat behind the piano. Nearly a decade after his death, Jerry Garcia can still surprise -- and still bring smiles to the faces of fans. David Sprague, Barnes & Noble



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