About this Artist

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Editorial Reviews

Avishai Cohen's After the Big Rain is an ambitious, earthy and endlessly surprising work that finds the trumpeter/composer melding post-bop, avant-garde jazz, African folk music and electric soundscapes. Having been a force on the downtown NYC jazz scene since the '90s, Cohen has made a name for himself as an adventurous, forward-thinking musician performing in various ensembles that mixed everything from klezmer and free jazz to swinging hard bop and post-rock. Here, Cohen takes his world music inclinations one step further partnering with West African vocalist/guitarist Lionel Loueke on a series of loosely connected pieces that strongly feature Loueke's moody singing and percussive guitar. Interestingly, the album often sounds more like African folk music than jazz with Loueke setting a song up and then Cohen with his muted/electronically enhanced trumpet and keyboardist Jason Linder's wave-like Fender Rhoades joining in organically after a few bars. Cohen himself is a fire brand of an improviser who evinces both a Miles Davis-like sense of harmonic color and a knack for muscular, knotty Woody Shaw-inspired improvisational lines. Here, he mixes both styles liberally, often bumping against Yosvany Terry's rhythmic "jack-in-the-box" sounding chereke playing. In many ways, After the Big Rain harkens back to trumpeter Don Cherry's stellar 1975 jazz/world fusion album Brown Rice and in a similar sense is a moving and enveloping early masterwork. Matt Collar, All Music Guide

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