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On his first solo album in a decade, venerable NRBQ guitarist/songwriter/vocalist Big Al Anderson delivers the goods -- exquisite melodies, laid-back rhythms, a mellow vibe, and direct lyrics with a wry twist, all delivered in a voice smooth as honey. And while lately he's become one of country music's most sought-after tunesmiths, penning hits for Delbert McClinton, Carlene Carter, the Mavericks, and Trisha Yearwood, After Hours is largely designed for saloon swooning in the wee small hours. He sets the tone with the pop-torch tune "Love Make a Fool of Me," which would be right at home in any piano bar, with brush drums, flutes, piano, tasty pedal steel moans, and Anderson crooning seductively and wondrously about falling head over heels -- and loving every minute of it. On the gently shuffling pop blues "Do Nothing Day," his co-writer Sharon Vaughn takes a sultry, languid lead vocal on a tune driven by a small, jazz-conversant combo featuring piano, stand-up bass, vibes, sax, and flute. Anderson displays a raft of soulful stylings, all beautifully realized, from the lively western swing toe-tapper "Blues About You Baby" to the moody introspection in the stark, folk-flavored plea "Movin' into the Light" and a delicious bit of Dr. John-style N'awlins come-ons in "Let's Get Away for the Weekend" (with a trombone-trumpet-clarinet section that's having a lot of fun blowing cool and sexy). After Hours is a real gem, one of this year's real keepers. David McGee, Barnes & Noble