A Soldier's Sad Story: Vietnam Through the Eyes of Black America 1966-73

1	Greetings (This Is Uncle Sam) / The Monitors Mono Version 3:03
2	He'll Be Back / Players Stereo 2:47
3	Marching Off to War / William Bell Mono Version 3:18
4	While I'm Away (Baby Keep the Faith) / Eddy "G" Giles Mono Version 2:30
5	Going to Vietnam / Big Amos Patton Mono Version 2:57
6	Lonely Soldier / Mike Williams Mono Version 2:56
7	I Believe I'm Gonna Make It / Joe Tex Mono Version 3:00
8	Christmas in Vietnam / Johnny & Jon Mono Version 3:04
9	I'm Gonna Help Hurry My Brothers Home / Jimmy Holiday Mono Version 3:00
10	Let's Face Facts / James Carr Mono Version 2:25
11	Lights Out / Zerben R. Hicks Mono Version 2:53
12	When Johnny Comes Marching Home / Richard Barbary Mono Version 2:46
13	A Soldier's Sad Story / Tiny Watkins Mono Version 3:04
14	A Letter from Vietnam / Emanual Laskey Mono Version 2:53
15	Something You Couldn't Write About / Gloria Edwards Stereo 2:39
16	Mail Call Time / Mel & Tim Stereo 3:16
17	There's Someone (Waiting Back Home) / The O'Jays Stereo 2:30
18	Bring the Boys Home / Freda Payne Stereo 3:31
19	Stop the War Now / Edwin Starr Stereo 3:36
20	P.O.W. - M.I.A. / The Whispers Stereo 4:25
21	War / Carla Whitney Stereo 2:51
22	I Can't Write Left Handed / Bill Withers Stereo 6:34
23	Back to the World / Curtis Mayfield Stereo 5:07
24	Sam Stone / Swamp Dogg Stereo 4:01

All Music Guide

As much a penetrating and painful lesson in American history as it is a fantastic set of vintage soul, A Soldier's Sad Story: Vietnam Through the Eyes of Black America 1966-73 documents a very different dimension of antiwar protest music -- Edwin Starr's classic "War" aside, the mainstream antiwar canon comprises songs written and performed almost entirely by white folkies (Bob Dylan, Phil Ochs, Barry McGuire, etc.), but the African-American response was just as potent and provocative, with an underlying sense of hopelessness and disenfranchisement that speaks volumes about the mindset of the black counterculture as war raged not only in Southeast Asia but also in places like Detroit and Watts. Ranging from the gritty deep soul of James Carr ("Let's Face Facts") to the sweet folk-soul of Bill Withers ("I Can't Write Left-Handed"), the set spans not only musical styles but also varying shades of polemical intensity -- some cuts are confrontational and direct, others elegiac and allegorical, but all burn with the emotional honesty and complexity that are the hallmarks of soul music at its finest. Other highlights include Mel & Tim's "Mail Call Time," the Monitors' "Greetings (This Is Uncle Sam)," Johnny & Jon's "Christmas in Vietnam," and the O'Jays' "There's Someone (Waiting Back Home)." Jason Ankeny