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For the first Christmas album of a celebrated career that spans 49 years and more than 60 recordings, Nancy Wilson pulls out all the stops. The jazz diva surrounds herself with the Dizzy Gillespie Alumni All-Star Big Band, the New York Voices, her working trio (Llew Matthews, piano; John Williams, bass; Roy McCurdy, drums), and guest artists Herbie Mann, Claudio Roditi, and Monty Alexander. Several arrangers impart fresh, pungent settings for the 13 old chestnuts on which she works her magic. For all the recontextualizing (a Jobim-esque "White Christmas," "O Tannenbaum" in a Bahian carnival vein, a modernist woodwind-string arrangement by Jay Ashby framing "Holy Night," "Silver Bells" as a Gillespian blues), Wilson never loses sight of the spiritual content that bedrocks her material. In her familiar manner, with a resonant voice that bears in its inflection and phrasing the influence of her church origins and her youthful heroes Nat Cole, Dinah Washington, and Little Jimmy Scott (e.g., the album-concluding "Christmas Song"), she elicits every drop of emotion from the songs while never descending to bathos, and is fully at home in her spirituality. Proceeds go to Manchester Craftsmen's Guild, a Pittsburgh-based multidisciplinary, minority-directed arts and learning center. Ted Panken, Barnes & Noble