Barnes & Noble
In the wake of Ricky Martin's cross-cultural block party, {|"Livin' La Vida
Loca,"|} comes "Mambo No. 5 (A Little Bit Of…)" by crooner-rapper-lothario
Lou Bega. Rooted in a sample of backside-bustlin' beats and fanfare horn hits (courtesy of Cuban mambo ambassador Perez Prado), "No. 5" throws electro-funk, pop-hop bounce, and a whole lotta sweet-smellin' cheese into a frothing pot of sassy soul sauce. In that vein, the rest of Bega's full-length debut, A LITTLE BIT OF MAMBO, is a mix of dizzyingly lighthearted, summertime escapism -- from the fluffy doo-wop flavored "Baby Keep Smiling" to the hip-hop-tweaked Caribbean getaway "Icecream" to "Beauty on the TV-Screen," a lonely guy's lament that brilliantly bites the Tokens' 1961 classic "The Lion Sleeps Tonight." Sure, Bega's blustery singing is pretty ham-fisted and his quasi-raps aren't likely to woo GZA's market share, but the karaoke abandon of his vocals do possess a certain charm, and any Beck or Cornershop fan who can't find the fun in this gloppily poppy, post-modern mix of Afro-Cuban, Latin-American, Afro-American, and Italian-American good vibes is in hipster denial.
Jon Dolan
All Music Guide
Out of left field came German-born, Italian/Ugandan Lou Bega, scoring an international chart-topping single with his infectious "Mambo No. 5" -- the only thing that kept it from reaching the top of the U.S. charts was the fact that no American commercial single was ever issued. The rest of Bega's album, A Little Bit of Mambo, follows pretty much the same recipe as "Mambo No. 5." A couple of songs, including "1+1=2" and "I Got a Girl" are virtual rewrites of the aforementioned hit -- meaning that if one didn't enjoy "Mambo No. 5," then one would have a difficult time enjoying the rest of the album. Nonetheless, this breezy, feel-good disc is entirely intoxicating, incorporating Caribbean rhythms and instrumentals ("The Most Expensive Girl in the World," "Icecream"), mambo-meets-techno influences ("Can I Tico Tico You"), jazz and hip-hop ("The Trumpet Part II"), and old-time nostalgia ("Baby Keep Smiling"), to create one of 1999's most unusual and unique albums. Lou Bega's vocals are limited, to be sure, and the lyrics deal with little more than girls and partying (and are too ridiculous to be taken seriously), yet his charisma and good-natured intentions are undeniable. None of the songs on this disc came close to matching the success of "Mambo No. 5." The second single, the hypnotic, brass-heavy "Tricky Tricky" failed to even ignite the U.S. Top 40, rendering Bega as more a novelty act than anything else. Nonetheless, this album is unique in the pantheon of 1990s pop music, and those who enjoyed his hit will likely enjoy the rest of this feel-good, summery concoction. ~ Jose F. Promis, All Music Guide