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CD
Listener Rating: (38 ratings)
Detailed Rating: "Sound Quality" See All
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| Vinyl LP - Special Edition / Bonus CD | $24.99 |
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Kanye West doesn't rap on his fourth album, 808s And Heartbreak. Instead, according to MTV, the unpredictable hip-hop star sings on most of the album employing autotune and vocoder effects a la T-Pain. His beats are also noticeably more stripped down and rock influenced. Barnes & Noble
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November 18, 2009: Kanye west has long been praised as lifeblood for true hiphop (substance, depth, purpose, something different) in ways that is true "no flow" little or no mic skill and a limited vocab surpassed by most 8th graders when they hit puberty. Kanye cannot sing and T-pain's voice sounds like a strung out accordian n no-1 likes the acordian. This album has 3 good tracks amazing, heartless, love lockdown that is it. There is nothing noteworthy it does not grow on you its self absorbed of him to try n make an album like this like weezy believing his own hype kanye tried something different and failed miserably his last album was 3 times better it was only a 3 star record.
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August 10, 2009: 808s & Heartbreak has some really good songs (Welcome to Heartbreak, Heartless, Love Lockdown, Paranoid, Robocop, Coldest Winter) but it also has some pretty bad songs (Amazing, Street Lights, Bad News). I liked the driving beat of the music, but some of the songs were just dull and uninteresting. "Amazing" had a good beat, but was incredibly redundant to the point of exasperation. Overall, the CD is good, but far from perfect.
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Kanye West doesn't rap on his fourth album, 808s And Heartbreak. Instead, according to MTV, the unpredictable hip-hop star sings on most of the album employing autotune and vocoder effects a la T-Pain. His beats are also noticeably more stripped down and rock influenced.
Remember when Kanye West threatened to make an album where he would bear his heartbroken soul, align with T-Pain, sing on every song with the then inescapable Auto-Tune effect and, less problematically, lean on the common element -- the Roland TR-808 drum machine -- of classics like "Make It Last Forever," "Posse on Broadway," "808," and "Bossy"? It could have been a wreck, a case of an artist working through paralyzing heartache while loose in a toy store. Except West wasn't joking. Not only did he go through with it, but Roc-A-Fella released the result in time for the 2008 Christmas shopping season.
In various spots across 808s & Heartbreak, the constant flutter of West's processed voice is enlivened by the disarming manner in which despair and dejection are conveyed. When, in "Welcome to Heartbreak," he dispassionately recounts sitting alone on a flight, ahead of a laughing family, he makes first class sound like Siberia; he'd swap lives with the father in an instant. The majority of the lyrics, however, are directed at an ex who evidently did some damage; in "RoboCop" alone, she gets compared to the antagonist in Misery and is called a "spoiled little L.A. girl." Earlier in the album, the number she did on him is called "the coldest story ever told," yet he admits he still fantasizes about her. All the blocky drums, dragging strings, droning synths, and joyless pianos lead to a bleak set of productions -- even the synthetic calliope in "Heartless" is unnerved, and the relative pep of "Paranoid" provides no respite, its bitter lyrics subverting a boisterous beat. Several tracks have almost as much in common with irrefutably bleak post-punk albums, such as New Order's Movement and the Cure's Pornography, as contemporary rap and R&B. ("Coldest Winter," where West longs for his departed mother, samples the most desolate song from the first Tears for Fears album.) For anyone sifting through a broken relationship and self-letdown, this could all be therapeutic. Andy Kellman
In the end, it seems that no matter how pained West is, as long as his one true love—himself—is intact, he will prevail in the face of adversity. Mariel Concepcion
Loading...Album Credits | ||
| Performance Credits | ||
| Kanye West | Primary Artist | |
| Miles Davis | Bass | |
| Davis A. Barnett | Viola | |
| Jim Gilstrap | Vocals | |
| Phillip Ingram | Vocals | |
| Glenn Jordan | Vocals | |
| Charles Parker | Violin | |
| Olga Konopelsky | Violin | |
| Emma Kummrow | Violin | |
| Igor Szwec | Violin | |
| Gregory Teperman | Violin | |
| Alexandra Leem | Viola | |
| Jennie Lorenzo | Cello | |
| Jeff Bhasker | Keyboards | |
| Toni Williams | Background Vocals | |
| James J. Cooper III | Cello | |
| Kevin Dorley | Vocals | |
| Kadockadee Kwire | Vocals | |
| Luca Mazzochi | Violin | |
| Technical Credits | ||
| Alan Branch | Marketing | |
| Jeff Chestek | Engineer | |
| Larry Gold | String Arrangements, String Conductor | |
| Andrew Dawson | Engineer | |
| Kanye West | Executive Producer | |
| Anthony Kilhoffer | Engineer | |
| Chris Atlas | Marketing | |
| Kyambo "Hip Hop" Joshua | Executive Producer | |
| Don-C | Marketing | |
| Vlado Meller | Mastering | |
| Kris Yiengst | Artwork, Photo Coordination | |
| Carol Corless | Package Production | |
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