360 Degrees of Billy Paul [Bonus Track] Billy Paul

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CD - Remastered

  • Release Date: 03/01/2008
  • Original Release: 1972
  • Sales Rank: 2,307
  • Label: SBME SPECIAL MKTS.
  • UPC: 886972442822
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CD$7.99
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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360 Degrees of Billy Paul [Bonus Track]

1LISTENBrown Baby 4:35
2LISTENI'm Just a Prisoner 8:05
3LISTENIt's Too Late 4:34
4LISTENMe and Mrs. Jones 4:45
5LISTENAm I Black Enough for You? 5:16
6LISTENLet's Stay Together 6:26
7LISTENYour Song 6:32
8LISTENI'm Gonna Make It This Time 4:23
9LISTENMe and Mrs. Jones Live / Bonus Track 9:04

About this Artist

Editorial Reviews

Paul's first album for Philadelphia International was straight club jazz -- sales were slow. This time, Gamble & Huff gave Paul material strong enough to make his sophomore release a viable commercial entity. "Brown Baby" speaks of people of color making their parents and others proud, and the message is positive and correct. "I'm Just a Prisoner" is real but would have been better served without the string section. It's a stark depiction of a man who has served five years and is contemplating his future. It is about the unsettling fact that he's just a prisoner. Its chilling chorus tells it all -- "The cell is cold as hell/you'll never get use to the smell/my bed is hard as wood/I got to fight to keep my manhood." The riveting saga doesn't just end -- the fade is lengthy and features a dejected Paul woefully mourning about the conditions, the situation, and the turmoil of prison life. He sounds believable and frustrated belting "Me & Mrs. Jones," a classic that many relate to, and those who don't have no problem being down with the passionate singing and clawing lyrics describing the unapologetic infidelity. His "It's Too Late" is a fine rendition of Carole King's classic. You might not recognize "Let's Stay Together," popularized by Al Green. Paul does it MOR/jazz style, with a lot of improvising before crooning the original lyrics. It shows versatility, but people who bought "Jones" probably didn't appreciate it. A version of Elton John's "Your Song" introduced the Britisher to fans of soul music. Vince Montana's magical vibes punctuate the rhythm, which turns into a lightweight gospel revival. "Am I Black Enough for You" fit in with the times of overt black consciousness, a social message moved along by a perky bongo and clavinet-dominated beat and well-spaced, brassy horn hits. A too staid "I'm Gonna Make It This Time," co-written by Bunny Sigler, marked Paul's second adventure in urban, club jazz on 360 Degrees; this one has bite, and Paul sings it with fire. The 2002 CD reissue on Epic/Legacy adds a live version of "Me and Mrs. Jones" from Paul's 1974 Live in Europe album. Andrew Hamilton, All Music Guide

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