20th Century Masters - The Millennium Collection: The Best of Sammy Davis, Jr. Sammy Davis Jr.

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CD

  • Release Date: 09/17/2002
  • Sales Rank: 11,557
  • Label: POLYDOR / UMGD
  • UPC: 044006508320

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Track List
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20th Century Masters - The Millennium Collection: The Best of Sammy Davis, Jr.

1LISTENThe Candy Man From Willy Wonka and the Chocolate Factory 3:12
2LISTENI'll Begin Again From Scrooge/anastasia 2:33
3LISTENHave a Little Talk With Myself 3:28
4LISTENJohn Shaft 4:00
5LISTENThe People Tree 2:31
6LISTENMr. Bojangles 5:48
7LISTEN(I'd Be) A Legend in My Time 2:43
8LISTENI'm Not Anyone 4:10
9LISTENPorgy & Bess Medley: I Got Plenty of Nothin'/It Ain't Necessarily So 7:56
10LISTENFor Once in My Life 2:50
11LISTENBirth of the Blues/Ending - I've Gotta Be Me 3:37

About this Artist

Editorial Reviews

Nearly all of the Universal Music Group's releases under its discount-priced reissue series 20th Century Masters - The Millennium Collection are given the generic title "The Best of...," including this one on Sammy Davis, Jr. Although several of Davis' many label affiliations are now to be found in the Universal vaults, including Decca and Motown, this collection selects only from Davis' recordings for the MGM Records label in 1972 and 1973. As it happens, that brief tenure marked a commercial comeback on records for him, including his biggest single hit, the gold-selling, chart-topping "The Candy Man." But the early '70s was a confusing time for pre-rock pop singers like Davis, and that confusion is reflected in the diversity of styles found here. Davis essays familiar-sounding material like "I'll Begin Again" and "I'm Not Anyone," the sort of self-dramatizing ballads at which he excels. But there are also country-styled numbers ("Have a Little Talk with Myself," "[I'd Be] A Legend in My Time"), the folk-pop standard "Mr. Bojangles" (which Davis turned into something of a signature song), and a version of Isaac Hayes' "Theme from Shaft" retitled "John Shaft" and produced by Hayes himself. A live segment at the end including a "Porgy & Bess Medley" gives a sense of Davis' impressive on-stage skills. Although it was often atypical stylistically, the MGM period was an interesting one in Davis' long career, and fans will welcome the CD reissue of some of these tracks. William Ruhlmann, All Music Guide

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